Inscription of alterity, artifactization of the gaze: the photography of vulnerable people in Lee Jefries

Detalhes bibliográficos
Autor(a) principal: Biondi, Angie
Data de Publicação: 2020
Outros Autores: Teixeira, Rafael Tassi
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/45024
Resumo: This paper takes up the photographic work Lost Angels (2014), by Lee Jefries, which portraits people living on the streets in large urban centers, to think about how the effects of the structure in photographic image constitute a contingent relationship of alterity. Through these portraits of vulnerable people, Jeffries signs ways to summon the look articulated between the desired codification and the regularization of the aesthetic dimension. In this duality, the images are examined based on the possible repercussions of the modes of figuration that trigger a certain visual delight according to the ways in which the presence of people is called upon. We reflect on how documentary photography could offer visual operators in the topics of human portrait and what is its specific designation in these subjects’ exposures in a plastic and conversational perspective of the image. 
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spelling Inscription of alterity, artifactization of the gaze: the photography of vulnerable people in Lee JefriesInscrição de alteridade, artefatização do olhar: a fotografia de sujeitos vulneráveis em Lee Jeffriesdocumentary photographyinvisibilityvulnerability.fotografia documentalinvisibilidadevulnerabilidade.This paper takes up the photographic work Lost Angels (2014), by Lee Jefries, which portraits people living on the streets in large urban centers, to think about how the effects of the structure in photographic image constitute a contingent relationship of alterity. Through these portraits of vulnerable people, Jeffries signs ways to summon the look articulated between the desired codification and the regularization of the aesthetic dimension. In this duality, the images are examined based on the possible repercussions of the modes of figuration that trigger a certain visual delight according to the ways in which the presence of people is called upon. We reflect on how documentary photography could offer visual operators in the topics of human portrait and what is its specific designation in these subjects’ exposures in a plastic and conversational perspective of the image. O trabalho retoma o conjunto fotográfico Lost Angels (2014), de Lee Jeffries, que retrata pessoas em situação de rua nos grandes centros urbanos, para pensar como os efeitos da estruturação da imagem fotográfica constituem uma relação de alteridade contingencializada. Através dos retratos de sujeitos vulneráveis, Jeffries assina modos de convocação do olhar articulados entre a codificação desejada e a regularização da dimensão estética. Nessa dualidade particular, as imagens são examinadas a partir das repercussões possíveis em regimes de figuração que acionam certo deleite visual conforme modos de convocação da presença dos sujeitos. Discutimos como a fotografia documental ainda poderia oferecer operadores visuais nas tópicas do retrato humano e qual sua designação específica nas exposições destes sujeitos em uma perspectiva plástica e conversacional da imagem. PEPG COS-PUC-SP2020-10-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/45024Galaxia; No. 45 (2020)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 45 (2020)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/45024/33171Copyright (c) 2020 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessBiondi, AngieTeixeira, Rafael Tassi2020-10-07T13:21:29Zoai:ojs.pkp.sfu.ca:article/45024Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2020-10-07T13:21:29Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Inscription of alterity, artifactization of the gaze: the photography of vulnerable people in Lee Jefries
Inscrição de alteridade, artefatização do olhar: a fotografia de sujeitos vulneráveis em Lee Jeffries
title Inscription of alterity, artifactization of the gaze: the photography of vulnerable people in Lee Jefries
spellingShingle Inscription of alterity, artifactization of the gaze: the photography of vulnerable people in Lee Jefries
Biondi, Angie
documentary photography
invisibility
vulnerability.
fotografia documental
invisibilidade
vulnerabilidade.
title_short Inscription of alterity, artifactization of the gaze: the photography of vulnerable people in Lee Jefries
title_full Inscription of alterity, artifactization of the gaze: the photography of vulnerable people in Lee Jefries
title_fullStr Inscription of alterity, artifactization of the gaze: the photography of vulnerable people in Lee Jefries
title_full_unstemmed Inscription of alterity, artifactization of the gaze: the photography of vulnerable people in Lee Jefries
title_sort Inscription of alterity, artifactization of the gaze: the photography of vulnerable people in Lee Jefries
author Biondi, Angie
author_facet Biondi, Angie
Teixeira, Rafael Tassi
author_role author
author2 Teixeira, Rafael Tassi
author2_role author
dc.contributor.author.fl_str_mv Biondi, Angie
Teixeira, Rafael Tassi
dc.subject.por.fl_str_mv documentary photography
invisibility
vulnerability.
fotografia documental
invisibilidade
vulnerabilidade.
topic documentary photography
invisibility
vulnerability.
fotografia documental
invisibilidade
vulnerabilidade.
description This paper takes up the photographic work Lost Angels (2014), by Lee Jefries, which portraits people living on the streets in large urban centers, to think about how the effects of the structure in photographic image constitute a contingent relationship of alterity. Through these portraits of vulnerable people, Jeffries signs ways to summon the look articulated between the desired codification and the regularization of the aesthetic dimension. In this duality, the images are examined based on the possible repercussions of the modes of figuration that trigger a certain visual delight according to the ways in which the presence of people is called upon. We reflect on how documentary photography could offer visual operators in the topics of human portrait and what is its specific designation in these subjects’ exposures in a plastic and conversational perspective of the image. 
publishDate 2020
dc.date.none.fl_str_mv 2020-10-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/45024
url https://revistas.pucsp.br/index.php/galaxia/article/view/45024
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/45024/33171
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 45 (2020)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 45 (2020)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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