Omayra: reflections on face, photography and their political issues
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/22644 |
Resumo: | This article proposes some re ections on the girl Omayra Sanchez’s photograph to reveal how photojournalistic image can constitute someone’s face by making it subject to our glance. The printed face on the photographic surface makes the stranger appear and brings out the place of communication and reciprocity. At the same time, the politics of image can reveal a “being common”, or an uncommon, or a piece of someone else that is not easy to apprehend, not translatable into communication. In a threefold session, this article seeks to understand how that image shows us the other’s place transformed by the promise of my place, assuming an aesthetic, ethical, and political aspect. Opening, passage and interdiction compose the movements of the intermittent, productive process of subjectifying glances and gestures. |
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Omayra: reflections on face, photography and their political issuesOmayra: ensaios sobre o rosto, uma fotografia e suas políticasfotojornalismoimagempolíticarostophotojournalismimagepoliticsface.This article proposes some re ections on the girl Omayra Sanchez’s photograph to reveal how photojournalistic image can constitute someone’s face by making it subject to our glance. The printed face on the photographic surface makes the stranger appear and brings out the place of communication and reciprocity. At the same time, the politics of image can reveal a “being common”, or an uncommon, or a piece of someone else that is not easy to apprehend, not translatable into communication. In a threefold session, this article seeks to understand how that image shows us the other’s place transformed by the promise of my place, assuming an aesthetic, ethical, and political aspect. Opening, passage and interdiction compose the movements of the intermittent, productive process of subjectifying glances and gestures. O presente artigo parte da fotogra a da menina Omayra Sanchez para refletir acerca de como a imagem fotojornalística pode conferir rosto a um indivíduo, tornando-o sujeito pelo nosso olhar. O rosto encarnado na superfície fotográfica permite o aparecer do estranho, fazendo emergir o lugar da comunicação, da reciprocidade. A política da imagem pode, ao mesmo tempo, revelar um “em comum”, um incomum e uma parte de outrem que não se deixa apreender, que não consegue traduzir-se em comunicação. Por meio da elaboração de três seções interligadas, buscamos entender como esta imagem nos apresenta o lugar do outro que se transforma na promessa do meu próprio lugar, assumindo um caráter estético, ético e político. Abertura, passagem e interdição compõem os movimentos do processo intermitente de produção de gestos e olhares subjetivantes. PEPG COS-PUC-SP2016-12-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/22644Galaxia; No. 33 (2016)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 33 (2016)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/22644/21228Biondi, AngieSalgueiro Marques, Angela Cristinainfo:eu-repo/semantics/openAccess2016-12-04T14:14:10Zoai:ojs.pkp.sfu.ca:article/22644Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2016-12-04T14:14:10Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Omayra: reflections on face, photography and their political issues Omayra: ensaios sobre o rosto, uma fotografia e suas políticas |
title |
Omayra: reflections on face, photography and their political issues |
spellingShingle |
Omayra: reflections on face, photography and their political issues Biondi, Angie fotojornalismo imagem política rosto photojournalism image politics face. |
title_short |
Omayra: reflections on face, photography and their political issues |
title_full |
Omayra: reflections on face, photography and their political issues |
title_fullStr |
Omayra: reflections on face, photography and their political issues |
title_full_unstemmed |
Omayra: reflections on face, photography and their political issues |
title_sort |
Omayra: reflections on face, photography and their political issues |
author |
Biondi, Angie |
author_facet |
Biondi, Angie Salgueiro Marques, Angela Cristina |
author_role |
author |
author2 |
Salgueiro Marques, Angela Cristina |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Biondi, Angie Salgueiro Marques, Angela Cristina |
dc.subject.por.fl_str_mv |
fotojornalismo imagem política rosto photojournalism image politics face. |
topic |
fotojornalismo imagem política rosto photojournalism image politics face. |
description |
This article proposes some re ections on the girl Omayra Sanchez’s photograph to reveal how photojournalistic image can constitute someone’s face by making it subject to our glance. The printed face on the photographic surface makes the stranger appear and brings out the place of communication and reciprocity. At the same time, the politics of image can reveal a “being common”, or an uncommon, or a piece of someone else that is not easy to apprehend, not translatable into communication. In a threefold session, this article seeks to understand how that image shows us the other’s place transformed by the promise of my place, assuming an aesthetic, ethical, and political aspect. Opening, passage and interdiction compose the movements of the intermittent, productive process of subjectifying glances and gestures. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-12-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/22644 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/22644 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/22644/21228 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 33 (2016) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 33 (2016) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
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