Omayra: reflections on face, photography and their political issues

Detalhes bibliográficos
Autor(a) principal: Biondi, Angie
Data de Publicação: 2016
Outros Autores: Salgueiro Marques, Angela Cristina
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/22644
Resumo: This article proposes some re ections on the girl Omayra Sanchez’s photograph to reveal how photojournalistic image can constitute someone’s face by making it subject to our glance. The printed face on the photographic surface makes the stranger appear and brings out the place of communication and reciprocity. At the same time, the politics of image can reveal a “being common”, or an uncommon, or a piece of someone else that is not easy to apprehend, not translatable into communication. In a threefold session, this article seeks to understand how that image shows us the other’s place transformed by the promise of my place, assuming an aesthetic, ethical, and political aspect. Opening, passage and interdiction compose the movements of the intermittent, productive process of subjectifying glances and gestures. 
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spelling Omayra: reflections on face, photography and their political issuesOmayra: ensaios sobre o rosto, uma fotografia e suas políticasfotojornalismoimagempolíticarostophotojournalismimagepoliticsface.This article proposes some re ections on the girl Omayra Sanchez’s photograph to reveal how photojournalistic image can constitute someone’s face by making it subject to our glance. The printed face on the photographic surface makes the stranger appear and brings out the place of communication and reciprocity. At the same time, the politics of image can reveal a “being common”, or an uncommon, or a piece of someone else that is not easy to apprehend, not translatable into communication. In a threefold session, this article seeks to understand how that image shows us the other’s place transformed by the promise of my place, assuming an aesthetic, ethical, and political aspect. Opening, passage and interdiction compose the movements of the intermittent, productive process of subjectifying glances and gestures. O presente artigo parte da fotogra a da menina Omayra Sanchez para refletir acerca de como a imagem fotojornalística pode conferir rosto a um indivíduo, tornando-o sujeito pelo nosso olhar. O rosto encarnado na superfície fotográfica permite o aparecer do estranho, fazendo emergir o lugar da comunicação, da reciprocidade. A política da imagem pode, ao mesmo tempo, revelar um “em comum”, um incomum e uma parte de outrem que não se deixa apreender, que não consegue traduzir-se em comunicação. Por meio da elaboração de três seções interligadas, buscamos entender como esta imagem nos apresenta o lugar do outro que se transforma na promessa do meu próprio lugar, assumindo um caráter estético, ético e político. Abertura, passagem e interdição compõem os movimentos do processo intermitente de produção de gestos e olhares subjetivantes. PEPG COS-PUC-SP2016-12-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/22644Galaxia; No. 33 (2016)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 33 (2016)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/22644/21228Biondi, AngieSalgueiro Marques, Angela Cristinainfo:eu-repo/semantics/openAccess2016-12-04T14:14:10Zoai:ojs.pkp.sfu.ca:article/22644Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2016-12-04T14:14:10Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Omayra: reflections on face, photography and their political issues
Omayra: ensaios sobre o rosto, uma fotografia e suas políticas
title Omayra: reflections on face, photography and their political issues
spellingShingle Omayra: reflections on face, photography and their political issues
Biondi, Angie
fotojornalismo
imagem
política
rosto
photojournalism
image
politics
face.
title_short Omayra: reflections on face, photography and their political issues
title_full Omayra: reflections on face, photography and their political issues
title_fullStr Omayra: reflections on face, photography and their political issues
title_full_unstemmed Omayra: reflections on face, photography and their political issues
title_sort Omayra: reflections on face, photography and their political issues
author Biondi, Angie
author_facet Biondi, Angie
Salgueiro Marques, Angela Cristina
author_role author
author2 Salgueiro Marques, Angela Cristina
author2_role author
dc.contributor.author.fl_str_mv Biondi, Angie
Salgueiro Marques, Angela Cristina
dc.subject.por.fl_str_mv fotojornalismo
imagem
política
rosto
photojournalism
image
politics
face.
topic fotojornalismo
imagem
política
rosto
photojournalism
image
politics
face.
description This article proposes some re ections on the girl Omayra Sanchez’s photograph to reveal how photojournalistic image can constitute someone’s face by making it subject to our glance. The printed face on the photographic surface makes the stranger appear and brings out the place of communication and reciprocity. At the same time, the politics of image can reveal a “being common”, or an uncommon, or a piece of someone else that is not easy to apprehend, not translatable into communication. In a threefold session, this article seeks to understand how that image shows us the other’s place transformed by the promise of my place, assuming an aesthetic, ethical, and political aspect. Opening, passage and interdiction compose the movements of the intermittent, productive process of subjectifying glances and gestures. 
publishDate 2016
dc.date.none.fl_str_mv 2016-12-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/22644
url https://revistas.pucsp.br/index.php/galaxia/article/view/22644
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/22644/21228
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 33 (2016)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 33 (2016)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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