Black Mirror’s episode Be right back: technologies, finitude, and the art of finding an end
Autor(a) principal: | |
---|---|
Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/41169 |
Resumo: | The paper analyses Black Mirror’s episode Be right Back in order to discuss certain contemporary issues concerning the technological agenda. It highlights its Faustic inflexion such as emphasized by the Portuguese sociologist Hermínio Martins, and relates this question to José Gil’s investigations on the closure of the porosity of the skin, as well as its effects on the corrosion of Eros. Finally, it refers to the Nietzschean art of finding an end as a counterpoint to the sufferings related to loss and finitude, which constitute the central problem explored in Be right back. |
id |
PUC_SP-8_5dc7420d209e8a9dbc654a88c04865dc |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/41169 |
network_acronym_str |
PUC_SP-8 |
network_name_str |
Galáxia (São Paulo) |
repository_id_str |
|
spelling |
Black Mirror’s episode Be right back: technologies, finitude, and the art of finding an endVolto já (Be right back), de Black Mirror: tecnologias, finitude e a arte de saber terminarBlack MirrorFaustic notion of technologycontemporary culturefinitudeBlack-Mirrorinflexão fáustica da tecnologiacultura contemporânea e finitude.The paper analyses Black Mirror’s episode Be right Back in order to discuss certain contemporary issues concerning the technological agenda. It highlights its Faustic inflexion such as emphasized by the Portuguese sociologist Hermínio Martins, and relates this question to José Gil’s investigations on the closure of the porosity of the skin, as well as its effects on the corrosion of Eros. Finally, it refers to the Nietzschean art of finding an end as a counterpoint to the sufferings related to loss and finitude, which constitute the central problem explored in Be right back. A partir de uma retomada detalhada e comentada do episódio Volto já da série Black Mirror, o artigo discute a agenda atual da tecnociência em sua inflexão fáustica, com base nos trabalhos seminais de Hermínio Martins. Convoca, a seguir, José Gil para relacionar o impulso fáustico ao fechamento da porosidade da pele e à corrosão de Eros. Por fim, remete à proposta nietzschiana da arte de saber terminar como um contraponto aos sofrimentos com relação à perda e à finitude, tema central do episódio Volto já, de Black Mirror. PEPG COS-PUC-SP2019-06-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/41169Galaxia; No. 41 (2019)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 41 (2019)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/41169/28672Copyright (c) 2019 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessFerraz, Maria Cristina Franco2019-06-15T13:50:47Zoai:ojs.pkp.sfu.ca:article/41169Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2019-06-15T13:50:47Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Black Mirror’s episode Be right back: technologies, finitude, and the art of finding an end Volto já (Be right back), de Black Mirror: tecnologias, finitude e a arte de saber terminar |
title |
Black Mirror’s episode Be right back: technologies, finitude, and the art of finding an end |
spellingShingle |
Black Mirror’s episode Be right back: technologies, finitude, and the art of finding an end Ferraz, Maria Cristina Franco Black Mirror Faustic notion of technology contemporary culture finitude Black-Mirror inflexão fáustica da tecnologia cultura contemporânea e finitude. |
title_short |
Black Mirror’s episode Be right back: technologies, finitude, and the art of finding an end |
title_full |
Black Mirror’s episode Be right back: technologies, finitude, and the art of finding an end |
title_fullStr |
Black Mirror’s episode Be right back: technologies, finitude, and the art of finding an end |
title_full_unstemmed |
Black Mirror’s episode Be right back: technologies, finitude, and the art of finding an end |
title_sort |
Black Mirror’s episode Be right back: technologies, finitude, and the art of finding an end |
author |
Ferraz, Maria Cristina Franco |
author_facet |
Ferraz, Maria Cristina Franco |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ferraz, Maria Cristina Franco |
dc.subject.por.fl_str_mv |
Black Mirror Faustic notion of technology contemporary culture finitude Black-Mirror inflexão fáustica da tecnologia cultura contemporânea e finitude. |
topic |
Black Mirror Faustic notion of technology contemporary culture finitude Black-Mirror inflexão fáustica da tecnologia cultura contemporânea e finitude. |
description |
The paper analyses Black Mirror’s episode Be right Back in order to discuss certain contemporary issues concerning the technological agenda. It highlights its Faustic inflexion such as emphasized by the Portuguese sociologist Hermínio Martins, and relates this question to José Gil’s investigations on the closure of the porosity of the skin, as well as its effects on the corrosion of Eros. Finally, it refers to the Nietzschean art of finding an end as a counterpoint to the sufferings related to loss and finitude, which constitute the central problem explored in Be right back. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-06-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/41169 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/41169 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/41169/28672 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 41 (2019) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 41 (2019) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129331712131072 |