Between cinema and contemporary art

Detalhes bibliográficos
Autor(a) principal: Parente, André
Data de Publicação: 2009
Outros Autores: Carvalho, Victa
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/2093
Resumo: Between cinema and contemporary art — How is the new media changing the original architectural, technological, and discursive dimensions of the “device” cinema? How do these experiments create new displacements or points of departure from the instituted representation model? The notion of “device” allows us to rethink cinema, avoiding cleavages and technological, historical and aesthetic determinisms. Unlike the dominant cinema, several cinematographic works reinvent the cinematographic “device”, multiplying screens, exploiting other durations and intensities, transforming the projection room architecture, and entertaining other relations with spectators.
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spelling Between cinema and contemporary artEntre cinema e arte contemporâneaBetween cinema and contemporary art — How is the new media changing the original architectural, technological, and discursive dimensions of the “device” cinema? How do these experiments create new displacements or points of departure from the instituted representation model? The notion of “device” allows us to rethink cinema, avoiding cleavages and technological, historical and aesthetic determinisms. Unlike the dominant cinema, several cinematographic works reinvent the cinematographic “device”, multiplying screens, exploiting other durations and intensities, transforming the projection room architecture, and entertaining other relations with spectators.De que modo as novas mídias estão transformando o dispositivo do cinema em suas dimensões primordiais: arquitetônica, tecnológica e discursiva? Como essas experiências criam novos deslocamentos ou pontos de fuga em relação ao modelo de representação instituído? A noção de dispositivo nos permite repensar o cinema, evitando clivagens e determinismos tecnológicos, históricos e estéticos. Ao contrário do cinema dominante, muitas obras cinematográficas reinventam o dispositivo cinematográfico, multiplicando as telas, explorando outras durações e intensidades, transformando a arquitetura da sala de projeção, entretendo outras relações com os espectadores.PEPG COS-PUC-SP2009-09-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/2093Galaxia; No. 17 (2009)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 17 (2009)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/2093/1238Parente, AndréCarvalho, Victainfo:eu-repo/semantics/openAccess2024-05-15T14:01:06Zoai:ojs.pkp.sfu.ca:article/2093Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:06Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Between cinema and contemporary art
Entre cinema e arte contemporânea
title Between cinema and contemporary art
spellingShingle Between cinema and contemporary art
Parente, André
title_short Between cinema and contemporary art
title_full Between cinema and contemporary art
title_fullStr Between cinema and contemporary art
title_full_unstemmed Between cinema and contemporary art
title_sort Between cinema and contemporary art
author Parente, André
author_facet Parente, André
Carvalho, Victa
author_role author
author2 Carvalho, Victa
author2_role author
dc.contributor.author.fl_str_mv Parente, André
Carvalho, Victa
description Between cinema and contemporary art — How is the new media changing the original architectural, technological, and discursive dimensions of the “device” cinema? How do these experiments create new displacements or points of departure from the instituted representation model? The notion of “device” allows us to rethink cinema, avoiding cleavages and technological, historical and aesthetic determinisms. Unlike the dominant cinema, several cinematographic works reinvent the cinematographic “device”, multiplying screens, exploiting other durations and intensities, transforming the projection room architecture, and entertaining other relations with spectators.
publishDate 2009
dc.date.none.fl_str_mv 2009-09-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/2093
url https://revistas.pucsp.br/index.php/galaxia/article/view/2093
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/2093/1238
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 17 (2009)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 17 (2009)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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