The mystical body of the experimental film actor
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/58379 |
Resumo: | Outside the aesthetic and institutional framework of what was conventionally called classic cinematographic art, there was a thriving group of film acting performances - mostly experimental - whose aesthetic program was to take a thesis that pervades much of the acting theory to its performative dimension (theater and cinema): his holiness, possession, or mysticism. This work intends, then, to make up a genealogy of acting forms in cinema that generated this thesis of the transcendentality of the actor's work through Christian iconography, but here degraded by its surroundings marked by violence, hunger and injustice. Thus, anticlericalism and a heritage of the visual arts serve as a methodological basis for accessing this proposal of genealogical study of experimental forms of film acting. |
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The mystical body of the experimental film actor O corpo místico do ator experimental no cinemaExperimental filmFilm actingMystical bodyChristian iconographyCinema experimentaAtor cinematográficoCorpo místicoIconografia cristãOutside the aesthetic and institutional framework of what was conventionally called classic cinematographic art, there was a thriving group of film acting performances - mostly experimental - whose aesthetic program was to take a thesis that pervades much of the acting theory to its performative dimension (theater and cinema): his holiness, possession, or mysticism. This work intends, then, to make up a genealogy of acting forms in cinema that generated this thesis of the transcendentality of the actor's work through Christian iconography, but here degraded by its surroundings marked by violence, hunger and injustice. Thus, anticlericalism and a heritage of the visual arts serve as a methodological basis for accessing this proposal of genealogical study of experimental forms of film acting.Fora do enquadramento estético e institucional do que se convencionou chamar de arte cinematográfica clássica, houve um pujante grupo de manifestações atorais no cinema — majoritariamente de vertente experimental— cujo programa foi levar para a dimensão performativa de seu métier uma tese que perpassa muito da teoria do ator (no teatro e no cinema): sua santidade, possessão ou misticismo. Este trabalho intenta, então, perfazer uma genealogia de formas atorais no cinema que figuravam essa tese da transcendentalidade do trabalho do ator por meio da iconografia cristã, degradada nesses filmes pelo seu entorno marcado por violência, fome e injustiça. Assim, anticlericalismo e herança das artes visuais servem de base metodológica para acessar essa proposta de genealogia das formas atorais experimentais no cinema em três principais vias temáticas: 1) a revelação; 2) a crucificação e figura crística; 3) a Pietá e a Mater Dolorosa.PEPG COS-PUC-SP2023-03-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/58379Galaxia; Vol. 48 No. 1 (2023): GaláxiaGALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; v. 48 n. 1 (2023): Galáxia1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/58379/41723Copyright (c) 2023 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semióticahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessde Oliveira, Sandro2023-03-21T14:08:42Zoai:ojs.pkp.sfu.ca:article/58379Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2023-03-21T14:08:42Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
The mystical body of the experimental film actor O corpo místico do ator experimental no cinema |
title |
The mystical body of the experimental film actor |
spellingShingle |
The mystical body of the experimental film actor de Oliveira, Sandro Experimental film Film acting Mystical body Christian iconography Cinema experimenta Ator cinematográfico Corpo místico Iconografia cristã |
title_short |
The mystical body of the experimental film actor |
title_full |
The mystical body of the experimental film actor |
title_fullStr |
The mystical body of the experimental film actor |
title_full_unstemmed |
The mystical body of the experimental film actor |
title_sort |
The mystical body of the experimental film actor |
author |
de Oliveira, Sandro |
author_facet |
de Oliveira, Sandro |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Oliveira, Sandro |
dc.subject.por.fl_str_mv |
Experimental film Film acting Mystical body Christian iconography Cinema experimenta Ator cinematográfico Corpo místico Iconografia cristã |
topic |
Experimental film Film acting Mystical body Christian iconography Cinema experimenta Ator cinematográfico Corpo místico Iconografia cristã |
description |
Outside the aesthetic and institutional framework of what was conventionally called classic cinematographic art, there was a thriving group of film acting performances - mostly experimental - whose aesthetic program was to take a thesis that pervades much of the acting theory to its performative dimension (theater and cinema): his holiness, possession, or mysticism. This work intends, then, to make up a genealogy of acting forms in cinema that generated this thesis of the transcendentality of the actor's work through Christian iconography, but here degraded by its surroundings marked by violence, hunger and injustice. Thus, anticlericalism and a heritage of the visual arts serve as a methodological basis for accessing this proposal of genealogical study of experimental forms of film acting. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-03-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/58379 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/58379 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/58379/41723 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; Vol. 48 No. 1 (2023): Galáxia GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; v. 48 n. 1 (2023): Galáxia 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129332345470976 |