The nude and the dressed: (on the occasion of the discovery of Brazil)

Detalhes bibliográficos
Autor(a) principal: da Rosa, Victor Luiz
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/57846
Resumo: This article seeks to approach Brazilian modernism from its possible connections with fashion. From the alleged inspiration of the brazilian Modern Art Week in a French fashion week to the new look that Flávio de Carvalho developed for a performance in the 1950s, the article also goes through the works of Oswald de Andrade, Mário de Andrade and Tarsila do Amaral. In this way, it interprets a set of literary texts, paintings, controversies and even a certain number of performances that were exhibited and published throughout the modernist period guided by fashion in its two main aspects: time and clothing. The article also  concludes, through an etymological suggestion, that for the modernists the very idea of discovery, as an act of knowledge, would be associated with the nudity condition.
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spelling The nude and the dressed: (on the occasion of the discovery of Brazil)O nu e o vestido: (por ocasião da descoberta do Brasil)Brazilian modernismModern art weeknudityfashioModernismo brasileiroSemana de arte modernamodanudezThis article seeks to approach Brazilian modernism from its possible connections with fashion. From the alleged inspiration of the brazilian Modern Art Week in a French fashion week to the new look that Flávio de Carvalho developed for a performance in the 1950s, the article also goes through the works of Oswald de Andrade, Mário de Andrade and Tarsila do Amaral. In this way, it interprets a set of literary texts, paintings, controversies and even a certain number of performances that were exhibited and published throughout the modernist period guided by fashion in its two main aspects: time and clothing. The article also  concludes, through an etymological suggestion, that for the modernists the very idea of discovery, as an act of knowledge, would be associated with the nudity condition.O presente artigo apresenta uma compreensão do modernismo brasileiro com base em suas relações possíveis com a moda. Desde a suposta inspiração da Semana de Arte Moderna em uma fashion week francesa até o new look que Flávio de Carvalho desenvolve para uma performance já nos anos 1950, o artigo passa ainda pelas obras de Oswald de Andrade, Mário de Andrade e Tarsila do Amaral. Dessa forma, interpreta um conjunto de textos literários, quadros, polêmicas e até mesmo certas performances ocorridas, expostas e publicadas ao longo do período modernista, que se orientaram pela moda em seus dois principais aspectos: o tempo e o vestuário. E conclui, por meio de uma sugestão etimológica, que, para os modernistas, a própria ideia de descoberta, como ato do conhecimento, se associaria à condição da nudez.PEPG COS-PUC-SP2022-06-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/57846Galaxia; No. 47 (2022): GaláxiaGALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/57846/39926Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semióticahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessda Rosa, Victor Luiz2022-06-21T13:55:56Zoai:ojs.pkp.sfu.ca:article/57846Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2022-06-21T13:55:56Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv The nude and the dressed: (on the occasion of the discovery of Brazil)
O nu e o vestido: (por ocasião da descoberta do Brasil)
title The nude and the dressed: (on the occasion of the discovery of Brazil)
spellingShingle The nude and the dressed: (on the occasion of the discovery of Brazil)
da Rosa, Victor Luiz
Brazilian modernism
Modern art week
nudity
fashio
Modernismo brasileiro
Semana de arte moderna
moda
nudez
title_short The nude and the dressed: (on the occasion of the discovery of Brazil)
title_full The nude and the dressed: (on the occasion of the discovery of Brazil)
title_fullStr The nude and the dressed: (on the occasion of the discovery of Brazil)
title_full_unstemmed The nude and the dressed: (on the occasion of the discovery of Brazil)
title_sort The nude and the dressed: (on the occasion of the discovery of Brazil)
author da Rosa, Victor Luiz
author_facet da Rosa, Victor Luiz
author_role author
dc.contributor.author.fl_str_mv da Rosa, Victor Luiz
dc.subject.por.fl_str_mv Brazilian modernism
Modern art week
nudity
fashio
Modernismo brasileiro
Semana de arte moderna
moda
nudez
topic Brazilian modernism
Modern art week
nudity
fashio
Modernismo brasileiro
Semana de arte moderna
moda
nudez
description This article seeks to approach Brazilian modernism from its possible connections with fashion. From the alleged inspiration of the brazilian Modern Art Week in a French fashion week to the new look that Flávio de Carvalho developed for a performance in the 1950s, the article also goes through the works of Oswald de Andrade, Mário de Andrade and Tarsila do Amaral. In this way, it interprets a set of literary texts, paintings, controversies and even a certain number of performances that were exhibited and published throughout the modernist period guided by fashion in its two main aspects: time and clothing. The article also  concludes, through an etymological suggestion, that for the modernists the very idea of discovery, as an act of knowledge, would be associated with the nudity condition.
publishDate 2022
dc.date.none.fl_str_mv 2022-06-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/57846
url https://revistas.pucsp.br/index.php/galaxia/article/view/57846
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/57846/39926
dc.rights.driver.fl_str_mv Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 47 (2022): Galáxia
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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