The Imprisonment of women: The Handmaid’s Tale in contemporary times

Detalhes bibliográficos
Autor(a) principal: Paula, Luciane de
Data de Publicação: 2022
Outros Autores: dos Santos Batista, Rafaela
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/55571
Resumo: This article analyzes, through the bakhtinian method, the TV series The Handmaid’s Tale (2017, 2018, 2019) in comparison with Porta dos Fundos’ sketch Handmaid’s Tale (2019), which makes references to Brazilian politics scenario. This work’s aim is to reflect on: how present the discourse depicted in the TV show is; the value attributed to women and the relation between the TV series and Brazilian society. This paper is based on bakhthin- ian studies. In order to exemplify the relation between Brazilian society and the TV series, two Instagram posts will be analyzed. This study is justified by its social relevance. The results show how the current Brazilian government intensifies inequality through its patriarchal practices, which are sustained by religious discourses.
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spelling The Imprisonment of women: The Handmaid’s Tale in contemporary timesO aprisionamento da mulher: The Handmaid´'s Tale na contemporaneidadeBakhtin CirclePatriarchyGenderWomanArt and LifeCírculo de BakhtinPatriarcadoGêneroMulherArte e vidaThis article analyzes, through the bakhtinian method, the TV series The Handmaid’s Tale (2017, 2018, 2019) in comparison with Porta dos Fundos’ sketch Handmaid’s Tale (2019), which makes references to Brazilian politics scenario. This work’s aim is to reflect on: how present the discourse depicted in the TV show is; the value attributed to women and the relation between the TV series and Brazilian society. This paper is based on bakhthin- ian studies. In order to exemplify the relation between Brazilian society and the TV series, two Instagram posts will be analyzed. This study is justified by its social relevance. The results show how the current Brazilian government intensifies inequality through its patriarchal practices, which are sustained by religious discourses.Este artigo analisa, com base no método bakhtiniano, o enunciado estético do seriado The handmaid’s tale (2017, 2018, 2019), em cotejo com o esquete do Porta dos fundos, denominado Handmaid’s tale (2019), relacionado à política brasileira. Os objetivos são refletir sobre: a atualidade do discurso da série; a valoração da mulher; o seriado relacionado à sociedade brasileira. Os estudos bakhtinianos fundamentam esta escrita e a relevância social jus- tifica o estudo. Para exemplificar a relação com a sociedade brasileira, como cotejo, são trabalhados dois posts do Instagram. Os resultados revelam quanto o atual governo intensifica as desigualdades, com suas práticas patriarcais, sustentadas pelo discurso religioso.PEPG COS-PUC-SP2022-06-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/55571Galaxia; No. 47 (2022): GaláxiaGALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/55571/39920Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semióticahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPaula, Luciane dedos Santos Batista, Rafaela2022-06-21T13:55:56Zoai:ojs.pkp.sfu.ca:article/55571Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2022-06-21T13:55:56Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv The Imprisonment of women: The Handmaid’s Tale in contemporary times
O aprisionamento da mulher: The Handmaid´'s Tale na contemporaneidade
title The Imprisonment of women: The Handmaid’s Tale in contemporary times
spellingShingle The Imprisonment of women: The Handmaid’s Tale in contemporary times
Paula, Luciane de
Bakhtin Circle
Patriarchy
Gender
Woman
Art and Life
Círculo de Bakhtin
Patriarcado
Gênero
Mulher
Arte e vida
title_short The Imprisonment of women: The Handmaid’s Tale in contemporary times
title_full The Imprisonment of women: The Handmaid’s Tale in contemporary times
title_fullStr The Imprisonment of women: The Handmaid’s Tale in contemporary times
title_full_unstemmed The Imprisonment of women: The Handmaid’s Tale in contemporary times
title_sort The Imprisonment of women: The Handmaid’s Tale in contemporary times
author Paula, Luciane de
author_facet Paula, Luciane de
dos Santos Batista, Rafaela
author_role author
author2 dos Santos Batista, Rafaela
author2_role author
dc.contributor.author.fl_str_mv Paula, Luciane de
dos Santos Batista, Rafaela
dc.subject.por.fl_str_mv Bakhtin Circle
Patriarchy
Gender
Woman
Art and Life
Círculo de Bakhtin
Patriarcado
Gênero
Mulher
Arte e vida
topic Bakhtin Circle
Patriarchy
Gender
Woman
Art and Life
Círculo de Bakhtin
Patriarcado
Gênero
Mulher
Arte e vida
description This article analyzes, through the bakhtinian method, the TV series The Handmaid’s Tale (2017, 2018, 2019) in comparison with Porta dos Fundos’ sketch Handmaid’s Tale (2019), which makes references to Brazilian politics scenario. This work’s aim is to reflect on: how present the discourse depicted in the TV show is; the value attributed to women and the relation between the TV series and Brazilian society. This paper is based on bakhthin- ian studies. In order to exemplify the relation between Brazilian society and the TV series, two Instagram posts will be analyzed. This study is justified by its social relevance. The results show how the current Brazilian government intensifies inequality through its patriarchal practices, which are sustained by religious discourses.
publishDate 2022
dc.date.none.fl_str_mv 2022-06-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/55571
url https://revistas.pucsp.br/index.php/galaxia/article/view/55571
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/55571/39920
dc.rights.driver.fl_str_mv Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 47 (2022): Galáxia
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 47 (2022): Galáxia
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
_version_ 1799129332295139328

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