The virtual backlands: posts on the soap opera “Tieta” in the Viva Channel of cial profiles in Facebook
Autor(a) principal: | |
---|---|
Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/33605 |
Resumo: | The aim is to examine the posts on the soap opera “Tieta” in Viva Channel’s official profile in Facebook and the comments of its followers. The central argument points out that the mobilization of images and videos of an empowered female character like Tieta fuels debates in the social network about gender relations. The texts that follow the posted material stimulate the public to take a more active role through the Internet . The followers’ comments point out that the replay of “Tieta” is a memory device of televised ction that reveals areas of clash and negotiation regarding cultural changes. |
id |
PUC_SP-8_876c8538c8f16b5de20593cdf7388919 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/33605 |
network_acronym_str |
PUC_SP-8 |
network_name_str |
Galáxia (São Paulo) |
repository_id_str |
|
spelling |
The virtual backlands: posts on the soap opera “Tieta” in the Viva Channel of cial profiles in FacebookO agreste virtual: as postagens sobre a novela “Tieta” no perfil oficial do Canal Viva no FacebookTietaCanal VivaFacebooktelenovelaTietaViva Channelfacebooksoap opera. The aim is to examine the posts on the soap opera “Tieta” in Viva Channel’s official profile in Facebook and the comments of its followers. The central argument points out that the mobilization of images and videos of an empowered female character like Tieta fuels debates in the social network about gender relations. The texts that follow the posted material stimulate the public to take a more active role through the Internet . The followers’ comments point out that the replay of “Tieta” is a memory device of televised ction that reveals areas of clash and negotiation regarding cultural changes. O objetivo é examinar as postagens sobre a novela “Tieta” no perfil o cial do Canal Viva no Facebook e os comentários de seus seguidores. O argumento central aponta que a mobilização de imagens e vídeos de uma personagem empoderada como Tieta alimenta debates na rede social acerca das relações de gênero. Os textos que acompanham o material postado estimulam o público a assumir um papel mais ativo pela internet. Os comentários dos seguidores apontam que a reprise de “Tieta” é um dispositivo de memória da cção televisiva, que revela campos de embate e negociação em relação a mudanças culturais. PEPG COS-PUC-SP2018-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/33605Galaxia; No. 38 (2018)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 38 (2018)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/33605/25830Copyright (c) 2018 Galáxia. Revista do Programa de Pós-Graduação em Comunicação e Semiótica. ISSN 1982-2553info:eu-repo/semantics/openAccessSantos Vieira de Jesus, Diego2018-08-01T19:09:04Zoai:ojs.pkp.sfu.ca:article/33605Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2018-08-01T19:09:04Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
The virtual backlands: posts on the soap opera “Tieta” in the Viva Channel of cial profiles in Facebook O agreste virtual: as postagens sobre a novela “Tieta” no perfil oficial do Canal Viva no Facebook |
title |
The virtual backlands: posts on the soap opera “Tieta” in the Viva Channel of cial profiles in Facebook |
spellingShingle |
The virtual backlands: posts on the soap opera “Tieta” in the Viva Channel of cial profiles in Facebook Santos Vieira de Jesus, Diego Tieta Canal Viva telenovela Tieta Viva Channel soap opera. |
title_short |
The virtual backlands: posts on the soap opera “Tieta” in the Viva Channel of cial profiles in Facebook |
title_full |
The virtual backlands: posts on the soap opera “Tieta” in the Viva Channel of cial profiles in Facebook |
title_fullStr |
The virtual backlands: posts on the soap opera “Tieta” in the Viva Channel of cial profiles in Facebook |
title_full_unstemmed |
The virtual backlands: posts on the soap opera “Tieta” in the Viva Channel of cial profiles in Facebook |
title_sort |
The virtual backlands: posts on the soap opera “Tieta” in the Viva Channel of cial profiles in Facebook |
author |
Santos Vieira de Jesus, Diego |
author_facet |
Santos Vieira de Jesus, Diego |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos Vieira de Jesus, Diego |
dc.subject.por.fl_str_mv |
Tieta Canal Viva telenovela Tieta Viva Channel soap opera. |
topic |
Tieta Canal Viva telenovela Tieta Viva Channel soap opera. |
description |
The aim is to examine the posts on the soap opera “Tieta” in Viva Channel’s official profile in Facebook and the comments of its followers. The central argument points out that the mobilization of images and videos of an empowered female character like Tieta fuels debates in the social network about gender relations. The texts that follow the posted material stimulate the public to take a more active role through the Internet . The followers’ comments point out that the replay of “Tieta” is a memory device of televised ction that reveals areas of clash and negotiation regarding cultural changes. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-08-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/33605 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/33605 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/33605/25830 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 38 (2018) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 38 (2018) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129331290603520 |