Prefiguration of counterpublics in Brad – One more night in the barricades
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Galáxia (São Paulo) |
Texto Completo: | https://revistas.pucsp.br/index.php/galaxia/article/view/4718 |
Resumo: | Inspired by hacker culture, cyberactivism emerged as a political movement whose main issue is freedom of communication and information. For this reason, it has become the main vantage point of the movements against domination by diffused forms of control. Notwithstanding the harsh circumstances brought about by the “war on terror”, cyberactivism has managed to produce an expression in documentary cinema that bends the tendency of subjective documentary rhetoric towards collective practices of counterpublic autopoiesis. To demonstrate some of the key features of this new strategy of resistance, this paper scrutinizes the cyberdocumentary Brad – One more night in the barricades in terms of its interpretability and conditions of ethical validity: intentional sincerity, propositional veracity and relational correctness. |
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Prefiguration of counterpublics in Brad – One more night in the barricadesPrefiguração de contrapúblicos em Brad – Uma noite mais nas barricadascyberactivismdocumentarycyberdocumentaryprefigurative politicscounterpublicsBrad WillInspired by hacker culture, cyberactivism emerged as a political movement whose main issue is freedom of communication and information. For this reason, it has become the main vantage point of the movements against domination by diffused forms of control. Notwithstanding the harsh circumstances brought about by the “war on terror”, cyberactivism has managed to produce an expression in documentary cinema that bends the tendency of subjective documentary rhetoric towards collective practices of counterpublic autopoiesis. To demonstrate some of the key features of this new strategy of resistance, this paper scrutinizes the cyberdocumentary Brad – One more night in the barricades in terms of its interpretability and conditions of ethical validity: intentional sincerity, propositional veracity and relational correctness.O ciberativismo, surgido na cultura hacker, constitui a principal referência para os movimentos de resistência às formas de dominação por controle difuso, exatamente porque é um movimento político que tematiza a liberdade de comunicação e informação. A despeito dos duros golpes sofridos pelo movimento, em decorrência da política de “guerra ao terror”, o ciberativismo logrou produzir uma expressão no cinema documentário que inflete a tendência da retórica documentária subjetiva para um uso coletivo, a autopoiese de contrapúblicos. Para demonstrar as características dessa nova estratégia de resistência, este artigo examina as peculiaridades do ciberdocumentário Brad – Uma noite mais nas barricadas em termos de interpretabilidade e de condições de validez ética (sinceridade intencional, veracidade proposicional e correção relacional).PEPG COS-PUC-SP2011-01-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/4718Galaxia; No. 20 (2010)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 20 (2010)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/4718/3283Neves, Bráulio de Brittoinfo:eu-repo/semantics/openAccess2024-05-15T14:01:08Zoai:ojs.pkp.sfu.ca:article/4718Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:08Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Prefiguration of counterpublics in Brad – One more night in the barricades Prefiguração de contrapúblicos em Brad – Uma noite mais nas barricadas |
title |
Prefiguration of counterpublics in Brad – One more night in the barricades |
spellingShingle |
Prefiguration of counterpublics in Brad – One more night in the barricades Neves, Bráulio de Britto cyberactivism documentary cyberdocumentary prefigurative politics counterpublics Brad Will |
title_short |
Prefiguration of counterpublics in Brad – One more night in the barricades |
title_full |
Prefiguration of counterpublics in Brad – One more night in the barricades |
title_fullStr |
Prefiguration of counterpublics in Brad – One more night in the barricades |
title_full_unstemmed |
Prefiguration of counterpublics in Brad – One more night in the barricades |
title_sort |
Prefiguration of counterpublics in Brad – One more night in the barricades |
author |
Neves, Bráulio de Britto |
author_facet |
Neves, Bráulio de Britto |
author_role |
author |
dc.contributor.author.fl_str_mv |
Neves, Bráulio de Britto |
dc.subject.por.fl_str_mv |
cyberactivism documentary cyberdocumentary prefigurative politics counterpublics Brad Will |
topic |
cyberactivism documentary cyberdocumentary prefigurative politics counterpublics Brad Will |
description |
Inspired by hacker culture, cyberactivism emerged as a political movement whose main issue is freedom of communication and information. For this reason, it has become the main vantage point of the movements against domination by diffused forms of control. Notwithstanding the harsh circumstances brought about by the “war on terror”, cyberactivism has managed to produce an expression in documentary cinema that bends the tendency of subjective documentary rhetoric towards collective practices of counterpublic autopoiesis. To demonstrate some of the key features of this new strategy of resistance, this paper scrutinizes the cyberdocumentary Brad – One more night in the barricades in terms of its interpretability and conditions of ethical validity: intentional sincerity, propositional veracity and relational correctness. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-01-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/4718 |
url |
https://revistas.pucsp.br/index.php/galaxia/article/view/4718 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/galaxia/article/view/4718/3283 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
publisher.none.fl_str_mv |
PEPG COS-PUC-SP |
dc.source.none.fl_str_mv |
Galaxia; No. 20 (2010) GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 20 (2010) 1982-2553 reponame:Galáxia (São Paulo) instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Galáxia (São Paulo) |
collection |
Galáxia (São Paulo) |
repository.name.fl_str_mv |
Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
cos@pucsp.br||aidarprado@gmail.com |
_version_ |
1799129329601347584 |