Multimedia performance: analysis of examples and conceptual implications

Detalhes bibliográficos
Autor(a) principal: Fainer Bastos, Marcus Vinicius
Data de Publicação: 2021
Outros Autores: Moran Fernandes, Patricia
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/51929
Resumo: The paper proposes an analysis of multimedia performances presented between the 1970s and the 1990s, which explore elements of the opera structure and explore the possibilities of spatial montage allowed by the stage environment. The text starts with a contextualization on the challenges that are presented to the critical analysis of experimental audiovisual — specially events — as a consequence of the constant terminological change with the appearance of new technologies impacting the conceptual field and its poetics. Then, it seeks to organize the critical repertoire constituted around the dialogues between opera and multimedia performance, examining how the most recent thoughts on intermedia articulations of language are part of the fruitful and plural tradition of opera. Finally, the text focus on the analysis of significant works from this universe, with a closer look at the production of artists such as José Roberto Aguilar, Arrigo Barnabé and Décio Pignatari in partnership with Lívio Tragtenberg and Wilson Sukorski.
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spelling Multimedia performance: analysis of examples and conceptual implications Performances multimedia: análisis de ejemplos e implicaciones conceptualesPerformances Multimídia: análise de exemplos e implicações conceituaisintermídiamontagem espacialperformance audiovisual multimídiaintermediaspatial montageaudiovisual multimedia performanceintermedio montaje espacialactuación audiovisual multimediaThe paper proposes an analysis of multimedia performances presented between the 1970s and the 1990s, which explore elements of the opera structure and explore the possibilities of spatial montage allowed by the stage environment. The text starts with a contextualization on the challenges that are presented to the critical analysis of experimental audiovisual — specially events — as a consequence of the constant terminological change with the appearance of new technologies impacting the conceptual field and its poetics. Then, it seeks to organize the critical repertoire constituted around the dialogues between opera and multimedia performance, examining how the most recent thoughts on intermedia articulations of language are part of the fruitful and plural tradition of opera. Finally, the text focus on the analysis of significant works from this universe, with a closer look at the production of artists such as José Roberto Aguilar, Arrigo Barnabé and Décio Pignatari in partnership with Lívio Tragtenberg and Wilson Sukorski.El artículo analiza performances multimedia realizadas entre las décadas de 1970 y 1990, que exploran elementos de la estructura de la ópera y las posibilidades de montaje espacial en el entorno escénico. El texto parte de una contextualización de los desafíos a la lectura crítica del audiovisual experimental -especialmente de los hechos- como consecuencia del constante cambio terminológico con la irrupción de las nuevas tecnologías, impactando los campos conceptual y poético. Luego, busca organizar el repertorio crítico construido en torno a los diálogos entre ópera y performance multimedia, examinando cómo las propuestas recientes sobre articulaciones intermedias encajan en la fecunda y plural tradición de la ópera. Finalmente, el texto está dedicado al análisis de obras de este universo, especialmente la producción de José Roberto Aguilar, Arrigo Barnabé y Décio Pignatari en colaboración con Lívio Tragtenberg y Wilson Sukorski.O artigo analisa performances multimídia realizadas entre os anos 1970 e 1990, que exploram elementos da estrutura da ópera e as possibilidades de montagem espacial no ambiente do palco. O texto parte de uma contextualização sobre os desafios à leitura crítica do audiovisual experimental - especialmente eventos – como consequência da constante mudança terminológica com o surgimento de novas tecnologias impactando o campo conceitual e as poéticas. Em seguida, procura organizar o repertório crítico constituído em torno dos diálogos entre a ópera e a performance multimídia, examinando de que forma as propostas recentes sobre as articulações intermídia se inserem na profícua e plural tradição da ópera. Por fim, o texto dedica-se à análise de obras deste universo, especialmente a produção de José Roberto Aguilar, Arrigo Barnabé e Décio Pignatari em parceria com Lívio Tragtenberg e Wilson Sukorski.PEPG COS-PUC-SP2021-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/51929Galaxia; No. 46 (2021)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 46 (2021)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/51929/38201Copyright (c) 2021 Marcus Vinicius Fainer Bastos, Patricia Moranhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFainer Bastos, Marcus ViniciusMoran Fernandes, Patricia2022-06-21T13:55:46Zoai:ojs.pkp.sfu.ca:article/51929Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2022-06-21T13:55:46Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Multimedia performance: analysis of examples and conceptual implications
Performances multimedia: análisis de ejemplos e implicaciones conceptuales
Performances Multimídia: análise de exemplos e implicações conceituais
title Multimedia performance: analysis of examples and conceptual implications
spellingShingle Multimedia performance: analysis of examples and conceptual implications
Fainer Bastos, Marcus Vinicius
intermídia
montagem espacial
performance audiovisual multimídia
intermedia
spatial montage
audiovisual multimedia performance
intermedio
montaje espacial
actuación audiovisual multimedia
title_short Multimedia performance: analysis of examples and conceptual implications
title_full Multimedia performance: analysis of examples and conceptual implications
title_fullStr Multimedia performance: analysis of examples and conceptual implications
title_full_unstemmed Multimedia performance: analysis of examples and conceptual implications
title_sort Multimedia performance: analysis of examples and conceptual implications
author Fainer Bastos, Marcus Vinicius
author_facet Fainer Bastos, Marcus Vinicius
Moran Fernandes, Patricia
author_role author
author2 Moran Fernandes, Patricia
author2_role author
dc.contributor.author.fl_str_mv Fainer Bastos, Marcus Vinicius
Moran Fernandes, Patricia
dc.subject.por.fl_str_mv intermídia
montagem espacial
performance audiovisual multimídia
intermedia
spatial montage
audiovisual multimedia performance
intermedio
montaje espacial
actuación audiovisual multimedia
topic intermídia
montagem espacial
performance audiovisual multimídia
intermedia
spatial montage
audiovisual multimedia performance
intermedio
montaje espacial
actuación audiovisual multimedia
description The paper proposes an analysis of multimedia performances presented between the 1970s and the 1990s, which explore elements of the opera structure and explore the possibilities of spatial montage allowed by the stage environment. The text starts with a contextualization on the challenges that are presented to the critical analysis of experimental audiovisual — specially events — as a consequence of the constant terminological change with the appearance of new technologies impacting the conceptual field and its poetics. Then, it seeks to organize the critical repertoire constituted around the dialogues between opera and multimedia performance, examining how the most recent thoughts on intermedia articulations of language are part of the fruitful and plural tradition of opera. Finally, the text focus on the analysis of significant works from this universe, with a closer look at the production of artists such as José Roberto Aguilar, Arrigo Barnabé and Décio Pignatari in partnership with Lívio Tragtenberg and Wilson Sukorski.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/51929
url https://revistas.pucsp.br/index.php/galaxia/article/view/51929
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/51929/38201
dc.rights.driver.fl_str_mv Copyright (c) 2021 Marcus Vinicius Fainer Bastos, Patricia Moran
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Marcus Vinicius Fainer Bastos, Patricia Moran
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 46 (2021)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 46 (2021)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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