Science and art in the “Dutch period” in Northeast Brazil: the representation of cannibals and Africans as allies overseas

Detalhes bibliográficos
Autor(a) principal: Phaf-Rheinberger, Ineke
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Circumscribere
Texto Completo: https://revistas.pucsp.br/index.php/circumhc/article/view/2767
Resumo: Frans Post and Albert Eckhout painted landscapes and people in Brazil in the period of the optical technical revolution, which marked the “art of describing” in the Dutch Golden Age. Post’s and Eckhout’s pictures of cannibals have to be viewed within this tradition, in which a first modern and scientific model of caste society was represented. These images are not composed in order to shock the viewer but rather to let him repose and have time for studying them as epistemic objects. Although the social text of the body is addressed, this is not done with a critical tone. The cannibals fit perfectly well into the representation of Dutch urban society overseas in the seventeenth century
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spelling Science and art in the “Dutch period” in Northeast Brazil: the representation of cannibals and Africans as allies overseasFrans Post and Albert Eckhout painted landscapes and people in Brazil in the period of the optical technical revolution, which marked the “art of describing” in the Dutch Golden Age. Post’s and Eckhout’s pictures of cannibals have to be viewed within this tradition, in which a first modern and scientific model of caste society was represented. These images are not composed in order to shock the viewer but rather to let him repose and have time for studying them as epistemic objects. Although the social text of the body is addressed, this is not done with a critical tone. The cannibals fit perfectly well into the representation of Dutch urban society overseas in the seventeenth centuryCentro Simão Mathias de Estudos em História da Ciência2009-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionHistoriacal Inquiryapplication/pdfhttps://revistas.pucsp.br/index.php/circumhc/article/view/2767Circumscribere International Journal for the History of Science; Vol. 7 (2009); 37-47Circumscribere International Journal for the History of Science; v. 7 (2009); 37-471980-7651reponame:Circumscribereinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPenghttps://revistas.pucsp.br/index.php/circumhc/article/view/2767/1831Phaf-Rheinberger, Inekeinfo:eu-repo/semantics/openAccess2017-10-25T00:26:00Zoai:ojs.pkp.sfu.ca:article/2767Revistahttps://revistas.pucsp.br/index.php/circumhcPRIhttps://revistas.pucsp.br/index.php/circumhc/oai||circumhc@pucsp.br1980-76511980-7651opendoar:2017-10-25T00:26Circumscribere - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Science and art in the “Dutch period” in Northeast Brazil: the representation of cannibals and Africans as allies overseas
title Science and art in the “Dutch period” in Northeast Brazil: the representation of cannibals and Africans as allies overseas
spellingShingle Science and art in the “Dutch period” in Northeast Brazil: the representation of cannibals and Africans as allies overseas
Phaf-Rheinberger, Ineke
title_short Science and art in the “Dutch period” in Northeast Brazil: the representation of cannibals and Africans as allies overseas
title_full Science and art in the “Dutch period” in Northeast Brazil: the representation of cannibals and Africans as allies overseas
title_fullStr Science and art in the “Dutch period” in Northeast Brazil: the representation of cannibals and Africans as allies overseas
title_full_unstemmed Science and art in the “Dutch period” in Northeast Brazil: the representation of cannibals and Africans as allies overseas
title_sort Science and art in the “Dutch period” in Northeast Brazil: the representation of cannibals and Africans as allies overseas
author Phaf-Rheinberger, Ineke
author_facet Phaf-Rheinberger, Ineke
author_role author
dc.contributor.author.fl_str_mv Phaf-Rheinberger, Ineke
description Frans Post and Albert Eckhout painted landscapes and people in Brazil in the period of the optical technical revolution, which marked the “art of describing” in the Dutch Golden Age. Post’s and Eckhout’s pictures of cannibals have to be viewed within this tradition, in which a first modern and scientific model of caste society was represented. These images are not composed in order to shock the viewer but rather to let him repose and have time for studying them as epistemic objects. Although the social text of the body is addressed, this is not done with a critical tone. The cannibals fit perfectly well into the representation of Dutch urban society overseas in the seventeenth century
publishDate 2009
dc.date.none.fl_str_mv 2009-12-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Historiacal Inquiry
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/circumhc/article/view/2767
url https://revistas.pucsp.br/index.php/circumhc/article/view/2767
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/circumhc/article/view/2767/1831
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Centro Simão Mathias de Estudos em História da Ciência
publisher.none.fl_str_mv Centro Simão Mathias de Estudos em História da Ciência
dc.source.none.fl_str_mv Circumscribere International Journal for the History of Science; Vol. 7 (2009); 37-47
Circumscribere International Journal for the History of Science; v. 7 (2009); 37-47
1980-7651
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