Perspectiva Pictorum – um exercício de ilusionismo arquitetônico no Tempodo Barroco
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Circumscribere |
Texto Completo: | https://revistas.pucsp.br/index.php/circumhc/article/view/35495 |
Resumo: | The presented study focuses on analysing the pictorial decoration of realistic forms of architecture named by quadrature, whose origin in Luso-Brazilian universe dates from the first half of the 18th century. This text approaches a theme scarcely studied and investigated in the historiography of Brazilian and Portuguese art, with the exception of stylistic studies of Baroque and Rococo as a whole, but, rarely, the false architecture painting has been examined isolatedly. This subject aims to link the study of the painting of Baroque period with the science of Perspective. The analysis of representations of false spaces in perspectic “break-ins” combined with the evolution of the theoretical conception inserted in foreign treatises diffused in Portugal is another important aspect, without, however, neglect the Portuguese writings. Beyond the particular attention devoted to the painting itself, another concern was the relation between the real and the falsely built space. It is well known that the illusionistic painting constitutes an essential modality in the creation of rich interiors, for it is presented as a type of formal contamination in which Painting and Architecture mutually interpenetrate and simulate in audacious scenographic effects. |
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Perspectiva Pictorum – um exercício de ilusionismo arquitetônico no Tempodo BarrocoQuadratureIllusionismBaroqueLuso-Brazilian artPerspectiveThe presented study focuses on analysing the pictorial decoration of realistic forms of architecture named by quadrature, whose origin in Luso-Brazilian universe dates from the first half of the 18th century. This text approaches a theme scarcely studied and investigated in the historiography of Brazilian and Portuguese art, with the exception of stylistic studies of Baroque and Rococo as a whole, but, rarely, the false architecture painting has been examined isolatedly. This subject aims to link the study of the painting of Baroque period with the science of Perspective. The analysis of representations of false spaces in perspectic “break-ins” combined with the evolution of the theoretical conception inserted in foreign treatises diffused in Portugal is another important aspect, without, however, neglect the Portuguese writings. Beyond the particular attention devoted to the painting itself, another concern was the relation between the real and the falsely built space. It is well known that the illusionistic painting constitutes an essential modality in the creation of rich interiors, for it is presented as a type of formal contamination in which Painting and Architecture mutually interpenetrate and simulate in audacious scenographic effects.Centro Simão Mathias de Estudos em História da Ciência2018-05-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/circumhc/article/view/3549510.23925/1980-7651.2017v20;p61-111Circumscribere International Journal for the History of Science; Vol. 20 (2017); 61-111Circumscribere International Journal for the History of Science; v. 20 (2017); 61-1111980-7651reponame:Circumscribereinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/circumhc/article/view/35495/24349Copyright (c) 2017 Circumscribere: International Journal for the History of Scienceinfo:eu-repo/semantics/openAccessMello, Magno2018-05-28T14:49:58Zoai:ojs.pkp.sfu.ca:article/35495Revistahttps://revistas.pucsp.br/index.php/circumhcPRIhttps://revistas.pucsp.br/index.php/circumhc/oai||circumhc@pucsp.br1980-76511980-7651opendoar:2018-05-28T14:49:58Circumscribere - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.none.fl_str_mv |
Perspectiva Pictorum – um exercício de ilusionismo arquitetônico no Tempodo Barroco |
title |
Perspectiva Pictorum – um exercício de ilusionismo arquitetônico no Tempodo Barroco |
spellingShingle |
Perspectiva Pictorum – um exercício de ilusionismo arquitetônico no Tempodo Barroco Mello, Magno Quadrature Illusionism Baroque Luso-Brazilian art Perspective |
title_short |
Perspectiva Pictorum – um exercício de ilusionismo arquitetônico no Tempodo Barroco |
title_full |
Perspectiva Pictorum – um exercício de ilusionismo arquitetônico no Tempodo Barroco |
title_fullStr |
Perspectiva Pictorum – um exercício de ilusionismo arquitetônico no Tempodo Barroco |
title_full_unstemmed |
Perspectiva Pictorum – um exercício de ilusionismo arquitetônico no Tempodo Barroco |
title_sort |
Perspectiva Pictorum – um exercício de ilusionismo arquitetônico no Tempodo Barroco |
author |
Mello, Magno |
author_facet |
Mello, Magno |
author_role |
author |
dc.contributor.author.fl_str_mv |
Mello, Magno |
dc.subject.por.fl_str_mv |
Quadrature Illusionism Baroque Luso-Brazilian art Perspective |
topic |
Quadrature Illusionism Baroque Luso-Brazilian art Perspective |
description |
The presented study focuses on analysing the pictorial decoration of realistic forms of architecture named by quadrature, whose origin in Luso-Brazilian universe dates from the first half of the 18th century. This text approaches a theme scarcely studied and investigated in the historiography of Brazilian and Portuguese art, with the exception of stylistic studies of Baroque and Rococo as a whole, but, rarely, the false architecture painting has been examined isolatedly. This subject aims to link the study of the painting of Baroque period with the science of Perspective. The analysis of representations of false spaces in perspectic “break-ins” combined with the evolution of the theoretical conception inserted in foreign treatises diffused in Portugal is another important aspect, without, however, neglect the Portuguese writings. Beyond the particular attention devoted to the painting itself, another concern was the relation between the real and the falsely built space. It is well known that the illusionistic painting constitutes an essential modality in the creation of rich interiors, for it is presented as a type of formal contamination in which Painting and Architecture mutually interpenetrate and simulate in audacious scenographic effects. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-05-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.pucsp.br/index.php/circumhc/article/view/35495 10.23925/1980-7651.2017v20;p61-111 |
url |
https://revistas.pucsp.br/index.php/circumhc/article/view/35495 |
identifier_str_mv |
10.23925/1980-7651.2017v20;p61-111 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.pucsp.br/index.php/circumhc/article/view/35495/24349 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Circumscribere: International Journal for the History of Science info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Circumscribere: International Journal for the History of Science |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Centro Simão Mathias de Estudos em História da Ciência |
publisher.none.fl_str_mv |
Centro Simão Mathias de Estudos em História da Ciência |
dc.source.none.fl_str_mv |
Circumscribere International Journal for the History of Science; Vol. 20 (2017); 61-111 Circumscribere International Journal for the History of Science; v. 20 (2017); 61-111 1980-7651 reponame:Circumscribere instname:Pontifícia Universidade Católica de São Paulo (PUC-SP) instacron:PUC_SP |
instname_str |
Pontifícia Universidade Católica de São Paulo (PUC-SP) |
instacron_str |
PUC_SP |
institution |
PUC_SP |
reponame_str |
Circumscribere |
collection |
Circumscribere |
repository.name.fl_str_mv |
Circumscribere - Pontifícia Universidade Católica de São Paulo (PUC-SP) |
repository.mail.fl_str_mv |
||circumhc@pucsp.br |
_version_ |
1799128573720657920 |