As representações visuais da beleza atlética olímpica : da antiguidade ao instagram
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_RS |
Texto Completo: | https://tede2.pucrs.br/tede2/handle/tede/10203 |
Resumo: | Based on Olympic athletes’ images, this thesis investigates how such type of athletic beauty (GUMBRECHT, 2007) has been visually represented throughout the millenary history of the Olympic Games. Thus, the study primarily aims to establish the possible continuities and ruptures of these representations. The secondary objectives are: a) to define the concept of ‘Olympic Athletic Beauty’ and its differences between the Ancient and Modern Games; b) to establish the continuities and ruptures among the visual representations of the Ancient and Modern Athletic Beauty; c) to analyze the development behind the exploring process of the athletes’ image throughout Olympic history. The corpus of analyzed photographs are 588 archaeological artifacts related to the Ancient Games, as well as more than 80 thousand photographs published on the official Instagram profiles of 389 Olympic athletes who pursued classification to Tokyo 2020 Olympics. The selection criteria considered only individual events related to the Summer Editions between the years of 2012 and 2020. The thesis is divided into five chapters: (1st) the Introduction; (2nd) the Theoretical Framework, including methodological concepts of the Digital Humanities and Cultural Analytics (MANOVICH, 2020), as well as the perspectives on beauty in Antiquity and Modernity to enclose the understanding regarding sports, athletics and Olympic point of views; (3rd) the Methodological Aspects, included the computational tools used in the study, such as the GENUS, an authorial platform; (4th) the Analysis of the collected images, including the two main analyzed Olympic Games periods (Antiquity and Modernity), take into consideration the visual, the thematic and the interpretative aspects; and (5th) the Final Remarks. The study results understand that ‘Olympic Athletic Beauty’ visual representations have been gradually moved away from the classical thoughts regarding Olympic ideal, gradually reinforcing, a utilitarian (commercial/economic) characteristic of professional and competitive modern sport. Over time, these athletes’ imagery representations have been fulfilling an important cultural media role in the Olympic context. However, when these images are analyzed into the communicational concept, a series of characteristics can be highlighted regarding the interpretative conceptions of a mediatized process, i.e., the aspects referring to elements such as: a) visual/artistic media; b) related to sport victories and achievements; and c) economic aspects. |
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Tietzmann, Robertohttp://lattes.cnpq.br/2403852593758632http://lattes.cnpq.br/0107052607860572Teixeira, Carlos Roberto Gaspar2022-05-10T14:45:20Z2022-03-23https://tede2.pucrs.br/tede2/handle/tede/10203Based on Olympic athletes’ images, this thesis investigates how such type of athletic beauty (GUMBRECHT, 2007) has been visually represented throughout the millenary history of the Olympic Games. Thus, the study primarily aims to establish the possible continuities and ruptures of these representations. The secondary objectives are: a) to define the concept of ‘Olympic Athletic Beauty’ and its differences between the Ancient and Modern Games; b) to establish the continuities and ruptures among the visual representations of the Ancient and Modern Athletic Beauty; c) to analyze the development behind the exploring process of the athletes’ image throughout Olympic history. The corpus of analyzed photographs are 588 archaeological artifacts related to the Ancient Games, as well as more than 80 thousand photographs published on the official Instagram profiles of 389 Olympic athletes who pursued classification to Tokyo 2020 Olympics. The selection criteria considered only individual events related to the Summer Editions between the years of 2012 and 2020. The thesis is divided into five chapters: (1st) the Introduction; (2nd) the Theoretical Framework, including methodological concepts of the Digital Humanities and Cultural Analytics (MANOVICH, 2020), as well as the perspectives on beauty in Antiquity and Modernity to enclose the understanding regarding sports, athletics and Olympic point of views; (3rd) the Methodological Aspects, included the computational tools used in the study, such as the GENUS, an authorial platform; (4th) the Analysis of the collected images, including the two main analyzed Olympic Games periods (Antiquity and Modernity), take into consideration the visual, the thematic and the interpretative aspects; and (5th) the Final Remarks. The study results understand that ‘Olympic Athletic Beauty’ visual representations have been gradually moved away from the classical thoughts regarding Olympic ideal, gradually reinforcing, a utilitarian (commercial/economic) characteristic of professional and competitive modern sport. Over time, these athletes’ imagery representations have been fulfilling an important cultural media role in the Olympic context. However, when these images are analyzed into the communicational concept, a series of characteristics can be highlighted regarding the interpretative conceptions of a mediatized process, i.e., the aspects referring to elements such as: a) visual/artistic media; b) related to sport victories and achievements; and c) economic aspects.A partir das imagens de atletas olímpicos, esta tese investiga como esse tipo específico de beleza atlética (GUMBRECHT, 2007) vem sendo representada visualmente ao longo da história milenar dos Jogos Olímpicos. Traz como principal objetivo o estabelecimento das possíveis continuidades e rupturas dessas representações, tendo como objetivos secundários: a) definir o conceito entendido como Beleza Atlética Olímpica e suas diferenças nos Jogos Antigos e Modernos; b) estabelecer as continuidades e as rupturas entre as representações visuais dessa beleza atlética antiga e moderna; c) analisar o processo evolutivo da exploração da imagem dos atletas ao longo da história Olímpica. Como objeto, analisa imagens de 588 artefatos arqueológicos referentes aos Jogos Antigos, assim como mais de 80 mil fotografias publicadas nos perfis oficiais do Instagram de 389 atletas olímpicos que buscavam classificação para os Jogos Tóquio 2020, entre os anos de 2012 e 2020, considerando apenas as modalidades individuais referentes às edições de Verão. Está dividida em cinco capítulos, sendo o primeiro a introdução. O segundo capítulo, estabelece a base conceitual, contemplando teorias de viés metodológico, a partir das Humanidades Digitais e da Analítica Cultural (Cultural Analytics) (MANOVICH, 2020), assim como as perspectivas acerca da beleza na Antiguidade e na Modernidade, aproximando sua compreensão ao ponto de vista esportivo, atlético e olímpico. O terceiro capítulo, descreve todo o processo metodológico, juntamente com as ferramentas computacionais utilizadas, entre elas a plataforma autoral GENUS. Já o quarto capítulo, apresenta as análises das imagens coletadas, respeitando os dois principais períodos dos Jogos Olímpicos (Antiguidade e Modernidade), considerando aspectos visuais, temáticos e interpretativos. Por fim, são apontadas as considerações finais. Como resultado, considera que as representações visuais da Beleza Atlética Olímpica têm afastado gradativamente o pensamento idealista olímpico clássico, reforçando, de forma cada vez mais intensa, características utilitaristas (comerciais/econômicas) do esporte profissional e competitivo. Ao longo do tempo, essas representações imagéticas dos atletas cumpriram, e continuam cumprindo, um papel midiático cultural determinante no contexto olímpico. Porém, ao serem analisadas pelo prisma comunicacional, uma série de características podem ser destacadas nas concepções interpretativas desse processo midiatizado ressaltando, principalmente, os aspectos referentes a elementos: a) midiáticos visuais/artísticos; b) que remetem a vitórias e conquistas esportivas; e c) econômicos.Submitted by PPG Comunicação Social (famecos-pg@pucrs.br) on 2022-05-05T14:12:32Z No. of bitstreams: 1 Carlos TEIXEIRA - TESE.pdf: 16381814 bytes, checksum: b17b13485f4f9e50feb0c4bf62aec8b9 (MD5)Approved for entry into archive by Sarajane Pan (sarajane.pan@pucrs.br) on 2022-05-10T14:41:23Z (GMT) No. of bitstreams: 1 Carlos TEIXEIRA - TESE.pdf: 16381814 bytes, checksum: b17b13485f4f9e50feb0c4bf62aec8b9 (MD5)Made available in DSpace on 2022-05-10T14:45:20Z (GMT). No. of bitstreams: 1 Carlos TEIXEIRA - TESE.pdf: 16381814 bytes, checksum: b17b13485f4f9e50feb0c4bf62aec8b9 (MD5) Previous issue date: 2022-03-23Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfhttps://tede2.pucrs.br/tede2/retrieve/183950/Carlos%20TEIXEIRA%20-%20TESE.pdf.jpgporPontifícia Universidade Católica do Rio Grande do SulPrograma de Pós-Graduação em Comunicação SocialPUCRSBrasilEscola de Comunicação, Arte e DesignComunicaçãoHumanidades DigitaisJogos OlímpicosAtletasInstagramCommunicationDigital HumanitiesOlympic GamesAthletesInstagramCIENCIAS SOCIAIS APLICADAS::COMUNICACAOAs representações visuais da beleza atlética olímpica : da antiguidade ao instagraminfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisTrabalho não apresenta restrição para publicação-8181374082451029683500500600-40560210555028745733590462550136975366info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_RSinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSTHUMBNAILCarlos TEIXEIRA - TESE.pdf.jpgCarlos TEIXEIRA - TESE.pdf.jpgimage/jpeg5920https://tede2.pucrs.br/tede2/bitstream/tede/10203/3/Carlos+TEIXEIRA+-+TESE.pdf.jpg35769211ec9d7ad641a7b08d81f0a748MD53TEXTCarlos TEIXEIRA - TESE.pdf.txtCarlos TEIXEIRA - TESE.pdf.txttext/plain787333https://tede2.pucrs.br/tede2/bitstream/tede/10203/4/Carlos+TEIXEIRA+-+TESE.pdf.txt2096a8c1a9bfb0245e6897945b64f77aMD54ORIGINALCarlos TEIXEIRA - TESE.pdfCarlos TEIXEIRA - TESE.pdfapplication/pdf16381814https://tede2.pucrs.br/tede2/bitstream/tede/10203/2/Carlos+TEIXEIRA+-+TESE.pdfb17b13485f4f9e50feb0c4bf62aec8b9MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-8590https://tede2.pucrs.br/tede2/bitstream/tede/10203/1/license.txt220e11f2d3ba5354f917c7035aadef24MD51tede/102032022-05-10 20:00:20.527oai:tede2.pucrs.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.pucrs.br/tede2/PRIhttps://tede2.pucrs.br/oai/requestbiblioteca.central@pucrs.br||opendoar:2022-05-10T23:00:20Biblioteca Digital de Teses e Dissertações da PUC_RS - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.por.fl_str_mv |
As representações visuais da beleza atlética olímpica : da antiguidade ao instagram |
title |
As representações visuais da beleza atlética olímpica : da antiguidade ao instagram |
spellingShingle |
As representações visuais da beleza atlética olímpica : da antiguidade ao instagram Teixeira, Carlos Roberto Gaspar Comunicação Humanidades Digitais Jogos Olímpicos Atletas Communication Digital Humanities Olympic Games Athletes CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
As representações visuais da beleza atlética olímpica : da antiguidade ao instagram |
title_full |
As representações visuais da beleza atlética olímpica : da antiguidade ao instagram |
title_fullStr |
As representações visuais da beleza atlética olímpica : da antiguidade ao instagram |
title_full_unstemmed |
As representações visuais da beleza atlética olímpica : da antiguidade ao instagram |
title_sort |
As representações visuais da beleza atlética olímpica : da antiguidade ao instagram |
author |
Teixeira, Carlos Roberto Gaspar |
author_facet |
Teixeira, Carlos Roberto Gaspar |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Tietzmann, Roberto |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2403852593758632 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0107052607860572 |
dc.contributor.author.fl_str_mv |
Teixeira, Carlos Roberto Gaspar |
contributor_str_mv |
Tietzmann, Roberto |
dc.subject.por.fl_str_mv |
Comunicação Humanidades Digitais Jogos Olímpicos Atletas |
topic |
Comunicação Humanidades Digitais Jogos Olímpicos Atletas Communication Digital Humanities Olympic Games Athletes CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Communication Digital Humanities Olympic Games Athletes |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
Based on Olympic athletes’ images, this thesis investigates how such type of athletic beauty (GUMBRECHT, 2007) has been visually represented throughout the millenary history of the Olympic Games. Thus, the study primarily aims to establish the possible continuities and ruptures of these representations. The secondary objectives are: a) to define the concept of ‘Olympic Athletic Beauty’ and its differences between the Ancient and Modern Games; b) to establish the continuities and ruptures among the visual representations of the Ancient and Modern Athletic Beauty; c) to analyze the development behind the exploring process of the athletes’ image throughout Olympic history. The corpus of analyzed photographs are 588 archaeological artifacts related to the Ancient Games, as well as more than 80 thousand photographs published on the official Instagram profiles of 389 Olympic athletes who pursued classification to Tokyo 2020 Olympics. The selection criteria considered only individual events related to the Summer Editions between the years of 2012 and 2020. The thesis is divided into five chapters: (1st) the Introduction; (2nd) the Theoretical Framework, including methodological concepts of the Digital Humanities and Cultural Analytics (MANOVICH, 2020), as well as the perspectives on beauty in Antiquity and Modernity to enclose the understanding regarding sports, athletics and Olympic point of views; (3rd) the Methodological Aspects, included the computational tools used in the study, such as the GENUS, an authorial platform; (4th) the Analysis of the collected images, including the two main analyzed Olympic Games periods (Antiquity and Modernity), take into consideration the visual, the thematic and the interpretative aspects; and (5th) the Final Remarks. The study results understand that ‘Olympic Athletic Beauty’ visual representations have been gradually moved away from the classical thoughts regarding Olympic ideal, gradually reinforcing, a utilitarian (commercial/economic) characteristic of professional and competitive modern sport. Over time, these athletes’ imagery representations have been fulfilling an important cultural media role in the Olympic context. However, when these images are analyzed into the communicational concept, a series of characteristics can be highlighted regarding the interpretative conceptions of a mediatized process, i.e., the aspects referring to elements such as: a) visual/artistic media; b) related to sport victories and achievements; and c) economic aspects. |
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2022 |
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2022-05-10T14:45:20Z |
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2022-03-23 |
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por |
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