Corpo-Palavra
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_RS |
Texto Completo: | http://tede2.pucrs.br/tede2/handle/tede/6760 |
Resumo: | I write. I rewrite. I try one, two, three, numerous times. The pen resists in continuing to give narrative a body. It falls, fainted. I keep quiet, and I keep quiet again. The medusas are multiplying, but my-yours shouts are deaf. Why so much silence? The present essay is about a creative process while writing an autofictional narrative of feminine authorship and is also about a cathartic process, a settlement of accounts with literary creation: writing as a way of saving from neurosis and also as a challenge of language construct. During the path, however, how is it possible to deal with self-censorship and with language restrictions? As Sartre says in his memoir The Words, renouncing to write it is also renouncing to ourselves. That way, in order not to renounce, I face autofictional narrative as a form of expressing my memories and my experiences: creating a double, a persona, enables me to expose myself, since autofiction doesn’t have a commitment with truth – it is a fiction that inspires itself and plays freely with biographical aspects. Thus, using the nuances offered by autofiction was the creative alternative that enabled me to write, to fable and to find a way of creative freedom in a favorable environment for it: the Creative Writing postgraduate program of Pontifícia Universidade Católica do Rio Grande do Sul. |
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Brasil, Luiz Antonio de Assis006.456.560-20http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4783336Y5021.973.700-22http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4277898A0Bressan, Olívia Scarpari2016-06-08T18:09:46Z2016-02-29http://tede2.pucrs.br/tede2/handle/tede/6760I write. I rewrite. I try one, two, three, numerous times. The pen resists in continuing to give narrative a body. It falls, fainted. I keep quiet, and I keep quiet again. The medusas are multiplying, but my-yours shouts are deaf. Why so much silence? The present essay is about a creative process while writing an autofictional narrative of feminine authorship and is also about a cathartic process, a settlement of accounts with literary creation: writing as a way of saving from neurosis and also as a challenge of language construct. During the path, however, how is it possible to deal with self-censorship and with language restrictions? As Sartre says in his memoir The Words, renouncing to write it is also renouncing to ourselves. That way, in order not to renounce, I face autofictional narrative as a form of expressing my memories and my experiences: creating a double, a persona, enables me to expose myself, since autofiction doesn’t have a commitment with truth – it is a fiction that inspires itself and plays freely with biographical aspects. Thus, using the nuances offered by autofiction was the creative alternative that enabled me to write, to fable and to find a way of creative freedom in a favorable environment for it: the Creative Writing postgraduate program of Pontifícia Universidade Católica do Rio Grande do Sul.Escrevo. Reescrevo. Tento uma, duas, três, infinitas vezes. A caneta resiste em continuar dando corpo à narrativa. Tomba, combalida. Me calo e me calo outra vez. As Medusas se multiplicam, mas seus-meus gritos são surdos. Por que tanto silêncio? Este trabalho fala do percurso criativo na escritura de uma narrativa autoficcional de autoria feminina e também de um processo catártico, acerto de contas com a criação literária: escrita como modo de salvar da neurose e também como desafio de constructo de linguagem. Durante o trajeto, porém, alguns percalços: como lidar com a autocensura e com a precariedade da palavra? Como diz Sartre, em seu autobiográfico As Palavras, renunciar à escrita é renunciar a si mesmo. Desta forma, para não me renunciar, encontro na narrativa autoficcional uma forma de expressão de minhas memórias e de minhas experiências, uma vez que ao criar um duplo de mim, consigo me expor, pois a autoficção não tem compromisso com a verdade – é uma ficção que se inspira e joga livremente com aspectos biográficos. Assim, lançar mão da paleta de cores oferecida pela autoficção foi a saída criadora que me permitiu escrever, fabular e achar um caminho de liberdade criativa em ambiente propício para isso: o Mestrado em Escrita Criativa da Pontifícia Universidade Católica do Rio Grande do Sul.Submitted by Setor de Tratamento da Informação - BC/PUCRS (tede2@pucrs.br) on 2016-06-08T18:09:46Z No. of bitstreams: 1 DIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdf: 2529685 bytes, checksum: 657a729a1377cd6474a812746a46a7aa (MD5)Made available in DSpace on 2016-06-08T18:09:46Z (GMT). No. of bitstreams: 1 DIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdf: 2529685 bytes, checksum: 657a729a1377cd6474a812746a46a7aa (MD5) Previous issue date: 2016-02-29application/pdfhttp://tede2.pucrs.br:80/tede2/retrieve/165323/DIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdf.jpgporPontifícia Universidade Católica do Rio Grande do SulPrograma de Pós-Graduação em LetrasPUCRSBrasilFaculdade de LetrasNARRATIVAS AUTOBIOGRÁFICASESCRITA CRIATIVALITERATURALINGUISTICA, LETRAS E ARTES::LETRASCorpo-Palavrainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis8447345070736321569600600600-2856882280194242995-5409419262886498088info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_RSinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSTHUMBNAILDIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdf.jpgDIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdf.jpgimage/jpeg2476http://tede2.pucrs.br/tede2/bitstream/tede/6760/5/DIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdf.jpg0f93b9711f803461d9499b9ecf717aecMD55TEXTDIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdf.txtDIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdf.txttext/plain64661http://tede2.pucrs.br/tede2/bitstream/tede/6760/4/DIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdf.txt9088a10c10da1411c033f0d9a986c91fMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-8610http://tede2.pucrs.br/tede2/bitstream/tede/6760/3/license.txt5a9d6006225b368ef605ba16b4f6d1beMD53ORIGINALDIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdfDIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdfapplication/pdf2529685http://tede2.pucrs.br/tede2/bitstream/tede/6760/2/DIS_OLIVIA_SCARPARI_BRESSAN_PARCIAL.pdf657a729a1377cd6474a812746a46a7aaMD52tede/67602016-06-08 20:00:27.303oai:tede2.pucrs.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.pucrs.br/tede2/PRIhttps://tede2.pucrs.br/oai/requestbiblioteca.central@pucrs.br||opendoar:2016-06-08T23:00:27Biblioteca Digital de Teses e Dissertações da PUC_RS - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.por.fl_str_mv |
Corpo-Palavra |
title |
Corpo-Palavra |
spellingShingle |
Corpo-Palavra Bressan, Olívia Scarpari NARRATIVAS AUTOBIOGRÁFICAS ESCRITA CRIATIVA LITERATURA LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Corpo-Palavra |
title_full |
Corpo-Palavra |
title_fullStr |
Corpo-Palavra |
title_full_unstemmed |
Corpo-Palavra |
title_sort |
Corpo-Palavra |
author |
Bressan, Olívia Scarpari |
author_facet |
Bressan, Olívia Scarpari |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Brasil, Luiz Antonio de Assis |
dc.contributor.advisor1ID.fl_str_mv |
006.456.560-20 |
dc.contributor.advisor1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4783336Y5 |
dc.contributor.authorID.fl_str_mv |
021.973.700-22 |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4277898A0 |
dc.contributor.author.fl_str_mv |
Bressan, Olívia Scarpari |
contributor_str_mv |
Brasil, Luiz Antonio de Assis |
dc.subject.por.fl_str_mv |
NARRATIVAS AUTOBIOGRÁFICAS ESCRITA CRIATIVA LITERATURA |
topic |
NARRATIVAS AUTOBIOGRÁFICAS ESCRITA CRIATIVA LITERATURA LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
I write. I rewrite. I try one, two, three, numerous times. The pen resists in continuing to give narrative a body. It falls, fainted. I keep quiet, and I keep quiet again. The medusas are multiplying, but my-yours shouts are deaf. Why so much silence? The present essay is about a creative process while writing an autofictional narrative of feminine authorship and is also about a cathartic process, a settlement of accounts with literary creation: writing as a way of saving from neurosis and also as a challenge of language construct. During the path, however, how is it possible to deal with self-censorship and with language restrictions? As Sartre says in his memoir The Words, renouncing to write it is also renouncing to ourselves. That way, in order not to renounce, I face autofictional narrative as a form of expressing my memories and my experiences: creating a double, a persona, enables me to expose myself, since autofiction doesn’t have a commitment with truth – it is a fiction that inspires itself and plays freely with biographical aspects. Thus, using the nuances offered by autofiction was the creative alternative that enabled me to write, to fable and to find a way of creative freedom in a favorable environment for it: the Creative Writing postgraduate program of Pontifícia Universidade Católica do Rio Grande do Sul. |
publishDate |
2016 |
dc.date.accessioned.fl_str_mv |
2016-06-08T18:09:46Z |
dc.date.issued.fl_str_mv |
2016-02-29 |
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por |
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por |
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600 600 600 |
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Brasil |
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Faculdade de Letras |
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Pontifícia Universidade Católica do Rio Grande do Sul |
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