Espectador Activo: Comunicação audiovisual institucional num mundo de redes participativas

Detalhes bibliográficos
Autor(a) principal: Brandão, Daniel
Data de Publicação: 2011
Outros Autores: Alvelos, Heitor, Duarte Martins, Nuno
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/11110/378
Resumo: Once delighted by the moving image advent as a new method of realistically presenting reality, the viewer has been reposition himself towards the audiovisual contents he consumes, as he is given the opportunity to create and share his own perspective of that reality. We are living in a new technological setting, governed mainly by factors of interactivity, digital systems and technological convergence. The research project that we will present in this paper focuses on the subject of participatory media and the way cultural institutions are increasingly facing the inevitability of a profound revision of their traditional parameters of unidirectional communication, given the increasing availability of tools for audiovisual production as well as the diversity of networked communication contexts. The Serralves Foundation with its Museum of Contemporary Art, in Porto, Portugal, was the subject of a fi rst study of an empirical nature: a series of audiovisual objects were developed, in order to generate material for analysis and proposition. In this new stage of the project, our aim is to identify new procedures and practices that may be effectively implemented within the institutional universe. We intend to propose effi cient audiovisual communication contexts, including the maximizing of the relationship between institutions and audiences regarding dimensions that are traditionally outside the institutional radar: identity, narrative and affection. The project is currently in the process of surveying and categorization, with the aim of producing a map of different vocations and positions of the various institutions in regards to the aforementioned issues, which require participatory communication.
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spelling Espectador Activo: Comunicação audiovisual institucional num mundo de redes participativasAudiencesParticipatory media and Cultural InstitutionsOnce delighted by the moving image advent as a new method of realistically presenting reality, the viewer has been reposition himself towards the audiovisual contents he consumes, as he is given the opportunity to create and share his own perspective of that reality. We are living in a new technological setting, governed mainly by factors of interactivity, digital systems and technological convergence. The research project that we will present in this paper focuses on the subject of participatory media and the way cultural institutions are increasingly facing the inevitability of a profound revision of their traditional parameters of unidirectional communication, given the increasing availability of tools for audiovisual production as well as the diversity of networked communication contexts. The Serralves Foundation with its Museum of Contemporary Art, in Porto, Portugal, was the subject of a fi rst study of an empirical nature: a series of audiovisual objects were developed, in order to generate material for analysis and proposition. In this new stage of the project, our aim is to identify new procedures and practices that may be effectively implemented within the institutional universe. We intend to propose effi cient audiovisual communication contexts, including the maximizing of the relationship between institutions and audiences regarding dimensions that are traditionally outside the institutional radar: identity, narrative and affection. The project is currently in the process of surveying and categorization, with the aim of producing a map of different vocations and positions of the various institutions in regards to the aforementioned issues, which require participatory communication.2013-12-09T12:43:48Z2013-12-09T12:43:48Z2011-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/11110/378oai:ciencipca.ipca.pt:11110/378por978-989-96858-1-9http://hdl.handle.net/11110/378Brandão, DanielAlvelos, HeitorDuarte Martins, Nunoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-09-05T12:51:58Zoai:ciencipca.ipca.pt:11110/378Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:00:48.418367Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Espectador Activo: Comunicação audiovisual institucional num mundo de redes participativas
title Espectador Activo: Comunicação audiovisual institucional num mundo de redes participativas
spellingShingle Espectador Activo: Comunicação audiovisual institucional num mundo de redes participativas
Brandão, Daniel
Audiences
Participatory media and Cultural Institutions
title_short Espectador Activo: Comunicação audiovisual institucional num mundo de redes participativas
title_full Espectador Activo: Comunicação audiovisual institucional num mundo de redes participativas
title_fullStr Espectador Activo: Comunicação audiovisual institucional num mundo de redes participativas
title_full_unstemmed Espectador Activo: Comunicação audiovisual institucional num mundo de redes participativas
title_sort Espectador Activo: Comunicação audiovisual institucional num mundo de redes participativas
author Brandão, Daniel
author_facet Brandão, Daniel
Alvelos, Heitor
Duarte Martins, Nuno
author_role author
author2 Alvelos, Heitor
Duarte Martins, Nuno
author2_role author
author
dc.contributor.author.fl_str_mv Brandão, Daniel
Alvelos, Heitor
Duarte Martins, Nuno
dc.subject.por.fl_str_mv Audiences
Participatory media and Cultural Institutions
topic Audiences
Participatory media and Cultural Institutions
description Once delighted by the moving image advent as a new method of realistically presenting reality, the viewer has been reposition himself towards the audiovisual contents he consumes, as he is given the opportunity to create and share his own perspective of that reality. We are living in a new technological setting, governed mainly by factors of interactivity, digital systems and technological convergence. The research project that we will present in this paper focuses on the subject of participatory media and the way cultural institutions are increasingly facing the inevitability of a profound revision of their traditional parameters of unidirectional communication, given the increasing availability of tools for audiovisual production as well as the diversity of networked communication contexts. The Serralves Foundation with its Museum of Contemporary Art, in Porto, Portugal, was the subject of a fi rst study of an empirical nature: a series of audiovisual objects were developed, in order to generate material for analysis and proposition. In this new stage of the project, our aim is to identify new procedures and practices that may be effectively implemented within the institutional universe. We intend to propose effi cient audiovisual communication contexts, including the maximizing of the relationship between institutions and audiences regarding dimensions that are traditionally outside the institutional radar: identity, narrative and affection. The project is currently in the process of surveying and categorization, with the aim of producing a map of different vocations and positions of the various institutions in regards to the aforementioned issues, which require participatory communication.
publishDate 2011
dc.date.none.fl_str_mv 2011-01-01T00:00:00Z
2013-12-09T12:43:48Z
2013-12-09T12:43:48Z
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