O retrato feminino na escultura portuguesa dos séculos XIX e XX : um percurso escultórico

Detalhes bibliográficos
Autor(a) principal: Ribeiro, Ana, 1994-
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/33653
Resumo: In this Master’s dissertation we will approach the sculptural tipology of the female portrait in the portuguese sculpture of the end of the 19th century and on of 20th century. In order to understand the different views over this subject, we will give an international context to the subject, beginning with the classical Antiquity utill the 20th century. There will be, a more detailed analysis concerning the roman portrait, not only because of its large diffusion but also for its legacy, like no other period in history of sculpture the portrait was so important. In another moment, the focus will be on the portrait in Portugal, emphasizing the refered periods. The second part is composed by a sculptoric set of 25 portraits belonging to 16 different sculptors. The choice was based on a personal selection having in count an inventory of about 251 female portraits. Each portrait will be analyse and also a short biography of the sculptors will be present. We will start at the year of 1881 with Flor Agreste, from Soares dos Reis and finish in 1999 with the bust of Natália Correia, from João Cutileiro. This set englobes different age ranges, corresponding to anonymous people, detached people from the national scene, as well as artists’ relatives and friends. With all this diversity, it is possible to understand the artistic qualities but also the formal changes present in portraits, accorrdingly to the time they were executed. The main goal of this Master dissertation is to understand the act of portray and how it can changes depending on time and sculptor
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spelling O retrato feminino na escultura portuguesa dos séculos XIX e XX : um percurso escultóricoEsculturaRetratoRetrato - na história da arteFemininoPortugal - séc. 19-20Escultura - Especialidade em Estudos de EsculturaIn this Master’s dissertation we will approach the sculptural tipology of the female portrait in the portuguese sculpture of the end of the 19th century and on of 20th century. In order to understand the different views over this subject, we will give an international context to the subject, beginning with the classical Antiquity utill the 20th century. There will be, a more detailed analysis concerning the roman portrait, not only because of its large diffusion but also for its legacy, like no other period in history of sculpture the portrait was so important. In another moment, the focus will be on the portrait in Portugal, emphasizing the refered periods. The second part is composed by a sculptoric set of 25 portraits belonging to 16 different sculptors. The choice was based on a personal selection having in count an inventory of about 251 female portraits. Each portrait will be analyse and also a short biography of the sculptors will be present. We will start at the year of 1881 with Flor Agreste, from Soares dos Reis and finish in 1999 with the bust of Natália Correia, from João Cutileiro. This set englobes different age ranges, corresponding to anonymous people, detached people from the national scene, as well as artists’ relatives and friends. With all this diversity, it is possible to understand the artistic qualities but also the formal changes present in portraits, accorrdingly to the time they were executed. The main goal of this Master dissertation is to understand the act of portray and how it can changes depending on time and sculptorDuarte, Eduardo, 1966-Repositório da Universidade de LisboaRibeiro, Ana, 1994-2018-05-25T14:06:31Z2018-02-072018-05-242018-02-07T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfapplication/pdfhttp://hdl.handle.net/10451/33653TID:201849402porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:28:36Zoai:repositorio.ul.pt:10451/33653Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:48:36.475632Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv O retrato feminino na escultura portuguesa dos séculos XIX e XX : um percurso escultórico
title O retrato feminino na escultura portuguesa dos séculos XIX e XX : um percurso escultórico
spellingShingle O retrato feminino na escultura portuguesa dos séculos XIX e XX : um percurso escultórico
Ribeiro, Ana, 1994-
Escultura
Retrato
Retrato - na história da arte
Feminino
Portugal - séc. 19-20
Escultura - Especialidade em Estudos de Escultura
title_short O retrato feminino na escultura portuguesa dos séculos XIX e XX : um percurso escultórico
title_full O retrato feminino na escultura portuguesa dos séculos XIX e XX : um percurso escultórico
title_fullStr O retrato feminino na escultura portuguesa dos séculos XIX e XX : um percurso escultórico
title_full_unstemmed O retrato feminino na escultura portuguesa dos séculos XIX e XX : um percurso escultórico
title_sort O retrato feminino na escultura portuguesa dos séculos XIX e XX : um percurso escultórico
author Ribeiro, Ana, 1994-
author_facet Ribeiro, Ana, 1994-
author_role author
dc.contributor.none.fl_str_mv Duarte, Eduardo, 1966-
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Ribeiro, Ana, 1994-
dc.subject.por.fl_str_mv Escultura
Retrato
Retrato - na história da arte
Feminino
Portugal - séc. 19-20
Escultura - Especialidade em Estudos de Escultura
topic Escultura
Retrato
Retrato - na história da arte
Feminino
Portugal - séc. 19-20
Escultura - Especialidade em Estudos de Escultura
description In this Master’s dissertation we will approach the sculptural tipology of the female portrait in the portuguese sculpture of the end of the 19th century and on of 20th century. In order to understand the different views over this subject, we will give an international context to the subject, beginning with the classical Antiquity utill the 20th century. There will be, a more detailed analysis concerning the roman portrait, not only because of its large diffusion but also for its legacy, like no other period in history of sculpture the portrait was so important. In another moment, the focus will be on the portrait in Portugal, emphasizing the refered periods. The second part is composed by a sculptoric set of 25 portraits belonging to 16 different sculptors. The choice was based on a personal selection having in count an inventory of about 251 female portraits. Each portrait will be analyse and also a short biography of the sculptors will be present. We will start at the year of 1881 with Flor Agreste, from Soares dos Reis and finish in 1999 with the bust of Natália Correia, from João Cutileiro. This set englobes different age ranges, corresponding to anonymous people, detached people from the national scene, as well as artists’ relatives and friends. With all this diversity, it is possible to understand the artistic qualities but also the formal changes present in portraits, accorrdingly to the time they were executed. The main goal of this Master dissertation is to understand the act of portray and how it can changes depending on time and sculptor
publishDate 2018
dc.date.none.fl_str_mv 2018-05-25T14:06:31Z
2018-02-07
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