Julião Sarmento’s Moving Images: Vision’s Perversity For The Maintenance of Desire

Detalhes bibliográficos
Autor(a) principal: Marques, Bruno
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2021.9979
Resumo: This article analyses an audiovisual essay created around the exhibition Julião Sarmento. Film Works, that took place in Universidade Católica Portuguesa in Porto in 2019. This exhibition reunited 10 works in film and video produced by the Portuguese artist in different moments of his career. Following the audiovisual essay’s structure, I will approach three thematic obsessions transversal to Julião Sarmento’s work, as a reflexive proposal about a gaze phenomenology (or a vision’s perversity), regarding dispositives that involve the moving image. Particularly, in what concerns the problematic of desire. These are: (1) The constant work of language (the real, the symbolic and the imaginary); (2) The fragmented body (the conscience/disassembling of voyeurism); (3) The rhythm (exposing the matter of time in favor of a deceptive aesthetics).
id RCAP_01d1d2aa4aaa63978a0050d500ce18c0
oai_identifier_str oai:ojs.revistas.ucp.pt:article/9979
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling Julião Sarmento’s Moving Images: Vision’s Perversity For The Maintenance of DesireThis article analyses an audiovisual essay created around the exhibition Julião Sarmento. Film Works, that took place in Universidade Católica Portuguesa in Porto in 2019. This exhibition reunited 10 works in film and video produced by the Portuguese artist in different moments of his career. Following the audiovisual essay’s structure, I will approach three thematic obsessions transversal to Julião Sarmento’s work, as a reflexive proposal about a gaze phenomenology (or a vision’s perversity), regarding dispositives that involve the moving image. Particularly, in what concerns the problematic of desire. These are: (1) The constant work of language (the real, the symbolic and the imaginary); (2) The fragmented body (the conscience/disassembling of voyeurism); (3) The rhythm (exposing the matter of time in favor of a deceptive aesthetics).Universidade Católica Portuguesa2021-04-06T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2021.9979oai:ojs.revistas.ucp.pt:article/9979Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 80-86Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 80-862183-00881646-979810.34632/jsta.2021.13.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9979https://doi.org/10.34632/jsta.2021.9979https://revistas.ucp.pt/index.php/jsta/article/view/9979/9718Copyright (c) 2021 Bruno Marqueshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMarques, Bruno2022-09-22T16:19:29Zoai:ojs.revistas.ucp.pt:article/9979Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:07.494643Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Julião Sarmento’s Moving Images: Vision’s Perversity For The Maintenance of Desire
title Julião Sarmento’s Moving Images: Vision’s Perversity For The Maintenance of Desire
spellingShingle Julião Sarmento’s Moving Images: Vision’s Perversity For The Maintenance of Desire
Marques, Bruno
title_short Julião Sarmento’s Moving Images: Vision’s Perversity For The Maintenance of Desire
title_full Julião Sarmento’s Moving Images: Vision’s Perversity For The Maintenance of Desire
title_fullStr Julião Sarmento’s Moving Images: Vision’s Perversity For The Maintenance of Desire
title_full_unstemmed Julião Sarmento’s Moving Images: Vision’s Perversity For The Maintenance of Desire
title_sort Julião Sarmento’s Moving Images: Vision’s Perversity For The Maintenance of Desire
author Marques, Bruno
author_facet Marques, Bruno
author_role author
dc.contributor.author.fl_str_mv Marques, Bruno
description This article analyses an audiovisual essay created around the exhibition Julião Sarmento. Film Works, that took place in Universidade Católica Portuguesa in Porto in 2019. This exhibition reunited 10 works in film and video produced by the Portuguese artist in different moments of his career. Following the audiovisual essay’s structure, I will approach three thematic obsessions transversal to Julião Sarmento’s work, as a reflexive proposal about a gaze phenomenology (or a vision’s perversity), regarding dispositives that involve the moving image. Particularly, in what concerns the problematic of desire. These are: (1) The constant work of language (the real, the symbolic and the imaginary); (2) The fragmented body (the conscience/disassembling of voyeurism); (3) The rhythm (exposing the matter of time in favor of a deceptive aesthetics).
publishDate 2021
dc.date.none.fl_str_mv 2021-04-06T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2021.9979
oai:ojs.revistas.ucp.pt:article/9979
url https://doi.org/10.34632/jsta.2021.9979
identifier_str_mv oai:ojs.revistas.ucp.pt:article/9979
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/9979
https://doi.org/10.34632/jsta.2021.9979
https://revistas.ucp.pt/index.php/jsta/article/view/9979/9718
dc.rights.driver.fl_str_mv Copyright (c) 2021 Bruno Marques
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Bruno Marques
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 80-86
Journal of Science and Technology of the Arts; v. 13 n. 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art; 80-86
2183-0088
1646-9798
10.34632/jsta.2021.13.1
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799130458123927552

Registros relacionados