Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/80610 |
Resumo: | In contemporary time, at the same time that is given an uncontrolled cultural and social multiplication of the figures of the body, its sense escapes indefinitely. The question "what's the body?" constitutes an archaic and urgent question. The fascination and obsession for the representation of the body carried out from art and childhood, make us wonder for the reason of the origin of the preference for the body in representation. In these representations -in painting, photography, sculpture, movies, dance- the way in which a body is perceived it's important, as well as what it is searched when looking at it, because a gaze doesn't settle in a body like over a thing. This gaze looks for an underground pulsation. To explore a living body is to explore signs that constitute an expressive load. The human body is expressive: it shows something that is not seen, and for that reason it's a field of signs. The expression comes, justly, from that you don't see. And, unconsciously, what hides from the gaze is hidden inside the body: under the skin. |
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Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimientoOutras humanidadesOther humanitiesIn contemporary time, at the same time that is given an uncontrolled cultural and social multiplication of the figures of the body, its sense escapes indefinitely. The question "what's the body?" constitutes an archaic and urgent question. The fascination and obsession for the representation of the body carried out from art and childhood, make us wonder for the reason of the origin of the preference for the body in representation. In these representations -in painting, photography, sculpture, movies, dance- the way in which a body is perceived it's important, as well as what it is searched when looking at it, because a gaze doesn't settle in a body like over a thing. This gaze looks for an underground pulsation. To explore a living body is to explore signs that constitute an expressive load. The human body is expressive: it shows something that is not seen, and for that reason it's a field of signs. The expression comes, justly, from that you don't see. And, unconsciously, what hides from the gaze is hidden inside the body: under the skin.20092009-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/80610spaVilela, Eugeniainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T12:55:15Zoai:repositorio-aberto.up.pt:10216/80610Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:29:31.725707Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento |
title |
Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento |
spellingShingle |
Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento Vilela, Eugenia Outras humanidades Other humanities |
title_short |
Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento |
title_full |
Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento |
title_fullStr |
Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento |
title_full_unstemmed |
Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento |
title_sort |
Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento |
author |
Vilela, Eugenia |
author_facet |
Vilela, Eugenia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Vilela, Eugenia |
dc.subject.por.fl_str_mv |
Outras humanidades Other humanities |
topic |
Outras humanidades Other humanities |
description |
In contemporary time, at the same time that is given an uncontrolled cultural and social multiplication of the figures of the body, its sense escapes indefinitely. The question "what's the body?" constitutes an archaic and urgent question. The fascination and obsession for the representation of the body carried out from art and childhood, make us wonder for the reason of the origin of the preference for the body in representation. In these representations -in painting, photography, sculpture, movies, dance- the way in which a body is perceived it's important, as well as what it is searched when looking at it, because a gaze doesn't settle in a body like over a thing. This gaze looks for an underground pulsation. To explore a living body is to explore signs that constitute an expressive load. The human body is expressive: it shows something that is not seen, and for that reason it's a field of signs. The expression comes, justly, from that you don't see. And, unconsciously, what hides from the gaze is hidden inside the body: under the skin. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009 2009-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/80610 |
url |
https://hdl.handle.net/10216/80610 |
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spa |
language |
spa |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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