Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento

Detalhes bibliográficos
Autor(a) principal: Vilela, Eugenia
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/80610
Resumo: In contemporary time, at the same time that is given an uncontrolled cultural and social multiplication of the figures of the body, its sense escapes indefinitely. The question "what's the body?" constitutes an archaic and urgent question. The fascination and obsession for the representation of the body carried out from art and childhood, make us wonder for the reason of the origin of the preference for the body in representation. In these representations -in painting, photography, sculpture, movies, dance- the way in which a body is perceived it's important, as well as what it is searched when looking at it, because a gaze doesn't settle in a body like over a thing. This gaze looks for an underground pulsation. To explore a living body is to explore signs that constitute an expressive load. The human body is expressive: it shows something that is not seen, and for that reason it's a field of signs. The expression comes, justly, from that you don't see. And, unconsciously, what hides from the gaze is hidden inside the body: under the skin.
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spelling Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimientoOutras humanidadesOther humanitiesIn contemporary time, at the same time that is given an uncontrolled cultural and social multiplication of the figures of the body, its sense escapes indefinitely. The question "what's the body?" constitutes an archaic and urgent question. The fascination and obsession for the representation of the body carried out from art and childhood, make us wonder for the reason of the origin of the preference for the body in representation. In these representations -in painting, photography, sculpture, movies, dance- the way in which a body is perceived it's important, as well as what it is searched when looking at it, because a gaze doesn't settle in a body like over a thing. This gaze looks for an underground pulsation. To explore a living body is to explore signs that constitute an expressive load. The human body is expressive: it shows something that is not seen, and for that reason it's a field of signs. The expression comes, justly, from that you don't see. And, unconsciously, what hides from the gaze is hidden inside the body: under the skin.20092009-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/80610spaVilela, Eugeniainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T12:55:15Zoai:repositorio-aberto.up.pt:10216/80610Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:29:31.725707Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento
title Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento
spellingShingle Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento
Vilela, Eugenia
Outras humanidades
Other humanities
title_short Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento
title_full Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento
title_fullStr Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento
title_full_unstemmed Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento
title_sort Bajo los vestigios de un cuerpo: Cultura, discurso y acontecimiento
author Vilela, Eugenia
author_facet Vilela, Eugenia
author_role author
dc.contributor.author.fl_str_mv Vilela, Eugenia
dc.subject.por.fl_str_mv Outras humanidades
Other humanities
topic Outras humanidades
Other humanities
description In contemporary time, at the same time that is given an uncontrolled cultural and social multiplication of the figures of the body, its sense escapes indefinitely. The question "what's the body?" constitutes an archaic and urgent question. The fascination and obsession for the representation of the body carried out from art and childhood, make us wonder for the reason of the origin of the preference for the body in representation. In these representations -in painting, photography, sculpture, movies, dance- the way in which a body is perceived it's important, as well as what it is searched when looking at it, because a gaze doesn't settle in a body like over a thing. This gaze looks for an underground pulsation. To explore a living body is to explore signs that constitute an expressive load. The human body is expressive: it shows something that is not seen, and for that reason it's a field of signs. The expression comes, justly, from that you don't see. And, unconsciously, what hides from the gaze is hidden inside the body: under the skin.
publishDate 2009
dc.date.none.fl_str_mv 2009
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