Projecto X: a journey inside ourselves and what we found when we arrived

Detalhes bibliográficos
Autor(a) principal: Graça, Jorge
Data de Publicação: 2022
Outros Autores: Rodrigues, Helena, Rodrigues, Paulo Maria
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10773/35660
Resumo: This article analyses and reflects upon a community music project that occurred in 2016 in Portugal. It involved a community of people with disabilities and a group of artists from different fields. The project’s promotors aimed to create a space in which differences were abated, social well-being was nourished and individual desires were fostered. This article endeavours to understand how artistic performance may provide opportunities for empowering less advantaged people and how it might have been achieved during this project. The reflections present in this article are based on the current literature on community music and are informed by other similar analysis of these kinds of projects. The article starts with a brief description of the project and then elaborates on the term ‘community music’ and its relationship to this project. The project made use of a mix between an art installation and an experimental instrument called Pianoscópio. This article describes this instrument in detail and analyses how it enabled the participants to express themselves to their fullest abilities. A characterisation of the participating community members follows, focusing on the core tenets of the association they were part of. After that, the article examines how the workshops took place and what transpired in the final performance, focusing specifically on the steps taken to accommodate the different disabilities of the participants. The article ends with a reflection upon these kinds of projects and the impact this one project might have had on its participants.
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spelling Projecto X: a journey inside ourselves and what we found when we arrivedCommunity musicArt installationWorkshopsPerformanceParticipantsThis article analyses and reflects upon a community music project that occurred in 2016 in Portugal. It involved a community of people with disabilities and a group of artists from different fields. The project’s promotors aimed to create a space in which differences were abated, social well-being was nourished and individual desires were fostered. This article endeavours to understand how artistic performance may provide opportunities for empowering less advantaged people and how it might have been achieved during this project. The reflections present in this article are based on the current literature on community music and are informed by other similar analysis of these kinds of projects. The article starts with a brief description of the project and then elaborates on the term ‘community music’ and its relationship to this project. The project made use of a mix between an art installation and an experimental instrument called Pianoscópio. This article describes this instrument in detail and analyses how it enabled the participants to express themselves to their fullest abilities. A characterisation of the participating community members follows, focusing on the core tenets of the association they were part of. After that, the article examines how the workshops took place and what transpired in the final performance, focusing specifically on the steps taken to accommodate the different disabilities of the participants. The article ends with a reflection upon these kinds of projects and the impact this one project might have had on its participants.OsloMet2023-01-06T11:41:58Z2022-01-01T00:00:00Z2022info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10773/35660eng2535-732810.7577/information.3732Graça, JorgeRodrigues, HelenaRodrigues, Paulo Mariainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-02-22T12:08:48Zoai:ria.ua.pt:10773/35660Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:06:40.679276Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Projecto X: a journey inside ourselves and what we found when we arrived
title Projecto X: a journey inside ourselves and what we found when we arrived
spellingShingle Projecto X: a journey inside ourselves and what we found when we arrived
Graça, Jorge
Community music
Art installation
Workshops
Performance
Participants
title_short Projecto X: a journey inside ourselves and what we found when we arrived
title_full Projecto X: a journey inside ourselves and what we found when we arrived
title_fullStr Projecto X: a journey inside ourselves and what we found when we arrived
title_full_unstemmed Projecto X: a journey inside ourselves and what we found when we arrived
title_sort Projecto X: a journey inside ourselves and what we found when we arrived
author Graça, Jorge
author_facet Graça, Jorge
Rodrigues, Helena
Rodrigues, Paulo Maria
author_role author
author2 Rodrigues, Helena
Rodrigues, Paulo Maria
author2_role author
author
dc.contributor.author.fl_str_mv Graça, Jorge
Rodrigues, Helena
Rodrigues, Paulo Maria
dc.subject.por.fl_str_mv Community music
Art installation
Workshops
Performance
Participants
topic Community music
Art installation
Workshops
Performance
Participants
description This article analyses and reflects upon a community music project that occurred in 2016 in Portugal. It involved a community of people with disabilities and a group of artists from different fields. The project’s promotors aimed to create a space in which differences were abated, social well-being was nourished and individual desires were fostered. This article endeavours to understand how artistic performance may provide opportunities for empowering less advantaged people and how it might have been achieved during this project. The reflections present in this article are based on the current literature on community music and are informed by other similar analysis of these kinds of projects. The article starts with a brief description of the project and then elaborates on the term ‘community music’ and its relationship to this project. The project made use of a mix between an art installation and an experimental instrument called Pianoscópio. This article describes this instrument in detail and analyses how it enabled the participants to express themselves to their fullest abilities. A characterisation of the participating community members follows, focusing on the core tenets of the association they were part of. After that, the article examines how the workshops took place and what transpired in the final performance, focusing specifically on the steps taken to accommodate the different disabilities of the participants. The article ends with a reflection upon these kinds of projects and the impact this one project might have had on its participants.
publishDate 2022
dc.date.none.fl_str_mv 2022-01-01T00:00:00Z
2022
2023-01-06T11:41:58Z
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10.7577/information.3732
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