What Leonor López Left Unsaid

Detalhes bibliográficos
Autor(a) principal: Brownlee, Marina S.
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34624/fb.v0i19.34684
Resumo: Thanatology — the study of death — finds fertile ground for research in the Middle Ages given the precariousness of life due to war, disease, and the rudimentary knowledge of medicine. Much more than the counting and recounting of dead knights, and women and children who die during childbirth, the focus on the details of death in a wealth of genres, from epics and chronicles, to autobiographies and spiritual accounts is very revealing of the expectations, emotions and symbolic values of death and dying. The Memorias of Leonor López (b. 1362 or 1363) is a compellingly enigmatic document written by a politically influential author. The paradoxical conflation of autobiography and memoir in her historical writing about the murder of Pedro I of Castile and León by his half- brother Enrique II de Trastámara (known as The Fratricide), is a narrative of war, trauma, and death, and their consequences — but also, surprisingly, of transcendence. Leonor — Castile’s first memorialist and first female prose writer — was incarcerated at the age of eight, spending eight years as a prisoner because of Enrique’s perfidy against Pedro, with whose family she was aligned. Enrique was the first King of Castile and León from the House of Trastámara. He became king in 1369 by murdering his half-brother Pedro (known as both The Just or the Cruel, depending on the opinion of political allies or foes). After numerous rebellions and battles as king, he was involved in the Fernandine Wars and the Hundred Years’ War. Leonor chronicles the gruesome deaths of her relatives, a fate which only she and her problematic husband survived. After her traumatic losses as a prisoner of war, however, Leonor gains notable political power, rising to become the Queen Regent of Catalina de Lancaster. The postscript to this position is both tumultuous and unexpected.
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spelling What Leonor López Left UnsaidO que Leonor Lopez deixou de dizerThanatology — the study of death — finds fertile ground for research in the Middle Ages given the precariousness of life due to war, disease, and the rudimentary knowledge of medicine. Much more than the counting and recounting of dead knights, and women and children who die during childbirth, the focus on the details of death in a wealth of genres, from epics and chronicles, to autobiographies and spiritual accounts is very revealing of the expectations, emotions and symbolic values of death and dying. The Memorias of Leonor López (b. 1362 or 1363) is a compellingly enigmatic document written by a politically influential author. The paradoxical conflation of autobiography and memoir in her historical writing about the murder of Pedro I of Castile and León by his half- brother Enrique II de Trastámara (known as The Fratricide), is a narrative of war, trauma, and death, and their consequences — but also, surprisingly, of transcendence. Leonor — Castile’s first memorialist and first female prose writer — was incarcerated at the age of eight, spending eight years as a prisoner because of Enrique’s perfidy against Pedro, with whose family she was aligned. Enrique was the first King of Castile and León from the House of Trastámara. He became king in 1369 by murdering his half-brother Pedro (known as both The Just or the Cruel, depending on the opinion of political allies or foes). After numerous rebellions and battles as king, he was involved in the Fernandine Wars and the Hundred Years’ War. Leonor chronicles the gruesome deaths of her relatives, a fate which only she and her problematic husband survived. After her traumatic losses as a prisoner of war, however, Leonor gains notable political power, rising to become the Queen Regent of Catalina de Lancaster. The postscript to this position is both tumultuous and unexpected.A Tamalogia - o estudo da morte - encontra terreno fértil para pesquisas na Idade Média, dada a precariedade da vida devido à guerra, às doenças e ao conhecimento rudimentar da medicina. Muito mais do que a contagem e recontagem de cavaleiros mortos, e de mulheres e crianças que morreram durante o parto, o foco nos detalhes da morte numa riqueza de géneros, desde épicos a crónicas, a autobiografias e relatos espirituais é muito revelador das expetativas, emoções e valores simbólicos da morte e do morrer. As “Memórias” de Leonor López de Córdoba são um documento convincentemente enigmático escrito por um autora politicamente influente que reflete a precariedade da sua vida.UA Editora - Universidade de Aveiro2023-11-17info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34624/fb.v0i19.34684https://doi.org/10.34624/fb.v0i19.34684Forma Breve; No 19 (2023): A fúria de Aquiles: as faces da guerra; 319-326Forma Breve; n.º 19 (2023): A fúria de Aquiles: as faces da guerra; 319-3262183-47091645-927Xreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://proa.ua.pt/index.php/formabreve/article/view/34684https://proa.ua.pt/index.php/formabreve/article/view/34684/23008Direitos de Autor (c) 2023 Marina S. Brownleehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBrownlee, Marina S.2023-11-30T18:45:39Zoai:proa.ua.pt:article/34684Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:19:33.729841Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv What Leonor López Left Unsaid
O que Leonor Lopez deixou de dizer
title What Leonor López Left Unsaid
spellingShingle What Leonor López Left Unsaid
Brownlee, Marina S.
title_short What Leonor López Left Unsaid
title_full What Leonor López Left Unsaid
title_fullStr What Leonor López Left Unsaid
title_full_unstemmed What Leonor López Left Unsaid
title_sort What Leonor López Left Unsaid
author Brownlee, Marina S.
author_facet Brownlee, Marina S.
author_role author
dc.contributor.author.fl_str_mv Brownlee, Marina S.
description Thanatology — the study of death — finds fertile ground for research in the Middle Ages given the precariousness of life due to war, disease, and the rudimentary knowledge of medicine. Much more than the counting and recounting of dead knights, and women and children who die during childbirth, the focus on the details of death in a wealth of genres, from epics and chronicles, to autobiographies and spiritual accounts is very revealing of the expectations, emotions and symbolic values of death and dying. The Memorias of Leonor López (b. 1362 or 1363) is a compellingly enigmatic document written by a politically influential author. The paradoxical conflation of autobiography and memoir in her historical writing about the murder of Pedro I of Castile and León by his half- brother Enrique II de Trastámara (known as The Fratricide), is a narrative of war, trauma, and death, and their consequences — but also, surprisingly, of transcendence. Leonor — Castile’s first memorialist and first female prose writer — was incarcerated at the age of eight, spending eight years as a prisoner because of Enrique’s perfidy against Pedro, with whose family she was aligned. Enrique was the first King of Castile and León from the House of Trastámara. He became king in 1369 by murdering his half-brother Pedro (known as both The Just or the Cruel, depending on the opinion of political allies or foes). After numerous rebellions and battles as king, he was involved in the Fernandine Wars and the Hundred Years’ War. Leonor chronicles the gruesome deaths of her relatives, a fate which only she and her problematic husband survived. After her traumatic losses as a prisoner of war, however, Leonor gains notable political power, rising to become the Queen Regent of Catalina de Lancaster. The postscript to this position is both tumultuous and unexpected.
publishDate 2023
dc.date.none.fl_str_mv 2023-11-17
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dc.identifier.uri.fl_str_mv https://doi.org/10.34624/fb.v0i19.34684
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url https://doi.org/10.34624/fb.v0i19.34684
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://proa.ua.pt/index.php/formabreve/article/view/34684
https://proa.ua.pt/index.php/formabreve/article/view/34684/23008
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2023 Marina S. Brownlee
http://creativecommons.org/licenses/by/4.0
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rights_invalid_str_mv Direitos de Autor (c) 2023 Marina S. Brownlee
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv UA Editora - Universidade de Aveiro
publisher.none.fl_str_mv UA Editora - Universidade de Aveiro
dc.source.none.fl_str_mv Forma Breve; No 19 (2023): A fúria de Aquiles: as faces da guerra; 319-326
Forma Breve; n.º 19 (2023): A fúria de Aquiles: as faces da guerra; 319-326
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