The Origin of Art Criticism and What Remains of it Today

Detalhes bibliográficos
Autor(a) principal: Duarte, Pedro
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2021.10348
Resumo: After initially framing the contemporary crisis of art criticism in neo-Adornian terms, the article offers a review of the historical and philosophical foundations of art criticism coming mainly from the perspective of Jena Romanticism. Based on the latter, it traces a sound distinction between art criticism and other kinds of discourse about art. Finally, it makes critical comments on art journalism and contemporary discourses that favor public mediation in lieu of reflection, but that have nevertheless occupied the social space of art criticism.
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spelling The Origin of Art Criticism and What Remains of it TodayAfter initially framing the contemporary crisis of art criticism in neo-Adornian terms, the article offers a review of the historical and philosophical foundations of art criticism coming mainly from the perspective of Jena Romanticism. Based on the latter, it traces a sound distinction between art criticism and other kinds of discourse about art. Finally, it makes critical comments on art journalism and contemporary discourses that favor public mediation in lieu of reflection, but that have nevertheless occupied the social space of art criticism.Universidade Católica Portuguesa2021-12-30T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2021.10348oai:ojs.revistas.ucp.pt:article/10348Journal of Science and Technology of the Arts; Vol 13 No 3 (2021): On Criticism: “Is there a place (still) for criticism?”; 93-103Journal of Science and Technology of the Arts; v. 13 n. 3 (2021): On Criticism: “Is there a place (still) for criticism?”; 93-1032183-00881646-979810.34632/jsta.2021.13.3reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/10348https://doi.org/10.34632/jsta.2021.10348https://revistas.ucp.pt/index.php/jsta/article/view/10348/10856Copyright (c) 2021 Pedro Andradehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDuarte, Pedro2022-09-22T16:19:30Zoai:ojs.revistas.ucp.pt:article/10348Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:08.252628Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The Origin of Art Criticism and What Remains of it Today
title The Origin of Art Criticism and What Remains of it Today
spellingShingle The Origin of Art Criticism and What Remains of it Today
Duarte, Pedro
title_short The Origin of Art Criticism and What Remains of it Today
title_full The Origin of Art Criticism and What Remains of it Today
title_fullStr The Origin of Art Criticism and What Remains of it Today
title_full_unstemmed The Origin of Art Criticism and What Remains of it Today
title_sort The Origin of Art Criticism and What Remains of it Today
author Duarte, Pedro
author_facet Duarte, Pedro
author_role author
dc.contributor.author.fl_str_mv Duarte, Pedro
description After initially framing the contemporary crisis of art criticism in neo-Adornian terms, the article offers a review of the historical and philosophical foundations of art criticism coming mainly from the perspective of Jena Romanticism. Based on the latter, it traces a sound distinction between art criticism and other kinds of discourse about art. Finally, it makes critical comments on art journalism and contemporary discourses that favor public mediation in lieu of reflection, but that have nevertheless occupied the social space of art criticism.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-30T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2021.10348
oai:ojs.revistas.ucp.pt:article/10348
url https://doi.org/10.34632/jsta.2021.10348
identifier_str_mv oai:ojs.revistas.ucp.pt:article/10348
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/10348
https://doi.org/10.34632/jsta.2021.10348
https://revistas.ucp.pt/index.php/jsta/article/view/10348/10856
dc.rights.driver.fl_str_mv Copyright (c) 2021 Pedro Andrade
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Pedro Andrade
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 13 No 3 (2021): On Criticism: “Is there a place (still) for criticism?”; 93-103
Journal of Science and Technology of the Arts; v. 13 n. 3 (2021): On Criticism: “Is there a place (still) for criticism?”; 93-103
2183-0088
1646-9798
10.34632/jsta.2021.13.3
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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