Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education

Detalhes bibliográficos
Autor(a) principal: Moura, Nádia
Data de Publicação: 2021
Outros Autores: Serra, Sofia
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2021.9853
Resumo: Music performance anxiety is an acknowledged condition amongst musicians from early learning stages to professional levels. Anxiety experienced in uncontrolled levels translates into the development of physiological and psychological symptoms that impair performance skills and may, ultimately, lead to post-traumatic stress disorders and drop-out of music-related activities. This paper focuses on teacher’s voices to justify the need for inclusion of anxiety management training in music schools’ curricula as means of promoting well-being, coping with stress-inducing situations, and boosting growing musicians’ performative experiences through positive pedagogies. Semi-structured interviews were conducted to four instrument teachers of a Portuguese institution of specialized artistic education to collect data about previous experiences, conceptions, and ways of teaching MPA managing. The importance of integrating coping strategies in pedagogical practices, its obstacles and benefits, alongside suggestions for conceiving viable intervention projects in schools were discussed by the interviewed and hereby critically presented with respect to existing literature.
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spelling Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic EducationMusic performance anxiety is an acknowledged condition amongst musicians from early learning stages to professional levels. Anxiety experienced in uncontrolled levels translates into the development of physiological and psychological symptoms that impair performance skills and may, ultimately, lead to post-traumatic stress disorders and drop-out of music-related activities. This paper focuses on teacher’s voices to justify the need for inclusion of anxiety management training in music schools’ curricula as means of promoting well-being, coping with stress-inducing situations, and boosting growing musicians’ performative experiences through positive pedagogies. Semi-structured interviews were conducted to four instrument teachers of a Portuguese institution of specialized artistic education to collect data about previous experiences, conceptions, and ways of teaching MPA managing. The importance of integrating coping strategies in pedagogical practices, its obstacles and benefits, alongside suggestions for conceiving viable intervention projects in schools were discussed by the interviewed and hereby critically presented with respect to existing literature.Universidade Católica Portuguesa2021-07-22T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2021.9853oai:ojs.revistas.ucp.pt:article/9853Journal of Science and Technology of the Arts; Vol 13 No 2 (2021): Critical Approaches Towards (A New) Arts Education; 99-117Journal of Science and Technology of the Arts; v. 13 n. 2 (2021): Critical Approaches Towards (A New) Arts Education; 99-1172183-00881646-979810.34632/jsta.2021.13.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/9853https://doi.org/10.34632/jsta.2021.9853https://revistas.ucp.pt/index.php/jsta/article/view/9853/9834Copyright (c) 2021 Nádia Moura, Sofia Serrahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMoura, NádiaSerra, Sofia2022-09-22T16:19:29Zoai:ojs.revistas.ucp.pt:article/9853Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:07.404848Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education
title Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education
spellingShingle Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education
Moura, Nádia
title_short Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education
title_full Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education
title_fullStr Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education
title_full_unstemmed Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education
title_sort Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education
author Moura, Nádia
author_facet Moura, Nádia
Serra, Sofia
author_role author
author2 Serra, Sofia
author2_role author
dc.contributor.author.fl_str_mv Moura, Nádia
Serra, Sofia
description Music performance anxiety is an acknowledged condition amongst musicians from early learning stages to professional levels. Anxiety experienced in uncontrolled levels translates into the development of physiological and psychological symptoms that impair performance skills and may, ultimately, lead to post-traumatic stress disorders and drop-out of music-related activities. This paper focuses on teacher’s voices to justify the need for inclusion of anxiety management training in music schools’ curricula as means of promoting well-being, coping with stress-inducing situations, and boosting growing musicians’ performative experiences through positive pedagogies. Semi-structured interviews were conducted to four instrument teachers of a Portuguese institution of specialized artistic education to collect data about previous experiences, conceptions, and ways of teaching MPA managing. The importance of integrating coping strategies in pedagogical practices, its obstacles and benefits, alongside suggestions for conceiving viable intervention projects in schools were discussed by the interviewed and hereby critically presented with respect to existing literature.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-22T00:00:00Z
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dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2021.9853
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identifier_str_mv oai:ojs.revistas.ucp.pt:article/9853
dc.language.iso.fl_str_mv eng
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dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/9853
https://doi.org/10.34632/jsta.2021.9853
https://revistas.ucp.pt/index.php/jsta/article/view/9853/9834
dc.rights.driver.fl_str_mv Copyright (c) 2021 Nádia Moura, Sofia Serra
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Nádia Moura, Sofia Serra
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 13 No 2 (2021): Critical Approaches Towards (A New) Arts Education; 99-117
Journal of Science and Technology of the Arts; v. 13 n. 2 (2021): Critical Approaches Towards (A New) Arts Education; 99-117
2183-0088
1646-9798
10.34632/jsta.2021.13.2
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