Pensar o espaço interior: materialização de ambientes em espaço teatral

Detalhes bibliográficos
Autor(a) principal: Carla Sofia Rego Araújo
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/112656
Resumo: All architecture is born of the human necessity of a contained, enclosed and protected space, in which the human being can perform his activities and live. To project is, therefore, to organize a certain amount of space, convenient to a certain program, and to appropriate it for human use, in a given urban context established by local and surrounding characteristics. The volumetry and the external shape of the buildings, as a rule, condition the interior space and vice versa, being that scale, proportion, matter, light, and color, all merge together in the body of architecture. The way these elements relate and interact provokes the senses of the human being and influences his perception, characterizing the different situations experienced. This lead us to think of the interior space, in the sense of perceiving how its materiality guides either the architectonic thought and the way of projecting of the architects. In the search for case studies to reflect and ground these questions, among the various typologies of interior spaces, the theatrical was chosen because, as a privileged place of spectacle, culture and socialization, the theater is a space rich in different interiorities. From the scenography of narratives and main rooms, to the treatment of public and technical spaces around the spectator and the artist, the buildings destined to the theatrical practice possess a great variety of rhythms and forms in the design of the interior. Among the vast national patrimony, were selected theaters recently recovered and extended, in order to investigate how the dialogues between the past and the present manifest themselves, along with the project thinking, in the various characteristics that make the interior space. We were interested in analyzing and understanding how the choice of materials affects the architecture and its atmospheres, and reflect on the role of the architect in the creation of these particular environments.
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spelling Pensar o espaço interior: materialização de ambientes em espaço teatralArtesArtsAll architecture is born of the human necessity of a contained, enclosed and protected space, in which the human being can perform his activities and live. To project is, therefore, to organize a certain amount of space, convenient to a certain program, and to appropriate it for human use, in a given urban context established by local and surrounding characteristics. The volumetry and the external shape of the buildings, as a rule, condition the interior space and vice versa, being that scale, proportion, matter, light, and color, all merge together in the body of architecture. The way these elements relate and interact provokes the senses of the human being and influences his perception, characterizing the different situations experienced. This lead us to think of the interior space, in the sense of perceiving how its materiality guides either the architectonic thought and the way of projecting of the architects. In the search for case studies to reflect and ground these questions, among the various typologies of interior spaces, the theatrical was chosen because, as a privileged place of spectacle, culture and socialization, the theater is a space rich in different interiorities. From the scenography of narratives and main rooms, to the treatment of public and technical spaces around the spectator and the artist, the buildings destined to the theatrical practice possess a great variety of rhythms and forms in the design of the interior. Among the vast national patrimony, were selected theaters recently recovered and extended, in order to investigate how the dialogues between the past and the present manifest themselves, along with the project thinking, in the various characteristics that make the interior space. We were interested in analyzing and understanding how the choice of materials affects the architecture and its atmospheres, and reflect on the role of the architect in the creation of these particular environments.2018-06-282018-06-28T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/112656TID:202376451porCarla Sofia Rego Araújoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T15:43:37Zoai:repositorio-aberto.up.pt:10216/112656Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:30:32.903503Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Pensar o espaço interior: materialização de ambientes em espaço teatral
title Pensar o espaço interior: materialização de ambientes em espaço teatral
spellingShingle Pensar o espaço interior: materialização de ambientes em espaço teatral
Carla Sofia Rego Araújo
Artes
Arts
title_short Pensar o espaço interior: materialização de ambientes em espaço teatral
title_full Pensar o espaço interior: materialização de ambientes em espaço teatral
title_fullStr Pensar o espaço interior: materialização de ambientes em espaço teatral
title_full_unstemmed Pensar o espaço interior: materialização de ambientes em espaço teatral
title_sort Pensar o espaço interior: materialização de ambientes em espaço teatral
author Carla Sofia Rego Araújo
author_facet Carla Sofia Rego Araújo
author_role author
dc.contributor.author.fl_str_mv Carla Sofia Rego Araújo
dc.subject.por.fl_str_mv Artes
Arts
topic Artes
Arts
description All architecture is born of the human necessity of a contained, enclosed and protected space, in which the human being can perform his activities and live. To project is, therefore, to organize a certain amount of space, convenient to a certain program, and to appropriate it for human use, in a given urban context established by local and surrounding characteristics. The volumetry and the external shape of the buildings, as a rule, condition the interior space and vice versa, being that scale, proportion, matter, light, and color, all merge together in the body of architecture. The way these elements relate and interact provokes the senses of the human being and influences his perception, characterizing the different situations experienced. This lead us to think of the interior space, in the sense of perceiving how its materiality guides either the architectonic thought and the way of projecting of the architects. In the search for case studies to reflect and ground these questions, among the various typologies of interior spaces, the theatrical was chosen because, as a privileged place of spectacle, culture and socialization, the theater is a space rich in different interiorities. From the scenography of narratives and main rooms, to the treatment of public and technical spaces around the spectator and the artist, the buildings destined to the theatrical practice possess a great variety of rhythms and forms in the design of the interior. Among the vast national patrimony, were selected theaters recently recovered and extended, in order to investigate how the dialogues between the past and the present manifest themselves, along with the project thinking, in the various characteristics that make the interior space. We were interested in analyzing and understanding how the choice of materials affects the architecture and its atmospheres, and reflect on the role of the architect in the creation of these particular environments.
publishDate 2018
dc.date.none.fl_str_mv 2018-06-28
2018-06-28T00:00:00Z
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