Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam

Detalhes bibliográficos
Autor(a) principal: Peres, Cátia
Data de Publicação: 2024
Outros Autores: Levitan, Cynthia
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34623/ejyd-sk19
Resumo: This article is focused on the relevance of addressing contemporary representation of women in animation films. Its main objective is to create awareness on the theme, to contribute to a global dialogue that helps to fight intolerance against women and to promote an ethical conscientization of mutual coexistence, based on human rights, with a special focus on gender equality. To achieve this objective, our research conducted an analysis of the case study, Our Uniform (2023), directed by Iranian Yegane Moghaddam, which reflects the problematics of women in a very expressive terms, in a geography where the extreme consequences of violence against women have not yet been resolved and which contributes to answer our objective. As a methodology of research, we combined literature review focused on the representations of women in the Islamic world, a series of three interviews conducted by the authors to the Iranian film director to determine her intentions and to understand the contemporary Iranian as a primary source of information, and the use of a animation model of analysis created specifically for animated film (Peres, 2019).
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spelling Contemporary Female Voices: The case study of Our Uniform, by Yegane MoghaddamVozes Femininas Contemporâneas: O estudo de caso de Our Uniform, de Yegane MoghaddamContemporary Female Voices: The case study of Our Uniform, by Yegane MoghaddamContemporary Female Voices: The case study of Our Uniform, by Yegane MoghaddamFemaleHairHijabEquityAnimationFemaleHairHijabEquityAnimationFemaleHairHijabEquityAnimationFemininoCabeloHijabEquidadeAnimaçãoThis article is focused on the relevance of addressing contemporary representation of women in animation films. Its main objective is to create awareness on the theme, to contribute to a global dialogue that helps to fight intolerance against women and to promote an ethical conscientization of mutual coexistence, based on human rights, with a special focus on gender equality. To achieve this objective, our research conducted an analysis of the case study, Our Uniform (2023), directed by Iranian Yegane Moghaddam, which reflects the problematics of women in a very expressive terms, in a geography where the extreme consequences of violence against women have not yet been resolved and which contributes to answer our objective. As a methodology of research, we combined literature review focused on the representations of women in the Islamic world, a series of three interviews conducted by the authors to the Iranian film director to determine her intentions and to understand the contemporary Iranian as a primary source of information, and the use of a animation model of analysis created specifically for animated film (Peres, 2019).Este artigo tem como foco a pertinência de análise da representatividade contemporânea da mulher no cinema de animação, tendo por objetivos principais de contribuir para uma melhor consciencialização acerca do tema, contribuir para um diálogo global de combate à intolerância e promover a necessidade ética de coexistência mútua, baseada nos direitos humanos, em especial na igualdade de género. Para tal, propõe-se uma análise da curta-metragem de animação, Our Uniform (2023), realizada pela iraniana Yegane Moghaddam, cujo filme incide sobre esta problemática de forma muito expressiva, numa geografia onde as consequências extremas de violência contra a mulher ainda não estão resolvidas e cujo debate responde de inúmeras formas aos nossos objetivos de investigação. Como metodologia, este artigo combina uma revisão de literatura sobre o tema da mulher no mundo islâmico, uma série de três entrevistas conduzidas pelas autoras à realizadora do filme para apuramento de intenções e contexto da realidade iraniana, e o recurso a um modelo de análise que se debruça especificamente sobre filmes em animação (Peres, 2019).This article is focused on the relevance of addressing contemporary representation of women in animation films. Its main objective is to create awareness on the theme, to contribute to a global dialogue that helps to fight intolerance against women and to promote an ethical conscientization of mutual coexistence, based on human rights, with a special focus on gender equality. To achieve this objective, our research conducted an analysis of the case study, Our Uniform (2023), directed by Iranian Yegane Moghaddam, which reflects the problematics of women in a very expressive terms, in a geography where the extreme consequences of violence against women have not yet been resolved and which contributes to answer our objective. As a methodology of research, we combined literature review focused on the representations of women in the Islamic world, a series of three interviews conducted by the authors to the Iranian film director to determine her intentions and to understand the contemporary Iranian as a primary source of information, and the use of a animation model of analysis created specifically for animated film (Peres, 2019).This article is focused on the relevance of addressing contemporary representation of women in animation films. Its main objective is to create awareness on the theme, to contribute to a global dialogue that helps to fight intolerance against women and to promote an ethical conscientization of mutual coexistence, based on human rights, with a special focus on gender equality. To achieve this objective, our research conducted an analysis of the case study, Our Uniform (2023), directed by Iranian Yegane Moghaddam, which reflects the problematics of women in a very expressive terms, in a geography where the extreme consequences of violence against women have not yet been resolved and which contributes to answer our objective. As a methodology of research, we combined literature review focused on the representations of women in the Islamic world, a series of three interviews conducted by the authors to the Iranian film director to determine her intentions and to understand the contemporary Iranian as a primary source of information, and the use of a animation model of analysis created specifically for animated film (Peres, 2019).CIAC – Centro de Investigação em Artes e Comunicação2024-09-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/epub+ziphttps://doi.org/10.34623/ejyd-sk19https://doi.org/10.34623/ejyd-sk19Rotura – Revista de Comunicação, Cultura e Artes; v. 4 n. 2 (2024): Ficção Viva; 162-1732184-8661reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://publicacoes.ciac.pt/index.php/rotura/article/view/229https://publicacoes.ciac.pt/index.php/rotura/article/view/229/236https://publicacoes.ciac.pt/index.php/rotura/article/view/229/253Direitos de Autor (c) 2024 Cátia Peres, Cynthia Levitaninfo:eu-repo/semantics/openAccessPeres, CátiaLevitan, Cynthia2024-10-15T04:00:41Zoai:ojs.publicacoes.ciac.pt:article/229Portal AgregadorONGhttps://www.rcaap.pt/oai/openairemluisa.alvim@gmail.comopendoar:71602024-10-15T04:00:41Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam
Vozes Femininas Contemporâneas: O estudo de caso de Our Uniform, de Yegane Moghaddam
Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam
Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam
title Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam
spellingShingle Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam
Peres, Cátia
Female
Hair
Hijab
Equity
Animation
Female
Hair
Hijab
Equity
Animation
Female
Hair
Hijab
Equity
Animation
Feminino
Cabelo
Hijab
Equidade
Animação
title_short Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam
title_full Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam
title_fullStr Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam
title_full_unstemmed Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam
title_sort Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam
author Peres, Cátia
author_facet Peres, Cátia
Levitan, Cynthia
author_role author
author2 Levitan, Cynthia
author2_role author
dc.contributor.author.fl_str_mv Peres, Cátia
Levitan, Cynthia
dc.subject.por.fl_str_mv Female
Hair
Hijab
Equity
Animation
Female
Hair
Hijab
Equity
Animation
Female
Hair
Hijab
Equity
Animation
Feminino
Cabelo
Hijab
Equidade
Animação
topic Female
Hair
Hijab
Equity
Animation
Female
Hair
Hijab
Equity
Animation
Female
Hair
Hijab
Equity
Animation
Feminino
Cabelo
Hijab
Equidade
Animação
description This article is focused on the relevance of addressing contemporary representation of women in animation films. Its main objective is to create awareness on the theme, to contribute to a global dialogue that helps to fight intolerance against women and to promote an ethical conscientization of mutual coexistence, based on human rights, with a special focus on gender equality. To achieve this objective, our research conducted an analysis of the case study, Our Uniform (2023), directed by Iranian Yegane Moghaddam, which reflects the problematics of women in a very expressive terms, in a geography where the extreme consequences of violence against women have not yet been resolved and which contributes to answer our objective. As a methodology of research, we combined literature review focused on the representations of women in the Islamic world, a series of three interviews conducted by the authors to the Iranian film director to determine her intentions and to understand the contemporary Iranian as a primary source of information, and the use of a animation model of analysis created specifically for animated film (Peres, 2019).
publishDate 2024
dc.date.none.fl_str_mv 2024-09-30
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34623/ejyd-sk19
https://doi.org/10.34623/ejyd-sk19
url https://doi.org/10.34623/ejyd-sk19
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://publicacoes.ciac.pt/index.php/rotura/article/view/229
https://publicacoes.ciac.pt/index.php/rotura/article/view/229/236
https://publicacoes.ciac.pt/index.php/rotura/article/view/229/253
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2024 Cátia Peres, Cynthia Levitan
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2024 Cátia Peres, Cynthia Levitan
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/epub+zip
dc.publisher.none.fl_str_mv CIAC – Centro de Investigação em Artes e Comunicação
publisher.none.fl_str_mv CIAC – Centro de Investigação em Artes e Comunicação
dc.source.none.fl_str_mv Rotura – Revista de Comunicação, Cultura e Artes; v. 4 n. 2 (2024): Ficção Viva; 162-173
2184-8661
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv mluisa.alvim@gmail.com
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