Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34623/ejyd-sk19 |
Resumo: | This article is focused on the relevance of addressing contemporary representation of women in animation films. Its main objective is to create awareness on the theme, to contribute to a global dialogue that helps to fight intolerance against women and to promote an ethical conscientization of mutual coexistence, based on human rights, with a special focus on gender equality. To achieve this objective, our research conducted an analysis of the case study, Our Uniform (2023), directed by Iranian Yegane Moghaddam, which reflects the problematics of women in a very expressive terms, in a geography where the extreme consequences of violence against women have not yet been resolved and which contributes to answer our objective. As a methodology of research, we combined literature review focused on the representations of women in the Islamic world, a series of three interviews conducted by the authors to the Iranian film director to determine her intentions and to understand the contemporary Iranian as a primary source of information, and the use of a animation model of analysis created specifically for animated film (Peres, 2019). |
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Contemporary Female Voices: The case study of Our Uniform, by Yegane MoghaddamVozes Femininas Contemporâneas: O estudo de caso de Our Uniform, de Yegane MoghaddamContemporary Female Voices: The case study of Our Uniform, by Yegane MoghaddamContemporary Female Voices: The case study of Our Uniform, by Yegane MoghaddamFemaleHairHijabEquityAnimationFemaleHairHijabEquityAnimationFemaleHairHijabEquityAnimationFemininoCabeloHijabEquidadeAnimaçãoThis article is focused on the relevance of addressing contemporary representation of women in animation films. Its main objective is to create awareness on the theme, to contribute to a global dialogue that helps to fight intolerance against women and to promote an ethical conscientization of mutual coexistence, based on human rights, with a special focus on gender equality. To achieve this objective, our research conducted an analysis of the case study, Our Uniform (2023), directed by Iranian Yegane Moghaddam, which reflects the problematics of women in a very expressive terms, in a geography where the extreme consequences of violence against women have not yet been resolved and which contributes to answer our objective. As a methodology of research, we combined literature review focused on the representations of women in the Islamic world, a series of three interviews conducted by the authors to the Iranian film director to determine her intentions and to understand the contemporary Iranian as a primary source of information, and the use of a animation model of analysis created specifically for animated film (Peres, 2019).Este artigo tem como foco a pertinência de análise da representatividade contemporânea da mulher no cinema de animação, tendo por objetivos principais de contribuir para uma melhor consciencialização acerca do tema, contribuir para um diálogo global de combate à intolerância e promover a necessidade ética de coexistência mútua, baseada nos direitos humanos, em especial na igualdade de género. Para tal, propõe-se uma análise da curta-metragem de animação, Our Uniform (2023), realizada pela iraniana Yegane Moghaddam, cujo filme incide sobre esta problemática de forma muito expressiva, numa geografia onde as consequências extremas de violência contra a mulher ainda não estão resolvidas e cujo debate responde de inúmeras formas aos nossos objetivos de investigação. Como metodologia, este artigo combina uma revisão de literatura sobre o tema da mulher no mundo islâmico, uma série de três entrevistas conduzidas pelas autoras à realizadora do filme para apuramento de intenções e contexto da realidade iraniana, e o recurso a um modelo de análise que se debruça especificamente sobre filmes em animação (Peres, 2019).This article is focused on the relevance of addressing contemporary representation of women in animation films. Its main objective is to create awareness on the theme, to contribute to a global dialogue that helps to fight intolerance against women and to promote an ethical conscientization of mutual coexistence, based on human rights, with a special focus on gender equality. To achieve this objective, our research conducted an analysis of the case study, Our Uniform (2023), directed by Iranian Yegane Moghaddam, which reflects the problematics of women in a very expressive terms, in a geography where the extreme consequences of violence against women have not yet been resolved and which contributes to answer our objective. As a methodology of research, we combined literature review focused on the representations of women in the Islamic world, a series of three interviews conducted by the authors to the Iranian film director to determine her intentions and to understand the contemporary Iranian as a primary source of information, and the use of a animation model of analysis created specifically for animated film (Peres, 2019).This article is focused on the relevance of addressing contemporary representation of women in animation films. Its main objective is to create awareness on the theme, to contribute to a global dialogue that helps to fight intolerance against women and to promote an ethical conscientization of mutual coexistence, based on human rights, with a special focus on gender equality. To achieve this objective, our research conducted an analysis of the case study, Our Uniform (2023), directed by Iranian Yegane Moghaddam, which reflects the problematics of women in a very expressive terms, in a geography where the extreme consequences of violence against women have not yet been resolved and which contributes to answer our objective. As a methodology of research, we combined literature review focused on the representations of women in the Islamic world, a series of three interviews conducted by the authors to the Iranian film director to determine her intentions and to understand the contemporary Iranian as a primary source of information, and the use of a animation model of analysis created specifically for animated film (Peres, 2019).CIAC – Centro de Investigação em Artes e Comunicação2024-09-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/epub+ziphttps://doi.org/10.34623/ejyd-sk19https://doi.org/10.34623/ejyd-sk19Rotura – Revista de Comunicação, Cultura e Artes; v. 4 n. 2 (2024): Ficção Viva; 162-1732184-8661reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://publicacoes.ciac.pt/index.php/rotura/article/view/229https://publicacoes.ciac.pt/index.php/rotura/article/view/229/236https://publicacoes.ciac.pt/index.php/rotura/article/view/229/253Direitos de Autor (c) 2024 Cátia Peres, Cynthia Levitaninfo:eu-repo/semantics/openAccessPeres, CátiaLevitan, Cynthia2024-10-15T04:00:41Zoai:ojs.publicacoes.ciac.pt:article/229Portal AgregadorONGhttps://www.rcaap.pt/oai/openairemluisa.alvim@gmail.comopendoar:71602024-10-15T04:00:41Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam Vozes Femininas Contemporâneas: O estudo de caso de Our Uniform, de Yegane Moghaddam Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam |
title |
Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam |
spellingShingle |
Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam Peres, Cátia Female Hair Hijab Equity Animation Female Hair Hijab Equity Animation Female Hair Hijab Equity Animation Feminino Cabelo Hijab Equidade Animação |
title_short |
Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam |
title_full |
Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam |
title_fullStr |
Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam |
title_full_unstemmed |
Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam |
title_sort |
Contemporary Female Voices: The case study of Our Uniform, by Yegane Moghaddam |
author |
Peres, Cátia |
author_facet |
Peres, Cátia Levitan, Cynthia |
author_role |
author |
author2 |
Levitan, Cynthia |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Peres, Cátia Levitan, Cynthia |
dc.subject.por.fl_str_mv |
Female Hair Hijab Equity Animation Female Hair Hijab Equity Animation Female Hair Hijab Equity Animation Feminino Cabelo Hijab Equidade Animação |
topic |
Female Hair Hijab Equity Animation Female Hair Hijab Equity Animation Female Hair Hijab Equity Animation Feminino Cabelo Hijab Equidade Animação |
description |
This article is focused on the relevance of addressing contemporary representation of women in animation films. Its main objective is to create awareness on the theme, to contribute to a global dialogue that helps to fight intolerance against women and to promote an ethical conscientization of mutual coexistence, based on human rights, with a special focus on gender equality. To achieve this objective, our research conducted an analysis of the case study, Our Uniform (2023), directed by Iranian Yegane Moghaddam, which reflects the problematics of women in a very expressive terms, in a geography where the extreme consequences of violence against women have not yet been resolved and which contributes to answer our objective. As a methodology of research, we combined literature review focused on the representations of women in the Islamic world, a series of three interviews conducted by the authors to the Iranian film director to determine her intentions and to understand the contemporary Iranian as a primary source of information, and the use of a animation model of analysis created specifically for animated film (Peres, 2019). |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-09-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34623/ejyd-sk19 https://doi.org/10.34623/ejyd-sk19 |
url |
https://doi.org/10.34623/ejyd-sk19 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://publicacoes.ciac.pt/index.php/rotura/article/view/229 https://publicacoes.ciac.pt/index.php/rotura/article/view/229/236 https://publicacoes.ciac.pt/index.php/rotura/article/view/229/253 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2024 Cátia Peres, Cynthia Levitan info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2024 Cátia Peres, Cynthia Levitan |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/epub+zip |
dc.publisher.none.fl_str_mv |
CIAC – Centro de Investigação em Artes e Comunicação |
publisher.none.fl_str_mv |
CIAC – Centro de Investigação em Artes e Comunicação |
dc.source.none.fl_str_mv |
Rotura – Revista de Comunicação, Cultura e Artes; v. 4 n. 2 (2024): Ficção Viva; 162-173 2184-8661 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
mluisa.alvim@gmail.com |
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1817548556782796800 |