Remembering exhibitions online: microsites and catalogues raisonnés

Detalhes bibliográficos
Autor(a) principal: Greenberg, Reesa
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/116427
Resumo: In this essay, I discuss two online manifestations of exhibition reprises as memory devices: the microsite and the online catalogue raisonné. For the most part, as currently conceived, these two online forms of remembering exhibitions embody two very different mentalities. Microsites habitually are generated at the time of an exhibition and are born digital; catalogue raisonnés are generated much later and often rely on analogue precedents for design. In addition to promoting the digitally conceived catalogue raisonné, I urge the dual strategy of maintaining active links to historic microsites and the retroactive creation of new ones as vehicles for rewriting the exhibition history canon. My primary examples are drawn from the Centre Georges Pompidou.
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spelling Remembering exhibitions online: microsites and catalogues raisonnésExhibition micrositesCatalogue raisonnéelles@centrepompidouRestitutionMicrosites de exposiçõesCatálogo raisonnéRestituiçãoIn this essay, I discuss two online manifestations of exhibition reprises as memory devices: the microsite and the online catalogue raisonné. For the most part, as currently conceived, these two online forms of remembering exhibitions embody two very different mentalities. Microsites habitually are generated at the time of an exhibition and are born digital; catalogue raisonnés are generated much later and often rely on analogue precedents for design. In addition to promoting the digitally conceived catalogue raisonné, I urge the dual strategy of maintaining active links to historic microsites and the retroactive creation of new ones as vehicles for rewriting the exhibition history canon. My primary examples are drawn from the Centre Georges Pompidou.Neste ensaio, é apresentada uma reflexão em torno de duas manifestações online de evocação de exposições, concebidas como dispositivos de memória: o microsite e o catálogo raisonné online. De um modo geral, estas duas formas de recordar exposições têm naturezas muito diferentes: os microsites são habitualmente gerados durante o processo de organização e abertura da exposição ao público, e são desde logo concebidos numa forma digital; os catálogos raisonnés são gerados muito mais tarde, e muitas vezes dependem de precedentes analógicos na sua conceção e organização. Recorrendo a exemplos relacionados com a atividade expositiva do Centro Georges Pompidou, este artigo argumenta a favor da criação de catálogos raisonnés de exposições em formato digital, e defende que quer a manutenção de links ativos para microsites de exposições, quer a criação retroativa de novos links, são instrumentos essenciais para se reescrever o cânone da História das ExposiçõesInstituto de História da ArteRUNGreenberg, Reesa2021-04-30T11:16:19Z20192019-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10362/116427eng1646-1762info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T04:58:55Zoai:run.unl.pt:10362/116427Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:43:04.012248Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Remembering exhibitions online: microsites and catalogues raisonnés
title Remembering exhibitions online: microsites and catalogues raisonnés
spellingShingle Remembering exhibitions online: microsites and catalogues raisonnés
Greenberg, Reesa
Exhibition microsites
Catalogue raisonné
elles@centrepompidou
Restitution
Microsites de exposições
Catálogo raisonné
Restituição
title_short Remembering exhibitions online: microsites and catalogues raisonnés
title_full Remembering exhibitions online: microsites and catalogues raisonnés
title_fullStr Remembering exhibitions online: microsites and catalogues raisonnés
title_full_unstemmed Remembering exhibitions online: microsites and catalogues raisonnés
title_sort Remembering exhibitions online: microsites and catalogues raisonnés
author Greenberg, Reesa
author_facet Greenberg, Reesa
author_role author
dc.contributor.none.fl_str_mv RUN
dc.contributor.author.fl_str_mv Greenberg, Reesa
dc.subject.por.fl_str_mv Exhibition microsites
Catalogue raisonné
elles@centrepompidou
Restitution
Microsites de exposições
Catálogo raisonné
Restituição
topic Exhibition microsites
Catalogue raisonné
elles@centrepompidou
Restitution
Microsites de exposições
Catálogo raisonné
Restituição
description In this essay, I discuss two online manifestations of exhibition reprises as memory devices: the microsite and the online catalogue raisonné. For the most part, as currently conceived, these two online forms of remembering exhibitions embody two very different mentalities. Microsites habitually are generated at the time of an exhibition and are born digital; catalogue raisonnés are generated much later and often rely on analogue precedents for design. In addition to promoting the digitally conceived catalogue raisonné, I urge the dual strategy of maintaining active links to historic microsites and the retroactive creation of new ones as vehicles for rewriting the exhibition history canon. My primary examples are drawn from the Centre Georges Pompidou.
publishDate 2019
dc.date.none.fl_str_mv 2019
2019-01-01T00:00:00Z
2021-04-30T11:16:19Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.language.iso.fl_str_mv eng
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dc.publisher.none.fl_str_mv Instituto de História da Arte
publisher.none.fl_str_mv Instituto de História da Arte
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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