Ilustração do dragão oriental : aspetos funcionais e morfológicos
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/36257 |
Resumo: | In a global scale, the dragon is a vastly known animal and replicated in all artistic means. In this way, it is most relevant to observe and understand this creature that so constantly appears in the most various art forms. In our daily lives it is placed in the most varied medium for entertainment or artistic purposes, being present in fables, fiction books, comic books, sculptures, paintings, short and long films. Additionally, in all those cases, the dragon carries symbolisms related to its representation that are most important to the themes of drawing and illustration. It not only needs a careful representation, it is also debated and suggested to be the origin of representation of ideas and divine icons. The eastern dragon – and in consequence, the dragon throughout the world – shows itself as a remarkable candidate as the symbol of all imaginary and folkloric beings, as well as the willpower of human beings to represent abstract concepts through drawings. Deep down, it’s the motivational force to translate imaginary concepts into the real world. Never has a human being seen such creature, however it is as present in our minds just as any other domestic animal, since its concept was germinated in our minds through representations and descriptions. In this context, it’s significant to explore ways of interpreting this mythological animal, since it is present in such a dominant way by consequence of its various appearances, particularly in illustrated form. The dragon will then be observed in its original context and worked through illustrations so that in can reproduce an image that is faithful to its origins. Through lyrical descriptions, as well as ancient art pieces, while studying the mythological being in detail, the author creates a series of illustrations that have in mind creating faithful representations to its original context |
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Ilustração do dragão oriental : aspetos funcionais e morfológicosDesenhoIlustraçãoDragãoChina - culturaOrienteAnálise morfológicaDesenhoIn a global scale, the dragon is a vastly known animal and replicated in all artistic means. In this way, it is most relevant to observe and understand this creature that so constantly appears in the most various art forms. In our daily lives it is placed in the most varied medium for entertainment or artistic purposes, being present in fables, fiction books, comic books, sculptures, paintings, short and long films. Additionally, in all those cases, the dragon carries symbolisms related to its representation that are most important to the themes of drawing and illustration. It not only needs a careful representation, it is also debated and suggested to be the origin of representation of ideas and divine icons. The eastern dragon – and in consequence, the dragon throughout the world – shows itself as a remarkable candidate as the symbol of all imaginary and folkloric beings, as well as the willpower of human beings to represent abstract concepts through drawings. Deep down, it’s the motivational force to translate imaginary concepts into the real world. Never has a human being seen such creature, however it is as present in our minds just as any other domestic animal, since its concept was germinated in our minds through representations and descriptions. In this context, it’s significant to explore ways of interpreting this mythological animal, since it is present in such a dominant way by consequence of its various appearances, particularly in illustrated form. The dragon will then be observed in its original context and worked through illustrations so that in can reproduce an image that is faithful to its origins. Through lyrical descriptions, as well as ancient art pieces, while studying the mythological being in detail, the author creates a series of illustrations that have in mind creating faithful representations to its original contextCosta, Henrique Antunes Prata Dias da, 1978-Repositório da Universidade de LisboaPatrão, Ana Carolina Simões, 1995-2019-01-07T14:43:05Z2018-12-102019-01-072018-12-10T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/36257TID:202099598porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:32:48Zoai:repositorio.ul.pt:10451/36257Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:50:33.419285Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Ilustração do dragão oriental : aspetos funcionais e morfológicos |
title |
Ilustração do dragão oriental : aspetos funcionais e morfológicos |
spellingShingle |
Ilustração do dragão oriental : aspetos funcionais e morfológicos Patrão, Ana Carolina Simões, 1995- Desenho Ilustração Dragão China - cultura Oriente Análise morfológica Desenho |
title_short |
Ilustração do dragão oriental : aspetos funcionais e morfológicos |
title_full |
Ilustração do dragão oriental : aspetos funcionais e morfológicos |
title_fullStr |
Ilustração do dragão oriental : aspetos funcionais e morfológicos |
title_full_unstemmed |
Ilustração do dragão oriental : aspetos funcionais e morfológicos |
title_sort |
Ilustração do dragão oriental : aspetos funcionais e morfológicos |
author |
Patrão, Ana Carolina Simões, 1995- |
author_facet |
Patrão, Ana Carolina Simões, 1995- |
author_role |
author |
dc.contributor.none.fl_str_mv |
Costa, Henrique Antunes Prata Dias da, 1978- Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Patrão, Ana Carolina Simões, 1995- |
dc.subject.por.fl_str_mv |
Desenho Ilustração Dragão China - cultura Oriente Análise morfológica Desenho |
topic |
Desenho Ilustração Dragão China - cultura Oriente Análise morfológica Desenho |
description |
In a global scale, the dragon is a vastly known animal and replicated in all artistic means. In this way, it is most relevant to observe and understand this creature that so constantly appears in the most various art forms. In our daily lives it is placed in the most varied medium for entertainment or artistic purposes, being present in fables, fiction books, comic books, sculptures, paintings, short and long films. Additionally, in all those cases, the dragon carries symbolisms related to its representation that are most important to the themes of drawing and illustration. It not only needs a careful representation, it is also debated and suggested to be the origin of representation of ideas and divine icons. The eastern dragon – and in consequence, the dragon throughout the world – shows itself as a remarkable candidate as the symbol of all imaginary and folkloric beings, as well as the willpower of human beings to represent abstract concepts through drawings. Deep down, it’s the motivational force to translate imaginary concepts into the real world. Never has a human being seen such creature, however it is as present in our minds just as any other domestic animal, since its concept was germinated in our minds through representations and descriptions. In this context, it’s significant to explore ways of interpreting this mythological animal, since it is present in such a dominant way by consequence of its various appearances, particularly in illustrated form. The dragon will then be observed in its original context and worked through illustrations so that in can reproduce an image that is faithful to its origins. Through lyrical descriptions, as well as ancient art pieces, while studying the mythological being in detail, the author creates a series of illustrations that have in mind creating faithful representations to its original context |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-10 2018-12-10T00:00:00Z 2019-01-07T14:43:05Z 2019-01-07 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/36257 TID:202099598 |
url |
http://hdl.handle.net/10451/36257 |
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TID:202099598 |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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image/jpeg application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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