Topografias de flutuação: (re)construção do corpo num espaço heterotópico
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/56347 |
Resumo: | The present practice-based project questions the forms of actualization of the body, based on the idea of absence derived from the philosophical concept of Michel Foucault – heterotopia and, respectively, heterochronia. Upon the reflection of a body that emerges in discrepancy with the collective norms, I problematize the possibility of it’s reappropriation while defying its bonds with the socio-political condition which implies it as invisible, marginalized. In the course of work, I elaborate the properties of heterotopia as a basis for a state of spatial and temporal suspension, while exploring it as a specific audiovisual methodology. I suggest the activist potential (of a body) based on its relationship with the temporal factor, as a form of dessincronization, whose mechanism is derived from the concept of geological time. With the analisys of artistic practices that questions the relation between the above mentioned temporal factor, absence (of body) and socio-political context – specifically, the work of Cuban artist Ana Mendieta and Japanese artistic movement Mono-ha – the present work results in the creation of the installation Monolith. Moreover, I explore the possibility of reappropiation of body through the incorporation of audiovisual methodologies into the public space, defying the notions of visibility, presence, and temporality |
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Topografias de flutuação: (re)construção do corpo num espaço heterotópicoCorpoAusênciasHeterotopiaCampoSomArte vídeoInstalação (Arte)Domínio/Área Científica::Humanidades::ArtesThe present practice-based project questions the forms of actualization of the body, based on the idea of absence derived from the philosophical concept of Michel Foucault – heterotopia and, respectively, heterochronia. Upon the reflection of a body that emerges in discrepancy with the collective norms, I problematize the possibility of it’s reappropriation while defying its bonds with the socio-political condition which implies it as invisible, marginalized. In the course of work, I elaborate the properties of heterotopia as a basis for a state of spatial and temporal suspension, while exploring it as a specific audiovisual methodology. I suggest the activist potential (of a body) based on its relationship with the temporal factor, as a form of dessincronization, whose mechanism is derived from the concept of geological time. With the analisys of artistic practices that questions the relation between the above mentioned temporal factor, absence (of body) and socio-political context – specifically, the work of Cuban artist Ana Mendieta and Japanese artistic movement Mono-ha – the present work results in the creation of the installation Monolith. Moreover, I explore the possibility of reappropiation of body through the incorporation of audiovisual methodologies into the public space, defying the notions of visibility, presence, and temporalityMacedo, Susana de Sousa Dias deRepositório da Universidade de LisboaPavlovic, Jelena2023-02-16T14:40:51Z2021-03-312021-03-31T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/56347TID:203158091porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T17:03:52Zoai:repositorio.ul.pt:10451/56347Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:06:53.966384Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Topografias de flutuação: (re)construção do corpo num espaço heterotópico |
title |
Topografias de flutuação: (re)construção do corpo num espaço heterotópico |
spellingShingle |
Topografias de flutuação: (re)construção do corpo num espaço heterotópico Pavlovic, Jelena Corpo Ausências Heterotopia Campo Som Arte vídeo Instalação (Arte) Domínio/Área Científica::Humanidades::Artes |
title_short |
Topografias de flutuação: (re)construção do corpo num espaço heterotópico |
title_full |
Topografias de flutuação: (re)construção do corpo num espaço heterotópico |
title_fullStr |
Topografias de flutuação: (re)construção do corpo num espaço heterotópico |
title_full_unstemmed |
Topografias de flutuação: (re)construção do corpo num espaço heterotópico |
title_sort |
Topografias de flutuação: (re)construção do corpo num espaço heterotópico |
author |
Pavlovic, Jelena |
author_facet |
Pavlovic, Jelena |
author_role |
author |
dc.contributor.none.fl_str_mv |
Macedo, Susana de Sousa Dias de Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Pavlovic, Jelena |
dc.subject.por.fl_str_mv |
Corpo Ausências Heterotopia Campo Som Arte vídeo Instalação (Arte) Domínio/Área Científica::Humanidades::Artes |
topic |
Corpo Ausências Heterotopia Campo Som Arte vídeo Instalação (Arte) Domínio/Área Científica::Humanidades::Artes |
description |
The present practice-based project questions the forms of actualization of the body, based on the idea of absence derived from the philosophical concept of Michel Foucault – heterotopia and, respectively, heterochronia. Upon the reflection of a body that emerges in discrepancy with the collective norms, I problematize the possibility of it’s reappropriation while defying its bonds with the socio-political condition which implies it as invisible, marginalized. In the course of work, I elaborate the properties of heterotopia as a basis for a state of spatial and temporal suspension, while exploring it as a specific audiovisual methodology. I suggest the activist potential (of a body) based on its relationship with the temporal factor, as a form of dessincronization, whose mechanism is derived from the concept of geological time. With the analisys of artistic practices that questions the relation between the above mentioned temporal factor, absence (of body) and socio-political context – specifically, the work of Cuban artist Ana Mendieta and Japanese artistic movement Mono-ha – the present work results in the creation of the installation Monolith. Moreover, I explore the possibility of reappropiation of body through the incorporation of audiovisual methodologies into the public space, defying the notions of visibility, presence, and temporality |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-03-31 2021-03-31T00:00:00Z 2023-02-16T14:40:51Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/56347 TID:203158091 |
url |
http://hdl.handle.net/10451/56347 |
identifier_str_mv |
TID:203158091 |
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por |
language |
por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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image/jpeg application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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