Independent music artists and their access to distribution and communication channels

Detalhes bibliográficos
Autor(a) principal: Pontes, Alexandre Pamplona Ramos de Oliveira
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10071/16286
Resumo: The intangibility of recorded music as a product led to a revolution within the industry in the digital era. The importance of physical editions has been decreasing ever since, due to the emergence of piracy and, subsequently, streaming services. While the business-toconsumer, or B2C, models of the industry have clearly changed, the impact on businessto-business, or B2B, interactions is not so clear. There is lack of empirical studies on how relevant major labels are for communicating and distributing the product and, so far, divergent conclusions have been reached. Therefore, this study analyses independent artists’ access to communication and distribution channels, allowing for the understanding of whether the digital era has made it possible for these artists to promote and deliver their product in an effective and successful manner. Results indicate a more favourable scenario for distribution than for communication. On the one hand, although digital channels have come to benefit independent artists concerning the access to both areas, digital distribution has revealed itself to be more straightforward and inexpensive than communication. As well as this, digital distribution has increasingly been gaining importance over the traditional one. On the other hand, regarding communication, several new possibilities have emerged, which are quite more accessible for independent artists. However, these new opportunities are subject to market saturation. In addition to this, the importance of traditional communication channels was not as affected as in distribution. Actually, some traditional communication means may even have increased their relevance.
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spelling Independent music artists and their access to distribution and communication channelsRecorded music indutryCommunication channelsDistribution channelsIndepent artistsMarketingMercado da músicaTecnologia digitalIndústria da comunicaçãoRede de comunicaçãoArtistaPortugalIndústria musicalCanais de comunicaçãoCanais de distribuiçãoArtistas independentesThe intangibility of recorded music as a product led to a revolution within the industry in the digital era. The importance of physical editions has been decreasing ever since, due to the emergence of piracy and, subsequently, streaming services. While the business-toconsumer, or B2C, models of the industry have clearly changed, the impact on businessto-business, or B2B, interactions is not so clear. There is lack of empirical studies on how relevant major labels are for communicating and distributing the product and, so far, divergent conclusions have been reached. Therefore, this study analyses independent artists’ access to communication and distribution channels, allowing for the understanding of whether the digital era has made it possible for these artists to promote and deliver their product in an effective and successful manner. Results indicate a more favourable scenario for distribution than for communication. On the one hand, although digital channels have come to benefit independent artists concerning the access to both areas, digital distribution has revealed itself to be more straightforward and inexpensive than communication. As well as this, digital distribution has increasingly been gaining importance over the traditional one. On the other hand, regarding communication, several new possibilities have emerged, which are quite more accessible for independent artists. However, these new opportunities are subject to market saturation. In addition to this, the importance of traditional communication channels was not as affected as in distribution. Actually, some traditional communication means may even have increased their relevance.Na era digital, a intangibilidade da música gravada como produto levou à revolução da sua indústria. A importância das edições físicas tem vindo a diminuir, devido ao aparecimento da pirataria e, posteriormente, dos serviços de streaming. Posto isto, os modelos business-to-consumer, ou B2C, da indústria mudaram de forma óbvia. Contudo, o impacto nas interações business-to-business, ou B2B, não é tão claro. Há falta de estudos empíricos sobre quão o relevante as editoras major são para a comunicação e para a distribuição do produto e, até agora, conclusões divergentes foram alcançadas. Sendo assim, esta dissertação analisa o acesso aos canais de comunicação e de distribuição por parte dos artistas independentes, de forma a compreender se a era digital possibilitou a estes artistas a promoção e a entrega do seu produto de uma forma eficaz e bem-sucedida. Os resultados indicam um cenário mais favorável para a distribuição em relação à comunicação. Apesar de os canais digitais beneficiarem ambas as áreas, para além de se ter revelado mais simples e económica do que a comunicação, a distribuição digital tem vindo a ganhar crescente importância sobre a tradicional. Por outro lado, quanto à comunicação, têm surgido novas possibilidades, mais acessíveis para os artistas independentes. Contudo, estas novas oportunidades estão sujeitas à saturação do mercado. Em adição a isto, a importância dos canais de comunicação tradicionais não foi tão afetada quanto a dos canais de distribuição. Na verdade, alguns meios de comunicação tradicionais podem até ter aumentado a sua relevância.2018-07-09T16:19:12Z2021-07-09T00:00:00Z2017-11-23T00:00:00Z2017-11-232017-09info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfapplication/octet-streamhttp://hdl.handle.net/10071/16286TID:201769166engPontes, Alexandre Pamplona Ramos de Oliveirainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-09T17:40:42Zoai:repositorio.iscte-iul.pt:10071/16286Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:18:51.139178Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Independent music artists and their access to distribution and communication channels
title Independent music artists and their access to distribution and communication channels
spellingShingle Independent music artists and their access to distribution and communication channels
Pontes, Alexandre Pamplona Ramos de Oliveira
Recorded music indutry
Communication channels
Distribution channels
Indepent artists
Marketing
Mercado da música
Tecnologia digital
Indústria da comunicação
Rede de comunicação
Artista
Portugal
Indústria musical
Canais de comunicação
Canais de distribuição
Artistas independentes
title_short Independent music artists and their access to distribution and communication channels
title_full Independent music artists and their access to distribution and communication channels
title_fullStr Independent music artists and their access to distribution and communication channels
title_full_unstemmed Independent music artists and their access to distribution and communication channels
title_sort Independent music artists and their access to distribution and communication channels
author Pontes, Alexandre Pamplona Ramos de Oliveira
author_facet Pontes, Alexandre Pamplona Ramos de Oliveira
author_role author
dc.contributor.author.fl_str_mv Pontes, Alexandre Pamplona Ramos de Oliveira
dc.subject.por.fl_str_mv Recorded music indutry
Communication channels
Distribution channels
Indepent artists
Marketing
Mercado da música
Tecnologia digital
Indústria da comunicação
Rede de comunicação
Artista
Portugal
Indústria musical
Canais de comunicação
Canais de distribuição
Artistas independentes
topic Recorded music indutry
Communication channels
Distribution channels
Indepent artists
Marketing
Mercado da música
Tecnologia digital
Indústria da comunicação
Rede de comunicação
Artista
Portugal
Indústria musical
Canais de comunicação
Canais de distribuição
Artistas independentes
description The intangibility of recorded music as a product led to a revolution within the industry in the digital era. The importance of physical editions has been decreasing ever since, due to the emergence of piracy and, subsequently, streaming services. While the business-toconsumer, or B2C, models of the industry have clearly changed, the impact on businessto-business, or B2B, interactions is not so clear. There is lack of empirical studies on how relevant major labels are for communicating and distributing the product and, so far, divergent conclusions have been reached. Therefore, this study analyses independent artists’ access to communication and distribution channels, allowing for the understanding of whether the digital era has made it possible for these artists to promote and deliver their product in an effective and successful manner. Results indicate a more favourable scenario for distribution than for communication. On the one hand, although digital channels have come to benefit independent artists concerning the access to both areas, digital distribution has revealed itself to be more straightforward and inexpensive than communication. As well as this, digital distribution has increasingly been gaining importance over the traditional one. On the other hand, regarding communication, several new possibilities have emerged, which are quite more accessible for independent artists. However, these new opportunities are subject to market saturation. In addition to this, the importance of traditional communication channels was not as affected as in distribution. Actually, some traditional communication means may even have increased their relevance.
publishDate 2017
dc.date.none.fl_str_mv 2017-11-23T00:00:00Z
2017-11-23
2017-09
2018-07-09T16:19:12Z
2021-07-09T00:00:00Z
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