Caligrafias da fragilidade

Detalhes bibliográficos
Autor(a) principal: Serrão, Edna Vieira
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/57306
Resumo: This investigation focuses on the theme of fragility in artistic creation, allied to the medium of calligraphy. It explores its expressiveness, associated with the body as an element of creation and vehicle of emotions. It starts from a theoretical approach to the themes of calligraphy, focusing on issues related to the use of text and words in visual creation, pointing out themes such as writing and its visual exploration; reasons such as the use of language and text as a medium are discussed here. It reflects on the relationship between the line, text and word, exploring the non-linearity of writing. Through the fragmentation of the word, we seek to understand the importance and relevance that the pre-existing meaning of words may or may not have in the work. An analysis of Visual, Concrete and Experimental Poetry is carried out, which together with the other points aims to establish the theoretical basis of this investigation. A case study will also be addressed, in order to exemplify and deepen some of the themes. Then a more subjective aspect is explored which works the expressiveness of calligraphy, exploring what can be considered as its “vulnerabilities”, that is, characteristics that influence the act of its creation. The case of erasure and its influences and characteristics are then referred to. Finally, a relationship will be established between the points worked on and my own artistic practice, taking into account my personal motivations, the thesis being of a theoretical-practical nature.
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spelling Caligrafias da fragilidadeEscritaLinhaExpressividadeCorpoFragilidadeCriação artísticaPoesiaCaligrafiaPinturaDomínio/Área Científica::Humanidades::ArtesThis investigation focuses on the theme of fragility in artistic creation, allied to the medium of calligraphy. It explores its expressiveness, associated with the body as an element of creation and vehicle of emotions. It starts from a theoretical approach to the themes of calligraphy, focusing on issues related to the use of text and words in visual creation, pointing out themes such as writing and its visual exploration; reasons such as the use of language and text as a medium are discussed here. It reflects on the relationship between the line, text and word, exploring the non-linearity of writing. Through the fragmentation of the word, we seek to understand the importance and relevance that the pre-existing meaning of words may or may not have in the work. An analysis of Visual, Concrete and Experimental Poetry is carried out, which together with the other points aims to establish the theoretical basis of this investigation. A case study will also be addressed, in order to exemplify and deepen some of the themes. Then a more subjective aspect is explored which works the expressiveness of calligraphy, exploring what can be considered as its “vulnerabilities”, that is, characteristics that influence the act of its creation. The case of erasure and its influences and characteristics are then referred to. Finally, a relationship will be established between the points worked on and my own artistic practice, taking into account my personal motivations, the thesis being of a theoretical-practical nature.Correia, Isabel Maria SabinoRepositório da Universidade de LisboaSerrão, Edna Vieira2023-05-02T16:15:33Z2023-02-272023-02-27T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/57306TID:203240200porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T17:05:28Zoai:repositorio.ul.pt:10451/57306Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:07:44.444430Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Caligrafias da fragilidade
title Caligrafias da fragilidade
spellingShingle Caligrafias da fragilidade
Serrão, Edna Vieira
Escrita
Linha
Expressividade
Corpo
Fragilidade
Criação artística
Poesia
Caligrafia
Pintura
Domínio/Área Científica::Humanidades::Artes
title_short Caligrafias da fragilidade
title_full Caligrafias da fragilidade
title_fullStr Caligrafias da fragilidade
title_full_unstemmed Caligrafias da fragilidade
title_sort Caligrafias da fragilidade
author Serrão, Edna Vieira
author_facet Serrão, Edna Vieira
author_role author
dc.contributor.none.fl_str_mv Correia, Isabel Maria Sabino
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Serrão, Edna Vieira
dc.subject.por.fl_str_mv Escrita
Linha
Expressividade
Corpo
Fragilidade
Criação artística
Poesia
Caligrafia
Pintura
Domínio/Área Científica::Humanidades::Artes
topic Escrita
Linha
Expressividade
Corpo
Fragilidade
Criação artística
Poesia
Caligrafia
Pintura
Domínio/Área Científica::Humanidades::Artes
description This investigation focuses on the theme of fragility in artistic creation, allied to the medium of calligraphy. It explores its expressiveness, associated with the body as an element of creation and vehicle of emotions. It starts from a theoretical approach to the themes of calligraphy, focusing on issues related to the use of text and words in visual creation, pointing out themes such as writing and its visual exploration; reasons such as the use of language and text as a medium are discussed here. It reflects on the relationship between the line, text and word, exploring the non-linearity of writing. Through the fragmentation of the word, we seek to understand the importance and relevance that the pre-existing meaning of words may or may not have in the work. An analysis of Visual, Concrete and Experimental Poetry is carried out, which together with the other points aims to establish the theoretical basis of this investigation. A case study will also be addressed, in order to exemplify and deepen some of the themes. Then a more subjective aspect is explored which works the expressiveness of calligraphy, exploring what can be considered as its “vulnerabilities”, that is, characteristics that influence the act of its creation. The case of erasure and its influences and characteristics are then referred to. Finally, a relationship will be established between the points worked on and my own artistic practice, taking into account my personal motivations, the thesis being of a theoretical-practical nature.
publishDate 2023
dc.date.none.fl_str_mv 2023-05-02T16:15:33Z
2023-02-27
2023-02-27T00:00:00Z
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/57306
TID:203240200
url http://hdl.handle.net/10451/57306
identifier_str_mv TID:203240200
dc.language.iso.fl_str_mv por
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instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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