Revolutionary landscapes: the PCTP/MRPP mural paintings in the Lisbon Metropolitan Area

Detalhes bibliográficos
Autor(a) principal: Carmo, André
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.18055/Finis1309
Resumo: This article investigates the mural paintings made by the PCtP/MrPP in the Lisbon Metropolitan area, in the aftermath of the 1974 Portuguese revolution. Drawing on erwin Panofsky’s iconographic method of interpretation, murals are explored from an integrated landscape approach that combines two perspectives: landscapes as representations and landscapes as material artifacts. findings suggest that the PCtP/MrPP mural paintings translated the visual ideology of social transformation and revolution underlying its politics. furthermore, they also crystallized performative revolutionary landscapes, in the sense that they materialized acts of collective artistic citizenship, in which the social space of mural production played a fundamental role.
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spelling Revolutionary landscapes: the PCTP/MRPP mural paintings in the Lisbon Metropolitan AreaArtigosThis article investigates the mural paintings made by the PCtP/MrPP in the Lisbon Metropolitan area, in the aftermath of the 1974 Portuguese revolution. Drawing on erwin Panofsky’s iconographic method of interpretation, murals are explored from an integrated landscape approach that combines two perspectives: landscapes as representations and landscapes as material artifacts. findings suggest that the PCtP/MrPP mural paintings translated the visual ideology of social transformation and revolution underlying its politics. furthermore, they also crystallized performative revolutionary landscapes, in the sense that they materialized acts of collective artistic citizenship, in which the social space of mural production played a fundamental role.Centro de Estudos Geográficos2011-06-06T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.18055/Finis1309por2182-29050430-5027Carmo, Andréinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-09-05T14:38:40Zoai:ojs.revistas.rcaap.pt:article/1309Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:11:47.296263Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Revolutionary landscapes: the PCTP/MRPP mural paintings in the Lisbon Metropolitan Area
title Revolutionary landscapes: the PCTP/MRPP mural paintings in the Lisbon Metropolitan Area
spellingShingle Revolutionary landscapes: the PCTP/MRPP mural paintings in the Lisbon Metropolitan Area
Carmo, André
Artigos
title_short Revolutionary landscapes: the PCTP/MRPP mural paintings in the Lisbon Metropolitan Area
title_full Revolutionary landscapes: the PCTP/MRPP mural paintings in the Lisbon Metropolitan Area
title_fullStr Revolutionary landscapes: the PCTP/MRPP mural paintings in the Lisbon Metropolitan Area
title_full_unstemmed Revolutionary landscapes: the PCTP/MRPP mural paintings in the Lisbon Metropolitan Area
title_sort Revolutionary landscapes: the PCTP/MRPP mural paintings in the Lisbon Metropolitan Area
author Carmo, André
author_facet Carmo, André
author_role author
dc.contributor.author.fl_str_mv Carmo, André
dc.subject.por.fl_str_mv Artigos
topic Artigos
description This article investigates the mural paintings made by the PCtP/MrPP in the Lisbon Metropolitan area, in the aftermath of the 1974 Portuguese revolution. Drawing on erwin Panofsky’s iconographic method of interpretation, murals are explored from an integrated landscape approach that combines two perspectives: landscapes as representations and landscapes as material artifacts. findings suggest that the PCtP/MrPP mural paintings translated the visual ideology of social transformation and revolution underlying its politics. furthermore, they also crystallized performative revolutionary landscapes, in the sense that they materialized acts of collective artistic citizenship, in which the social space of mural production played a fundamental role.
publishDate 2011
dc.date.none.fl_str_mv 2011-06-06T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.18055/Finis1309
url https://doi.org/10.18055/Finis1309
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv 2182-2905
0430-5027
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Centro de Estudos Geográficos
publisher.none.fl_str_mv Centro de Estudos Geográficos
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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