De la prose en le Sachant : investissement de la prose par la poésie au XIXème siècle

Detalhes bibliográficos
Autor(a) principal: Abramovici, Serge
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: fra
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10216/7768
Resumo: From the literary point of view, the emergence of «modern» poetry in the 19th. Century - more precisely with Baudelaire - corresponds to the appearance of a new poetic form: the «poem in prose». The linguistic approach to the texts allows us to describe this emergence as a change of unity and as a modification of the rules of versification, with a compensation for the disappearance of regularity through the multiplication of the coherent parallelisms between each unity - semiotic, syntactic, semantic... -. This abandonment of the formal marks of versification also forces the poets to include the metalinguistic discourse within the object of their writing and, thereby, to redefine the function of poetry.
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spelling De la prose en le Sachant : investissement de la prose par la poésie au XIXème siècleLiteratura francesa - Estudos críticos - séc. 19From the literary point of view, the emergence of «modern» poetry in the 19th. Century - more precisely with Baudelaire - corresponds to the appearance of a new poetic form: the «poem in prose». The linguistic approach to the texts allows us to describe this emergence as a change of unity and as a modification of the rules of versification, with a compensation for the disappearance of regularity through the multiplication of the coherent parallelisms between each unity - semiotic, syntactic, semantic... -. This abandonment of the formal marks of versification also forces the poets to include the metalinguistic discourse within the object of their writing and, thereby, to redefine the function of poetry.2014-01-292014-01-29T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10216/7768fraAbramovici, Sergeinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:44:57Zoai:repositorio-aberto.up.pt:10216/7768Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:07:45.594083Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv De la prose en le Sachant : investissement de la prose par la poésie au XIXème siècle
title De la prose en le Sachant : investissement de la prose par la poésie au XIXème siècle
spellingShingle De la prose en le Sachant : investissement de la prose par la poésie au XIXème siècle
Abramovici, Serge
Literatura francesa - Estudos críticos - séc. 19
title_short De la prose en le Sachant : investissement de la prose par la poésie au XIXème siècle
title_full De la prose en le Sachant : investissement de la prose par la poésie au XIXème siècle
title_fullStr De la prose en le Sachant : investissement de la prose par la poésie au XIXème siècle
title_full_unstemmed De la prose en le Sachant : investissement de la prose par la poésie au XIXème siècle
title_sort De la prose en le Sachant : investissement de la prose par la poésie au XIXème siècle
author Abramovici, Serge
author_facet Abramovici, Serge
author_role author
dc.contributor.author.fl_str_mv Abramovici, Serge
dc.subject.por.fl_str_mv Literatura francesa - Estudos críticos - séc. 19
topic Literatura francesa - Estudos críticos - séc. 19
description From the literary point of view, the emergence of «modern» poetry in the 19th. Century - more precisely with Baudelaire - corresponds to the appearance of a new poetic form: the «poem in prose». The linguistic approach to the texts allows us to describe this emergence as a change of unity and as a modification of the rules of versification, with a compensation for the disappearance of regularity through the multiplication of the coherent parallelisms between each unity - semiotic, syntactic, semantic... -. This abandonment of the formal marks of versification also forces the poets to include the metalinguistic discourse within the object of their writing and, thereby, to redefine the function of poetry.
publishDate 2014
dc.date.none.fl_str_mv 2014-01-29
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10216/7768
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