Decolonization in, of and through the Archival 'Moving Images' of Artistic Practice
Autor(a) principal: | |
---|---|
Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10362/43245 |
Resumo: | SFRH/BPD/88171/2012 |
id |
RCAP_1efdfbd1829bea8faccee7beea28e9cc |
---|---|
oai_identifier_str |
oai:run.unl.pt:10362/43245 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
7160 |
spelling |
Decolonization in, of and through the Archival 'Moving Images' of Artistic PracticeColonial archiveSpectresDecolonizationArchival artMoving imageSFRH/BPD/88171/2012This essay investigates the ways in which contemporary artistic practices have been working towards an epistemic and ethico-political decolonization of the present by means of critical examinations of several sorts of colonial archives, whether public or private, familial or anonymous. Through the lens of specific artworks by the artists Ângela Ferreira, Kiluanji Kia Henda, Délio Jasse, Daniel Barroca and Raquel Schefer, this essay examines the extent to which the aesthetics of these video, photographic and sculptural practices puts forth a politics and ethics of history and memory relevant to thinking critically about the colonial amnesias and imperial nostalgias which still pervade a post-colonial condition marked by neo-colonial patterns of globalization and by uneasy relationships with diasporic and migrant communities. Attention will be paid to the histories and memories of the Portuguese dictatorship and colonial empire, the liberation wars / the “colonial” war fought in Angola, Mozambique and Guinea-Bissau between 1961 and 1974, the Carnation Revolution in Portugal in 1974, the independence of Portugal’s former colonies between 1973 and 1975, and the mass “return” of Portuguese settlers from Angola and Mozambique in 1975, without losing sight of apartheid South Africa and the ways in which the Cold War played out on the African continent.Instituto de História da Arte (IHA)RUNOliveira, Ana Balona de2018-08-03T22:10:08Z20162016-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article21application/pdfhttp://hdl.handle.net/10362/43245por2183-3575PURE: 2152245https://doi.org/10.17231/comsoc.29(2016).2413info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T04:23:18Zoai:run.unl.pt:10362/43245Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:31:39.923133Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Decolonization in, of and through the Archival 'Moving Images' of Artistic Practice |
title |
Decolonization in, of and through the Archival 'Moving Images' of Artistic Practice |
spellingShingle |
Decolonization in, of and through the Archival 'Moving Images' of Artistic Practice Oliveira, Ana Balona de Colonial archive Spectres Decolonization Archival art Moving image |
title_short |
Decolonization in, of and through the Archival 'Moving Images' of Artistic Practice |
title_full |
Decolonization in, of and through the Archival 'Moving Images' of Artistic Practice |
title_fullStr |
Decolonization in, of and through the Archival 'Moving Images' of Artistic Practice |
title_full_unstemmed |
Decolonization in, of and through the Archival 'Moving Images' of Artistic Practice |
title_sort |
Decolonization in, of and through the Archival 'Moving Images' of Artistic Practice |
author |
Oliveira, Ana Balona de |
author_facet |
Oliveira, Ana Balona de |
author_role |
author |
dc.contributor.none.fl_str_mv |
Instituto de História da Arte (IHA) RUN |
dc.contributor.author.fl_str_mv |
Oliveira, Ana Balona de |
dc.subject.por.fl_str_mv |
Colonial archive Spectres Decolonization Archival art Moving image |
topic |
Colonial archive Spectres Decolonization Archival art Moving image |
description |
SFRH/BPD/88171/2012 |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016 2016-01-01T00:00:00Z 2018-08-03T22:10:08Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10362/43245 |
url |
http://hdl.handle.net/10362/43245 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
2183-3575 PURE: 2152245 https://doi.org/10.17231/comsoc.29(2016).2413 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
21 application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
_version_ |
1799137939382337536 |