Ancient oil impregnations on the reverse of canvas supports. The scientific study of the impregnation materials found in a Portuguese painting

Detalhes bibliográficos
Autor(a) principal: Teixeira, Andréa
Data de Publicação: 2016
Outros Autores: Calvo, Ana, Aguiar, Maria
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34618/ecr.8.14227
Resumo: Testimony of historical restoration practices, an 18th century painting, “O Cavaleiro da Or dem de Malta”, was subjected in the past to the application of oil based coating impregnations, on the reverse of the canvas support. The study of the impregnation materials was carried out using optical microscopy (OM) under visible reflected and polarized light and under ultraviolet light (UV), gas chromatography – mass spectrometry (GC-MS), Fourier transform infrared spectroscopy, and scanning electron microscopy – energy dispersive X-ray spectrometry (SEM-EDX), allowing the identification of two paint layers composed of several pigments and linseed oil as binding material and also the detection of colophony resin, an animal glue and starch.
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spelling Ancient oil impregnations on the reverse of canvas supports. The scientific study of the impregnation materials found in a Portuguese paintingAntiguas impregnaciones de aceite aplicadas en el reverso de pintura sobre lienzo. El estudio científico de los materiales encontrados en una pintura portuguesaAntigas impregnações a óleo aplicadas no reverso de pintura sobre tela. O estudo científico dos materiais encontrados numa pintura portuguesaTestimony of historical restoration practices, an 18th century painting, “O Cavaleiro da Or dem de Malta”, was subjected in the past to the application of oil based coating impregnations, on the reverse of the canvas support. The study of the impregnation materials was carried out using optical microscopy (OM) under visible reflected and polarized light and under ultraviolet light (UV), gas chromatography – mass spectrometry (GC-MS), Fourier transform infrared spectroscopy, and scanning electron microscopy – energy dispersive X-ray spectrometry (SEM-EDX), allowing the identification of two paint layers composed of several pigments and linseed oil as binding material and also the detection of colophony resin, an animal glue and starch.Testimonio de intervenciones históricas de restauracíon, el soporte de la pintura sobre lienzo “El Caballero de la Orden de Malta”, que data del siglo XVIII, fue objecto de la aplicación, por su reverso, de capas de impregnación basadas en aceite y pigmentos. El estúdio científico de las capas de impregnación, mediante microscopia óptica reflectida (MO) con luz polarizada y con radiación ultravioleta (UV), cromatografía de gases con espectrometria de masa (GC-MS), micro‑espectroscopía de infrarrojos por transformada de Fourier (micro‑FTIR) y microscopía electrónica de barrido con espectrometría de energía dispersiva de rayos X (SEM‑EDS), permitió la idenficación de dos capas compuestas por varios pigmentos mezclados en aceite de linaza, y también detectar la presencia de resina de colofonia, cola animal y almidón.Testemunho de intervenções históricas de restauro, o suporte da pintura sobre tela “O Ca valeiro da Ordem de Malta”, datada do século XVIII, foi alvo da aplicação, pelo seu reverso, de camadas de impregnação à base de óleo e pigmentos. O estudo científico das camadas de impregnação, com o recurso à microscopia ótica (MO) de reflexão, com luz polarizada e com radiação ultravioleta (UV), cromatografia gasosa acoplada à espectrometria de massa (GC-MS), micro-espectroscopia de infravermelho com transformada de Fourier (micro-FTIR) e microscopia eletrónica de varrimento acoplada a espectrometria de raios X por dispersão de energia (SEM-EDX), possibilitou a identificação de duas camadas compostas por diversos pigmentos aglutinados em óleo de linhaça e ainda a presença de resina colofónia, cola animal e amido.Universidade Católica Portuguesa2016-01-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34618/ecr.8.14227oai:ojs.revistas.ucp.pt:article/7933Estudos de Conservação e Restauro; No 8 (2016); 71-81Estudos de Conservação e Restauro; n. 8 (2016); 71-811647-209810.34618/ecr.8.14237reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.ucp.pt/index.php/ecr/article/view/7933https://doi.org/10.34618/ecr.8.14227https://revistas.ucp.pt/index.php/ecr/article/view/7933/8088Copyright (c) 2016 Andréa Teixeira, Ana Calvo, Maria Aguiarhttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessTeixeira, AndréaCalvo, AnaAguiar, Maria2022-09-22T10:29:13Zoai:ojs.revistas.ucp.pt:article/7933Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:57:16.535Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Ancient oil impregnations on the reverse of canvas supports. The scientific study of the impregnation materials found in a Portuguese painting
Antiguas impregnaciones de aceite aplicadas en el reverso de pintura sobre lienzo. El estudio científico de los materiales encontrados en una pintura portuguesa
Antigas impregnações a óleo aplicadas no reverso de pintura sobre tela. O estudo científico dos materiais encontrados numa pintura portuguesa
title Ancient oil impregnations on the reverse of canvas supports. The scientific study of the impregnation materials found in a Portuguese painting
spellingShingle Ancient oil impregnations on the reverse of canvas supports. The scientific study of the impregnation materials found in a Portuguese painting
Teixeira, Andréa
title_short Ancient oil impregnations on the reverse of canvas supports. The scientific study of the impregnation materials found in a Portuguese painting
title_full Ancient oil impregnations on the reverse of canvas supports. The scientific study of the impregnation materials found in a Portuguese painting
title_fullStr Ancient oil impregnations on the reverse of canvas supports. The scientific study of the impregnation materials found in a Portuguese painting
title_full_unstemmed Ancient oil impregnations on the reverse of canvas supports. The scientific study of the impregnation materials found in a Portuguese painting
title_sort Ancient oil impregnations on the reverse of canvas supports. The scientific study of the impregnation materials found in a Portuguese painting
author Teixeira, Andréa
author_facet Teixeira, Andréa
Calvo, Ana
Aguiar, Maria
author_role author
author2 Calvo, Ana
Aguiar, Maria
author2_role author
author
dc.contributor.author.fl_str_mv Teixeira, Andréa
Calvo, Ana
Aguiar, Maria
description Testimony of historical restoration practices, an 18th century painting, “O Cavaleiro da Or dem de Malta”, was subjected in the past to the application of oil based coating impregnations, on the reverse of the canvas support. The study of the impregnation materials was carried out using optical microscopy (OM) under visible reflected and polarized light and under ultraviolet light (UV), gas chromatography – mass spectrometry (GC-MS), Fourier transform infrared spectroscopy, and scanning electron microscopy – energy dispersive X-ray spectrometry (SEM-EDX), allowing the identification of two paint layers composed of several pigments and linseed oil as binding material and also the detection of colophony resin, an animal glue and starch.
publishDate 2016
dc.date.none.fl_str_mv 2016-01-01T00:00:00Z
dc.type.driver.fl_str_mv journal article
info:eu-repo/semantics/article
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34618/ecr.8.14227
oai:ojs.revistas.ucp.pt:article/7933
url https://doi.org/10.34618/ecr.8.14227
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dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/ecr/article/view/7933
https://doi.org/10.34618/ecr.8.14227
https://revistas.ucp.pt/index.php/ecr/article/view/7933/8088
dc.rights.driver.fl_str_mv Copyright (c) 2016 Andréa Teixeira, Ana Calvo, Maria Aguiar
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Andréa Teixeira, Ana Calvo, Maria Aguiar
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Estudos de Conservação e Restauro; No 8 (2016); 71-81
Estudos de Conservação e Restauro; n. 8 (2016); 71-81
1647-2098
10.34618/ecr.8.14237
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