DISTANCE, CONTIGUITY AND IMAGINATION IN MANDEVILLE’S ACCOUNT OF PASSIONS
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10316/90763 https://doi.org/http://dx.doi.org/10.15160/2282-5460/2249 |
Resumo: | More than a matter confined to Mandevillean thought, the discourse on the relationship between imagination and sensibility is a significant theoretical framework of eighteenth-century philosophical thought. Sensibility and imagination appear in Bernard Mandeville’s The Fable of the Beesas antithetical concepts, because they are fully articulated according to a natural and deterministic criterion of the expression of passions. Such a materialist understanding of the passions places a premium upon the proximity of stimulus and accordingly problematizes the responsive role of imagination. I intend to show in this paper that the primacy of expression takes place, at first instance, regarding the imagination, which, as we can detect in all Mandeville’s oeuvre, is well exemplified by the mimetic function that art itself earns. |
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DISTANCE, CONTIGUITY AND IMAGINATION IN MANDEVILLE’S ACCOUNT OF PASSIONSMandevillePassionsArtImaginationExpressionContiguity-RemotenessMore than a matter confined to Mandevillean thought, the discourse on the relationship between imagination and sensibility is a significant theoretical framework of eighteenth-century philosophical thought. Sensibility and imagination appear in Bernard Mandeville’s The Fable of the Beesas antithetical concepts, because they are fully articulated according to a natural and deterministic criterion of the expression of passions. Such a materialist understanding of the passions places a premium upon the proximity of stimulus and accordingly problematizes the responsive role of imagination. I intend to show in this paper that the primacy of expression takes place, at first instance, regarding the imagination, which, as we can detect in all Mandeville’s oeuvre, is well exemplified by the mimetic function that art itself earns.I Castelli di Yale2020-09-02info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10316/90763http://hdl.handle.net/10316/90763https://doi.org/http://dx.doi.org/10.15160/2282-5460/2249engBraga, Joaquim, Distance, contiguity and imagination in Mandeville's account of passions, I Castelli di Yale, Vol. 8, Nº 1, 2020, pp. 89-110.http://cyonline.unife.it/article/view/2249/2074Braga, Joaquiminfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-05-25T05:32:49Zoai:estudogeral.uc.pt:10316/90763Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:10:48.152953Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
DISTANCE, CONTIGUITY AND IMAGINATION IN MANDEVILLE’S ACCOUNT OF PASSIONS |
title |
DISTANCE, CONTIGUITY AND IMAGINATION IN MANDEVILLE’S ACCOUNT OF PASSIONS |
spellingShingle |
DISTANCE, CONTIGUITY AND IMAGINATION IN MANDEVILLE’S ACCOUNT OF PASSIONS Braga, Joaquim Mandeville Passions Art Imagination Expression Contiguity-Remoteness |
title_short |
DISTANCE, CONTIGUITY AND IMAGINATION IN MANDEVILLE’S ACCOUNT OF PASSIONS |
title_full |
DISTANCE, CONTIGUITY AND IMAGINATION IN MANDEVILLE’S ACCOUNT OF PASSIONS |
title_fullStr |
DISTANCE, CONTIGUITY AND IMAGINATION IN MANDEVILLE’S ACCOUNT OF PASSIONS |
title_full_unstemmed |
DISTANCE, CONTIGUITY AND IMAGINATION IN MANDEVILLE’S ACCOUNT OF PASSIONS |
title_sort |
DISTANCE, CONTIGUITY AND IMAGINATION IN MANDEVILLE’S ACCOUNT OF PASSIONS |
author |
Braga, Joaquim |
author_facet |
Braga, Joaquim |
author_role |
author |
dc.contributor.author.fl_str_mv |
Braga, Joaquim |
dc.subject.por.fl_str_mv |
Mandeville Passions Art Imagination Expression Contiguity-Remoteness |
topic |
Mandeville Passions Art Imagination Expression Contiguity-Remoteness |
description |
More than a matter confined to Mandevillean thought, the discourse on the relationship between imagination and sensibility is a significant theoretical framework of eighteenth-century philosophical thought. Sensibility and imagination appear in Bernard Mandeville’s The Fable of the Beesas antithetical concepts, because they are fully articulated according to a natural and deterministic criterion of the expression of passions. Such a materialist understanding of the passions places a premium upon the proximity of stimulus and accordingly problematizes the responsive role of imagination. I intend to show in this paper that the primacy of expression takes place, at first instance, regarding the imagination, which, as we can detect in all Mandeville’s oeuvre, is well exemplified by the mimetic function that art itself earns. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-09-02 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10316/90763 http://hdl.handle.net/10316/90763 https://doi.org/http://dx.doi.org/10.15160/2282-5460/2249 |
url |
http://hdl.handle.net/10316/90763 https://doi.org/http://dx.doi.org/10.15160/2282-5460/2249 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
Braga, Joaquim, Distance, contiguity and imagination in Mandeville's account of passions, I Castelli di Yale, Vol. 8, Nº 1, 2020, pp. 89-110. http://cyonline.unife.it/article/view/2249/2074 |
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info:eu-repo/semantics/openAccess |
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openAccess |
dc.publisher.none.fl_str_mv |
I Castelli di Yale |
publisher.none.fl_str_mv |
I Castelli di Yale |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799134004117504000 |