Definitely not a snapshot. On Welty’s Helena Arden

Detalhes bibliográficos
Autor(a) principal: Avelar, Mário
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/10050
Resumo: This essay considers the photograph Helena Arden as a humoristic exercise that parodies and deconstructs the conventions of the advertising industry in the early 20th century. This self-portrait by Eudora Welty points towards the referential system of consumer society and the role middle-class women play within it. Based on the interaction between image and word and foregrounding the dialogue between sign and beholder, Helena Arden is a political satire of an era, an artistic medium, and of the artist herself.
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spelling Definitely not a snapshot. On Welty’s Helena ArdenWelty, Eudora, 1909-2001PhotographySelf-portraitAdvertisingThis essay considers the photograph Helena Arden as a humoristic exercise that parodies and deconstructs the conventions of the advertising industry in the early 20th century. This self-portrait by Eudora Welty points towards the referential system of consumer society and the role middle-class women play within it. Based on the interaction between image and word and foregrounding the dialogue between sign and beholder, Helena Arden is a political satire of an era, an artistic medium, and of the artist herself.Fundação para a Ciência e a TecnologiaCentro de Estudos Anglísticos da Universidade de LisboaRepositório da Universidade de LisboaAvelar, Mário2014-01-14T12:10:58Z20132013-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10451/10050engRevista Anglo Saxonica, Série III, Nº5. Lisboa: 2013. Pp. 115-1240873-0628info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T15:55:01Zoai:repositorio.ul.pt:10451/10050Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:34:05.772828Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Definitely not a snapshot. On Welty’s Helena Arden
title Definitely not a snapshot. On Welty’s Helena Arden
spellingShingle Definitely not a snapshot. On Welty’s Helena Arden
Avelar, Mário
Welty, Eudora, 1909-2001
Photography
Self-portrait
Advertising
title_short Definitely not a snapshot. On Welty’s Helena Arden
title_full Definitely not a snapshot. On Welty’s Helena Arden
title_fullStr Definitely not a snapshot. On Welty’s Helena Arden
title_full_unstemmed Definitely not a snapshot. On Welty’s Helena Arden
title_sort Definitely not a snapshot. On Welty’s Helena Arden
author Avelar, Mário
author_facet Avelar, Mário
author_role author
dc.contributor.none.fl_str_mv Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Avelar, Mário
dc.subject.por.fl_str_mv Welty, Eudora, 1909-2001
Photography
Self-portrait
Advertising
topic Welty, Eudora, 1909-2001
Photography
Self-portrait
Advertising
description This essay considers the photograph Helena Arden as a humoristic exercise that parodies and deconstructs the conventions of the advertising industry in the early 20th century. This self-portrait by Eudora Welty points towards the referential system of consumer society and the role middle-class women play within it. Based on the interaction between image and word and foregrounding the dialogue between sign and beholder, Helena Arden is a political satire of an era, an artistic medium, and of the artist herself.
publishDate 2013
dc.date.none.fl_str_mv 2013
2013-01-01T00:00:00Z
2014-01-14T12:10:58Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/10050
url http://hdl.handle.net/10451/10050
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv Revista Anglo Saxonica, Série III, Nº5. Lisboa: 2013. Pp. 115-124
0873-0628
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Centro de Estudos Anglísticos da Universidade de Lisboa
publisher.none.fl_str_mv Centro de Estudos Anglísticos da Universidade de Lisboa
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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