The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations

Detalhes bibliográficos
Autor(a) principal: Abreu, José Guilherme
Data de Publicação: 2019
Outros Autores: Carvalho, Salomé, Bordalo, Rui, Vieira, Eduarda
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.14/43947
Resumo: A hundred thirty years after his dramatic death, António Soares dos Reis (ASR) remains a huge challenge for art history understanding and art criticism interpretation, since he has been seen simultaneously as “a Greek, […] a realist, […] a classical, […] and a naturalist” (Arroyo, 1899: 78). His major sculpture – O Desterrado – being “an existential work” (França, 1966: 454) escapes from the classic orthodox aesthetic analysis, standing apart from the typical sculptural work of late 19th century. Our hypothesis is that ASR art works like a Rorschach test, for the narratives referred to it, instead of unveiling its character, reveal the concepts and beliefs upon which successive art studies have been produced. No visual images are displayed in this text, since the aim of our study is to detect the mental images associated to the insights and models that art historians and other authors traditionally used to assess ASR’s artistic work.
id RCAP_20e6d69847114434a11be22e3c13cb3f
oai_identifier_str oai:repositorio.ucp.pt:10400.14/43947
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representationsSoares dos ReisSculptureFin-de-siècleArt historyArt criticismA hundred thirty years after his dramatic death, António Soares dos Reis (ASR) remains a huge challenge for art history understanding and art criticism interpretation, since he has been seen simultaneously as “a Greek, […] a realist, […] a classical, […] and a naturalist” (Arroyo, 1899: 78). His major sculpture – O Desterrado – being “an existential work” (França, 1966: 454) escapes from the classic orthodox aesthetic analysis, standing apart from the typical sculptural work of late 19th century. Our hypothesis is that ASR art works like a Rorschach test, for the narratives referred to it, instead of unveiling its character, reveal the concepts and beliefs upon which successive art studies have been produced. No visual images are displayed in this text, since the aim of our study is to detect the mental images associated to the insights and models that art historians and other authors traditionally used to assess ASR’s artistic work.Veritati - Repositório Institucional da Universidade Católica PortuguesaAbreu, José GuilhermeCarvalho, SaloméBordalo, RuiVieira, Eduarda2024-02-14T11:09:32Z2019-12-272019-12-27T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/43947eng2183-708210.37935/aion.v0i9.240info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-02-20T01:32:46Zoai:repositorio.ucp.pt:10400.14/43947Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:39:00.609907Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations
title The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations
spellingShingle The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations
Abreu, José Guilherme
Soares dos Reis
Sculpture
Fin-de-siècle
Art history
Art criticism
title_short The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations
title_full The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations
title_fullStr The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations
title_full_unstemmed The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations
title_sort The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations
author Abreu, José Guilherme
author_facet Abreu, José Guilherme
Carvalho, Salomé
Bordalo, Rui
Vieira, Eduarda
author_role author
author2 Carvalho, Salomé
Bordalo, Rui
Vieira, Eduarda
author2_role author
author
author
dc.contributor.none.fl_str_mv Veritati - Repositório Institucional da Universidade Católica Portuguesa
dc.contributor.author.fl_str_mv Abreu, José Guilherme
Carvalho, Salomé
Bordalo, Rui
Vieira, Eduarda
dc.subject.por.fl_str_mv Soares dos Reis
Sculpture
Fin-de-siècle
Art history
Art criticism
topic Soares dos Reis
Sculpture
Fin-de-siècle
Art history
Art criticism
description A hundred thirty years after his dramatic death, António Soares dos Reis (ASR) remains a huge challenge for art history understanding and art criticism interpretation, since he has been seen simultaneously as “a Greek, […] a realist, […] a classical, […] and a naturalist” (Arroyo, 1899: 78). His major sculpture – O Desterrado – being “an existential work” (França, 1966: 454) escapes from the classic orthodox aesthetic analysis, standing apart from the typical sculptural work of late 19th century. Our hypothesis is that ASR art works like a Rorschach test, for the narratives referred to it, instead of unveiling its character, reveal the concepts and beliefs upon which successive art studies have been produced. No visual images are displayed in this text, since the aim of our study is to detect the mental images associated to the insights and models that art historians and other authors traditionally used to assess ASR’s artistic work.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-27
2019-12-27T00:00:00Z
2024-02-14T11:09:32Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.14/43947
url http://hdl.handle.net/10400.14/43947
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2183-7082
10.37935/aion.v0i9.240
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799137440620871680