The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.14/43947 |
Resumo: | A hundred thirty years after his dramatic death, António Soares dos Reis (ASR) remains a huge challenge for art history understanding and art criticism interpretation, since he has been seen simultaneously as “a Greek, […] a realist, […] a classical, […] and a naturalist” (Arroyo, 1899: 78). His major sculpture – O Desterrado – being “an existential work” (França, 1966: 454) escapes from the classic orthodox aesthetic analysis, standing apart from the typical sculptural work of late 19th century. Our hypothesis is that ASR art works like a Rorschach test, for the narratives referred to it, instead of unveiling its character, reveal the concepts and beliefs upon which successive art studies have been produced. No visual images are displayed in this text, since the aim of our study is to detect the mental images associated to the insights and models that art historians and other authors traditionally used to assess ASR’s artistic work. |
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The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representationsSoares dos ReisSculptureFin-de-siècleArt historyArt criticismA hundred thirty years after his dramatic death, António Soares dos Reis (ASR) remains a huge challenge for art history understanding and art criticism interpretation, since he has been seen simultaneously as “a Greek, […] a realist, […] a classical, […] and a naturalist” (Arroyo, 1899: 78). His major sculpture – O Desterrado – being “an existential work” (França, 1966: 454) escapes from the classic orthodox aesthetic analysis, standing apart from the typical sculptural work of late 19th century. Our hypothesis is that ASR art works like a Rorschach test, for the narratives referred to it, instead of unveiling its character, reveal the concepts and beliefs upon which successive art studies have been produced. No visual images are displayed in this text, since the aim of our study is to detect the mental images associated to the insights and models that art historians and other authors traditionally used to assess ASR’s artistic work.Veritati - Repositório Institucional da Universidade Católica PortuguesaAbreu, José GuilhermeCarvalho, SaloméBordalo, RuiVieira, Eduarda2024-02-14T11:09:32Z2019-12-272019-12-27T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/43947eng2183-708210.37935/aion.v0i9.240info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-02-20T01:32:46Zoai:repositorio.ucp.pt:10400.14/43947Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:39:00.609907Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations |
title |
The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations |
spellingShingle |
The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations Abreu, José Guilherme Soares dos Reis Sculpture Fin-de-siècle Art history Art criticism |
title_short |
The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations |
title_full |
The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations |
title_fullStr |
The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations |
title_full_unstemmed |
The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations |
title_sort |
The image of Soares dos Reis’ sculpture in art hitory, art criticism and literature: epochs, models and representations |
author |
Abreu, José Guilherme |
author_facet |
Abreu, José Guilherme Carvalho, Salomé Bordalo, Rui Vieira, Eduarda |
author_role |
author |
author2 |
Carvalho, Salomé Bordalo, Rui Vieira, Eduarda |
author2_role |
author author author |
dc.contributor.none.fl_str_mv |
Veritati - Repositório Institucional da Universidade Católica Portuguesa |
dc.contributor.author.fl_str_mv |
Abreu, José Guilherme Carvalho, Salomé Bordalo, Rui Vieira, Eduarda |
dc.subject.por.fl_str_mv |
Soares dos Reis Sculpture Fin-de-siècle Art history Art criticism |
topic |
Soares dos Reis Sculpture Fin-de-siècle Art history Art criticism |
description |
A hundred thirty years after his dramatic death, António Soares dos Reis (ASR) remains a huge challenge for art history understanding and art criticism interpretation, since he has been seen simultaneously as “a Greek, […] a realist, […] a classical, […] and a naturalist” (Arroyo, 1899: 78). His major sculpture – O Desterrado – being “an existential work” (França, 1966: 454) escapes from the classic orthodox aesthetic analysis, standing apart from the typical sculptural work of late 19th century. Our hypothesis is that ASR art works like a Rorschach test, for the narratives referred to it, instead of unveiling its character, reveal the concepts and beliefs upon which successive art studies have been produced. No visual images are displayed in this text, since the aim of our study is to detect the mental images associated to the insights and models that art historians and other authors traditionally used to assess ASR’s artistic work. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-12-27 2019-12-27T00:00:00Z 2024-02-14T11:09:32Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.14/43947 |
url |
http://hdl.handle.net/10400.14/43947 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
2183-7082 10.37935/aion.v0i9.240 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
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reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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