Apolíneo e Dionisíaco : a expressão do desenho à luz da filosofia nietzschiana

• Autor(a) principal: Gonçalves, Bruno César Queiroz, 1983-
• Data de Publicação: 2016
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: http://hdl.handle.net/10451/26264
• topic: Apolo (Divindade grega); Dioniso (Divindade grega) - Na arte; Nietzsche, Friedrich, 1844-1900; Kandinsky, Wassily, 1866-1944; Desenho; Expressão visual; Tragédia; Estética; Imaginário; Contemporaneidade; Desenho

This dissertation aims to promote a reflection about drawing, as an expression, under the light of the Friedrich Nietzsche’s tragic thought, specifically the [Apollonian and Dionysian] fundamental concepts from “The Birth of Tragedy” book [ Die Geburt der Tragödie aus dem Geiste der Musik , 1872 ]. The orientation instruments used were the works of Heinrich Wolfflin, Wassily Kandinsky, Theodor W. Adorno, Gilbert Durand among others, in addition to the works of various artists, illustrating how the drawing expression [Apollonian, Dionysian and Tragic] manifests itself. Such instruments are methodologically operated through a literature and iconographic review guided by the symbolic hermeneutics of Ricoeur. The first three chapters are intended heuristically prepare an enabling environment in order for the forth introduce in a tangibly way Nietzsche's aesthetics combined with drawing