'From the night and the light, all festivals are golden': the festivalization of culture in the late modernity

Detalhes bibliográficos
Autor(a) principal: Guerra, Paula
Data de Publicação: 2016
Tipo de documento: Livro
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://repositorio-aberto.up.pt/handle/10216/87631
Resumo: Festivals have been stated as important forms of social and cultural participation. In thetwentyfirst century, all countries have been faced with a number of annual festivals, butalso by diversifying the type of festivals, its location and its audiences. The festival modelhas expanded all over the world and became globalize. With this model emerged the socalledfestivalization of culture. Portugal was no different in this phenomenon. The mainpurpose of this chapter is to explore the Portuguese festival dynamics. These dynamicshave the function of globalization coding, marketing and culture of media coverage,mobilizing thousands of actors on the supply side, in mediation and on the demand side.There are several elements that prove this in Portugal: unprecedented evolution in thenumber of festivals over the past two decades; the spread of festivals around the country,especially in its Atlantic coast and in metropolitan areas; the exponential increase of thehabitués; the weight of the turnover of the festivals in the statement of accounts cultureand cultural industries; the importance of festivals for the launch and projection of thebands; and, above all, the design of a new way of life in an environment marked byconsumptions, appropriations and embodiments of practices, associated with experienceand sociability of the festival.
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spelling 'From the night and the light, all festivals are golden': the festivalization of culture in the late modernityArtes, ArtesArts, ArtsFestivals have been stated as important forms of social and cultural participation. In thetwentyfirst century, all countries have been faced with a number of annual festivals, butalso by diversifying the type of festivals, its location and its audiences. The festival modelhas expanded all over the world and became globalize. With this model emerged the socalledfestivalization of culture. Portugal was no different in this phenomenon. The mainpurpose of this chapter is to explore the Portuguese festival dynamics. These dynamicshave the function of globalization coding, marketing and culture of media coverage,mobilizing thousands of actors on the supply side, in mediation and on the demand side.There are several elements that prove this in Portugal: unprecedented evolution in thenumber of festivals over the past two decades; the spread of festivals around the country,especially in its Atlantic coast and in metropolitan areas; the exponential increase of thehabitués; the weight of the turnover of the festivals in the statement of accounts cultureand cultural industries; the importance of festivals for the launch and projection of thebands; and, above all, the design of a new way of life in an environment marked byconsumptions, appropriations and embodiments of practices, associated with experienceand sociability of the festival.20162016-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://repositorio-aberto.up.pt/handle/10216/87631engGuerra, Paulainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:41:56Zoai:repositorio-aberto.up.pt:10216/87631Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:07:02.590145Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv 'From the night and the light, all festivals are golden': the festivalization of culture in the late modernity
title 'From the night and the light, all festivals are golden': the festivalization of culture in the late modernity
spellingShingle 'From the night and the light, all festivals are golden': the festivalization of culture in the late modernity
Guerra, Paula
Artes, Artes
Arts, Arts
title_short 'From the night and the light, all festivals are golden': the festivalization of culture in the late modernity
title_full 'From the night and the light, all festivals are golden': the festivalization of culture in the late modernity
title_fullStr 'From the night and the light, all festivals are golden': the festivalization of culture in the late modernity
title_full_unstemmed 'From the night and the light, all festivals are golden': the festivalization of culture in the late modernity
title_sort 'From the night and the light, all festivals are golden': the festivalization of culture in the late modernity
author Guerra, Paula
author_facet Guerra, Paula
author_role author
dc.contributor.author.fl_str_mv Guerra, Paula
dc.subject.por.fl_str_mv Artes, Artes
Arts, Arts
topic Artes, Artes
Arts, Arts
description Festivals have been stated as important forms of social and cultural participation. In thetwentyfirst century, all countries have been faced with a number of annual festivals, butalso by diversifying the type of festivals, its location and its audiences. The festival modelhas expanded all over the world and became globalize. With this model emerged the socalledfestivalization of culture. Portugal was no different in this phenomenon. The mainpurpose of this chapter is to explore the Portuguese festival dynamics. These dynamicshave the function of globalization coding, marketing and culture of media coverage,mobilizing thousands of actors on the supply side, in mediation and on the demand side.There are several elements that prove this in Portugal: unprecedented evolution in thenumber of festivals over the past two decades; the spread of festivals around the country,especially in its Atlantic coast and in metropolitan areas; the exponential increase of thehabitués; the weight of the turnover of the festivals in the statement of accounts cultureand cultural industries; the importance of festivals for the launch and projection of thebands; and, above all, the design of a new way of life in an environment marked byconsumptions, appropriations and embodiments of practices, associated with experienceand sociability of the festival.
publishDate 2016
dc.date.none.fl_str_mv 2016
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