Intergenerational struggles and technological dramas of the neobakala music scene

Detalhes bibliográficos
Autor(a) principal: Leste,Eduardo
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://scielo.pt/scielo.php?script=sci_arttext&pid=S2182-30302021000300075
Resumo: Abstract In late modernity, Western societies undergo profound processes of change that lead to tensions between different social actors, which sometimes occur in intergenerational terms. This article explores these tensions in the field of music through the neobakala scene, which is composed of adults who have created a nostalgic discourse to establish a hierarchy with other musical scenes created by youngsters. The concepts of nostalgia and generation, therefore, will be key in articulating this text but both will be critically approximated, since the two assume a presence of memory in their constitution (that is not always backed by evidence). In this sense, this article, which also explores the past of the neobakala scene, claims memory as a field on its own, differentiated from nostalgia and as a source of criticism of it. On the other hand, in the analysis of this nostalgia, the neobakala scene and the same intergenerational struggles that occur in this late modernity, this article will pay special attention to the role of technological changes. To this end, the article will resort to the concept of remediation and, above all, that of "technological drama", which will allow us to observe a process of reintegration in which the neobakala subversive past ends up aligning itself with power in a context of expansion of digital technologies.
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spelling Intergenerational struggles and technological dramas of the neobakala music scenenostalgiamemoryintergenerational conflictstechnological dramaremediation.Abstract In late modernity, Western societies undergo profound processes of change that lead to tensions between different social actors, which sometimes occur in intergenerational terms. This article explores these tensions in the field of music through the neobakala scene, which is composed of adults who have created a nostalgic discourse to establish a hierarchy with other musical scenes created by youngsters. The concepts of nostalgia and generation, therefore, will be key in articulating this text but both will be critically approximated, since the two assume a presence of memory in their constitution (that is not always backed by evidence). In this sense, this article, which also explores the past of the neobakala scene, claims memory as a field on its own, differentiated from nostalgia and as a source of criticism of it. On the other hand, in the analysis of this nostalgia, the neobakala scene and the same intergenerational struggles that occur in this late modernity, this article will pay special attention to the role of technological changes. To this end, the article will resort to the concept of remediation and, above all, that of "technological drama", which will allow us to observe a process of reintegration in which the neobakala subversive past ends up aligning itself with power in a context of expansion of digital technologies.DINÂMIA'CET-IUL, Centro de Estudos sobre a Mudança Socioeconómica e o Território2021-10-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articletext/htmlhttp://scielo.pt/scielo.php?script=sci_arttext&pid=S2182-30302021000300075CIDADES, Comunidades e Territórios v.au21 2021reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttp://scielo.pt/scielo.php?script=sci_arttext&pid=S2182-30302021000300075Leste,Eduardoinfo:eu-repo/semantics/openAccess2024-02-06T17:26:51Zoai:scielo:S2182-30302021000300075Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:31:47.700320Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Intergenerational struggles and technological dramas of the neobakala music scene
title Intergenerational struggles and technological dramas of the neobakala music scene
spellingShingle Intergenerational struggles and technological dramas of the neobakala music scene
Leste,Eduardo
nostalgia
memory
intergenerational conflicts
technological drama
remediation.
title_short Intergenerational struggles and technological dramas of the neobakala music scene
title_full Intergenerational struggles and technological dramas of the neobakala music scene
title_fullStr Intergenerational struggles and technological dramas of the neobakala music scene
title_full_unstemmed Intergenerational struggles and technological dramas of the neobakala music scene
title_sort Intergenerational struggles and technological dramas of the neobakala music scene
author Leste,Eduardo
author_facet Leste,Eduardo
author_role author
dc.contributor.author.fl_str_mv Leste,Eduardo
dc.subject.por.fl_str_mv nostalgia
memory
intergenerational conflicts
technological drama
remediation.
topic nostalgia
memory
intergenerational conflicts
technological drama
remediation.
description Abstract In late modernity, Western societies undergo profound processes of change that lead to tensions between different social actors, which sometimes occur in intergenerational terms. This article explores these tensions in the field of music through the neobakala scene, which is composed of adults who have created a nostalgic discourse to establish a hierarchy with other musical scenes created by youngsters. The concepts of nostalgia and generation, therefore, will be key in articulating this text but both will be critically approximated, since the two assume a presence of memory in their constitution (that is not always backed by evidence). In this sense, this article, which also explores the past of the neobakala scene, claims memory as a field on its own, differentiated from nostalgia and as a source of criticism of it. On the other hand, in the analysis of this nostalgia, the neobakala scene and the same intergenerational struggles that occur in this late modernity, this article will pay special attention to the role of technological changes. To this end, the article will resort to the concept of remediation and, above all, that of "technological drama", which will allow us to observe a process of reintegration in which the neobakala subversive past ends up aligning itself with power in a context of expansion of digital technologies.
publishDate 2021
dc.date.none.fl_str_mv 2021-10-01
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dc.identifier.uri.fl_str_mv http://scielo.pt/scielo.php?script=sci_arttext&pid=S2182-30302021000300075
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dc.language.iso.fl_str_mv eng
language eng
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dc.publisher.none.fl_str_mv DINÂMIA'CET-IUL, Centro de Estudos sobre a Mudança Socioeconómica e o Território
publisher.none.fl_str_mv DINÂMIA'CET-IUL, Centro de Estudos sobre a Mudança Socioeconómica e o Território
dc.source.none.fl_str_mv CIDADES, Comunidades e Territórios v.au21 2021
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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