Procurando Diva no sul global: feminismo, arte e política

Detalhes bibliográficos
Autor(a) principal: Oliveira, Cláudia de
Data de Publicação: 2021
Outros Autores: Guerra, Paula
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/136382
Resumo: This article analyses the work Diva by Juliana Notari. In dealing with a giant vulva that emerges in the middle of an area that was once a sugarcane plantation, in Pernambuco, several waves of contestation have emerged. We intend to show that this artistic production is taken as a portrait of aesthetic and political artivism, but also to frame it within the processes of resistance that demarcate the Global South, where gender inequalities are profound. It is from a qualitative methodology, based on a content analysis of the work of the artist Juliana Notari that we base our analysis, seeking to reflect and question the canons of masculine genius, as well as the evolution and consolidation of a social history of feminist art.
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spelling Procurando Diva no sul global: feminismo, arte e políticaCiências SociaisSocial sciencesThis article analyses the work Diva by Juliana Notari. In dealing with a giant vulva that emerges in the middle of an area that was once a sugarcane plantation, in Pernambuco, several waves of contestation have emerged. We intend to show that this artistic production is taken as a portrait of aesthetic and political artivism, but also to frame it within the processes of resistance that demarcate the Global South, where gender inequalities are profound. It is from a qualitative methodology, based on a content analysis of the work of the artist Juliana Notari that we base our analysis, seeking to reflect and question the canons of masculine genius, as well as the evolution and consolidation of a social history of feminist art.20212021-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/136382por10.11606/issn.2178-0447.ars.2021.183784Oliveira, Cláudia deGuerra, Paulainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T12:51:58Zoai:repositorio-aberto.up.pt:10216/136382Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:28:18.787772Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Procurando Diva no sul global: feminismo, arte e política
title Procurando Diva no sul global: feminismo, arte e política
spellingShingle Procurando Diva no sul global: feminismo, arte e política
Oliveira, Cláudia de
Ciências Sociais
Social sciences
title_short Procurando Diva no sul global: feminismo, arte e política
title_full Procurando Diva no sul global: feminismo, arte e política
title_fullStr Procurando Diva no sul global: feminismo, arte e política
title_full_unstemmed Procurando Diva no sul global: feminismo, arte e política
title_sort Procurando Diva no sul global: feminismo, arte e política
author Oliveira, Cláudia de
author_facet Oliveira, Cláudia de
Guerra, Paula
author_role author
author2 Guerra, Paula
author2_role author
dc.contributor.author.fl_str_mv Oliveira, Cláudia de
Guerra, Paula
dc.subject.por.fl_str_mv Ciências Sociais
Social sciences
topic Ciências Sociais
Social sciences
description This article analyses the work Diva by Juliana Notari. In dealing with a giant vulva that emerges in the middle of an area that was once a sugarcane plantation, in Pernambuco, several waves of contestation have emerged. We intend to show that this artistic production is taken as a portrait of aesthetic and political artivism, but also to frame it within the processes of resistance that demarcate the Global South, where gender inequalities are profound. It is from a qualitative methodology, based on a content analysis of the work of the artist Juliana Notari that we base our analysis, seeking to reflect and question the canons of masculine genius, as well as the evolution and consolidation of a social history of feminist art.
publishDate 2021
dc.date.none.fl_str_mv 2021
2021-01-01T00:00:00Z
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dc.identifier.uri.fl_str_mv https://hdl.handle.net/10216/136382
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dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv 10.11606/issn.2178-0447.ars.2021.183784
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