Procurando Diva no sul global: feminismo, arte e política
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/136382 |
Resumo: | This article analyses the work Diva by Juliana Notari. In dealing with a giant vulva that emerges in the middle of an area that was once a sugarcane plantation, in Pernambuco, several waves of contestation have emerged. We intend to show that this artistic production is taken as a portrait of aesthetic and political artivism, but also to frame it within the processes of resistance that demarcate the Global South, where gender inequalities are profound. It is from a qualitative methodology, based on a content analysis of the work of the artist Juliana Notari that we base our analysis, seeking to reflect and question the canons of masculine genius, as well as the evolution and consolidation of a social history of feminist art. |
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Procurando Diva no sul global: feminismo, arte e políticaCiências SociaisSocial sciencesThis article analyses the work Diva by Juliana Notari. In dealing with a giant vulva that emerges in the middle of an area that was once a sugarcane plantation, in Pernambuco, several waves of contestation have emerged. We intend to show that this artistic production is taken as a portrait of aesthetic and political artivism, but also to frame it within the processes of resistance that demarcate the Global South, where gender inequalities are profound. It is from a qualitative methodology, based on a content analysis of the work of the artist Juliana Notari that we base our analysis, seeking to reflect and question the canons of masculine genius, as well as the evolution and consolidation of a social history of feminist art.20212021-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/136382por10.11606/issn.2178-0447.ars.2021.183784Oliveira, Cláudia deGuerra, Paulainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T12:51:58Zoai:repositorio-aberto.up.pt:10216/136382Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:28:18.787772Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Procurando Diva no sul global: feminismo, arte e política |
title |
Procurando Diva no sul global: feminismo, arte e política |
spellingShingle |
Procurando Diva no sul global: feminismo, arte e política Oliveira, Cláudia de Ciências Sociais Social sciences |
title_short |
Procurando Diva no sul global: feminismo, arte e política |
title_full |
Procurando Diva no sul global: feminismo, arte e política |
title_fullStr |
Procurando Diva no sul global: feminismo, arte e política |
title_full_unstemmed |
Procurando Diva no sul global: feminismo, arte e política |
title_sort |
Procurando Diva no sul global: feminismo, arte e política |
author |
Oliveira, Cláudia de |
author_facet |
Oliveira, Cláudia de Guerra, Paula |
author_role |
author |
author2 |
Guerra, Paula |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Cláudia de Guerra, Paula |
dc.subject.por.fl_str_mv |
Ciências Sociais Social sciences |
topic |
Ciências Sociais Social sciences |
description |
This article analyses the work Diva by Juliana Notari. In dealing with a giant vulva that emerges in the middle of an area that was once a sugarcane plantation, in Pernambuco, several waves of contestation have emerged. We intend to show that this artistic production is taken as a portrait of aesthetic and political artivism, but also to frame it within the processes of resistance that demarcate the Global South, where gender inequalities are profound. It is from a qualitative methodology, based on a content analysis of the work of the artist Juliana Notari that we base our analysis, seeking to reflect and question the canons of masculine genius, as well as the evolution and consolidation of a social history of feminist art. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021 2021-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/136382 |
url |
https://hdl.handle.net/10216/136382 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
10.11606/issn.2178-0447.ars.2021.183784 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
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application/pdf |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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