Exhibiting the Voice
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2021 |
| Outros Autores: | |
| Tipo de documento: | Artigo |
| Idioma: | eng |
| Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
| Texto Completo: | http://hdl.handle.net/10362/158991 |
Resumo: | DL 57/2016/CP1453/CT0054 UIDB/00693/2020 UIDP/00693/2020 |
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Exhibiting the VoiceDL 57/2016/CP1453/CT0054 UIDB/00693/2020 UIDP/00693/2020The title of this article carries an inherent contradiction. How could something so elusive, and most of all, invisible, as the voice, be exhibited? Despite the availability of recording technologies for over a century, the voice still conveys the impossibility of being caught in place and time. It was this contradiction that the exhibition Post-Opera (TENT, V2_Lab for the Unstable Media, Operadagen Rotterdam, 2019) worked with, in order to show the affect of the singing voice, the bodies they emit it, and challenge the socio-cultural frame that influence the perception of who can have a voice and what is considered a voice. In the Western world, the notion of “having a voice” is commonly associated with the right to have a vote, to have a voice in society, often expressed in individualised and humanistic terms. Critics of humanism, and in particular critical posthumanists, have already pointed out the non-neutrality and inherent privileges the term carries, with its underlying connection to white, patriarchal, anthropocentric and colonial meanings. Instead of this rather Eurocentric conception of the voice, Post-Opera demonstrated a disconnect between this view and brought forth a proposition where singing machines, mechanisms, beasts, animals and other “others” joined in a collective form of vocal expression. They sung beyond opera and at the same time beyond human. This way Post-Opera proposed a different ontological understanding of voices and their potentialities, as well as the variety of ways voices are let to be heard. This text reflects on the ways in which the exhibition and surrounding programme materialised on the intersections of visual art and postdramatic opera, while confronting voice studies and theories of critical posthumanism in order to posit the voice beyond its humanist license.Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)RUNNovak, JelenaDittel, Kris2023-10-16T22:19:32Z20212021-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article25application/pdfhttp://hdl.handle.net/10362/158991eng2002-0953PURE: 72263917info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-05-22T18:15:05Zoai:run.unl.pt:10362/158991Portal AgregadorONGhttps://www.rcaap.pt/oai/openairemluisa.alvim@gmail.comopendoar:71602024-05-22T18:15:05Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
| dc.title.none.fl_str_mv |
Exhibiting the Voice |
| title |
Exhibiting the Voice |
| spellingShingle |
Exhibiting the Voice Novak, Jelena |
| title_short |
Exhibiting the Voice |
| title_full |
Exhibiting the Voice |
| title_fullStr |
Exhibiting the Voice |
| title_full_unstemmed |
Exhibiting the Voice |
| title_sort |
Exhibiting the Voice |
| author |
Novak, Jelena |
| author_facet |
Novak, Jelena Dittel, Kris |
| author_role |
author |
| author2 |
Dittel, Kris |
| author2_role |
author |
| dc.contributor.none.fl_str_mv |
Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH) RUN |
| dc.contributor.author.fl_str_mv |
Novak, Jelena Dittel, Kris |
| description |
DL 57/2016/CP1453/CT0054 UIDB/00693/2020 UIDP/00693/2020 |
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2021 |
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2021 2021-01-01T00:00:00Z 2023-10-16T22:19:32Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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http://hdl.handle.net/10362/158991 |
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http://hdl.handle.net/10362/158991 |
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eng |
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eng |
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2002-0953 PURE: 72263917 |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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