As origens históricas da arte pública
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.14/43945 |
Resumo: | Our study states the role that applied arts, as they were meant by Arts and Crafts movement’s socialistic ideario, have had in the expansion of the concept and use of art works, beyond the values of formal and symbolic representations which have supported the academic system of the fine arts since the Renaissance. By Modern Public Art, we refer to the movement launched, under the designation of “Public Art”, by a series of “Public Art Societies” which were created both in Europe and North-America in the last quarter of the 19th century, having as first major public appearance the cosmopolitan stages of the Great Universal Expositions. This international movement came to an end after the first decade of the 20th century, due to the growth of international political, economic and bellicose antagonism, which first lead to the raise of nationalistic ideologies and soon to military confront, blocking the young international movement in favour of Public Art. |
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As origens históricas da arte públicaOur study states the role that applied arts, as they were meant by Arts and Crafts movement’s socialistic ideario, have had in the expansion of the concept and use of art works, beyond the values of formal and symbolic representations which have supported the academic system of the fine arts since the Renaissance. By Modern Public Art, we refer to the movement launched, under the designation of “Public Art”, by a series of “Public Art Societies” which were created both in Europe and North-America in the last quarter of the 19th century, having as first major public appearance the cosmopolitan stages of the Great Universal Expositions. This international movement came to an end after the first decade of the 20th century, due to the growth of international political, economic and bellicose antagonism, which first lead to the raise of nationalistic ideologies and soon to military confront, blocking the young international movement in favour of Public Art.Veritati - Repositório Institucional da Universidade Católica PortuguesaAbreu, José Guilherme2024-02-14T10:39:42Z2015-122015-12-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/43945por2183-6973info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-02-20T01:32:45Zoai:repositorio.ucp.pt:10400.14/43945Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:39:00.524438Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
As origens históricas da arte pública |
title |
As origens históricas da arte pública |
spellingShingle |
As origens históricas da arte pública Abreu, José Guilherme |
title_short |
As origens históricas da arte pública |
title_full |
As origens históricas da arte pública |
title_fullStr |
As origens históricas da arte pública |
title_full_unstemmed |
As origens históricas da arte pública |
title_sort |
As origens históricas da arte pública |
author |
Abreu, José Guilherme |
author_facet |
Abreu, José Guilherme |
author_role |
author |
dc.contributor.none.fl_str_mv |
Veritati - Repositório Institucional da Universidade Católica Portuguesa |
dc.contributor.author.fl_str_mv |
Abreu, José Guilherme |
description |
Our study states the role that applied arts, as they were meant by Arts and Crafts movement’s socialistic ideario, have had in the expansion of the concept and use of art works, beyond the values of formal and symbolic representations which have supported the academic system of the fine arts since the Renaissance. By Modern Public Art, we refer to the movement launched, under the designation of “Public Art”, by a series of “Public Art Societies” which were created both in Europe and North-America in the last quarter of the 19th century, having as first major public appearance the cosmopolitan stages of the Great Universal Expositions. This international movement came to an end after the first decade of the 20th century, due to the growth of international political, economic and bellicose antagonism, which first lead to the raise of nationalistic ideologies and soon to military confront, blocking the young international movement in favour of Public Art. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-12 2015-12-01T00:00:00Z 2024-02-14T10:39:42Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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article |
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publishedVersion |
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http://hdl.handle.net/10400.14/43945 |
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http://hdl.handle.net/10400.14/43945 |
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por |
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por |
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2183-6973 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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