Filming Concepts, Thinking Images

Detalhes bibliográficos
Autor(a) principal: Baldi, Vania
Data de Publicação: 2022
Outros Autores: Conceição, Nélio
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10362/145865
Resumo: DL 57/2016/CP1453/CT0040 UIDB/00183/2020 UIDP/00183/2020
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spelling Filming Concepts, Thinking ImagesOn Wonder, Montage and Disruption in an Image-Saturated WorldDisruptionFilmMontagePhilosophySpeculative short circuitWonderCultural StudiesSocial Sciences (miscellaneous)PhilosophyDL 57/2016/CP1453/CT0040 UIDB/00183/2020 UIDP/00183/2020This article explores the relation between cinema and philosophy through the lens of interest shown by some filmmakers in the lives and works of philosophers. It begins by delving into contemporary perspectives on the relationship between philosophy and cinema. In order to assess how the constitutive dissimilarity of the two terms and the ways in which they can be brought together are at the origin of speculative short circuits and experiences of wonder, it brings together the works of thinkers – Cavell, Benjamin, and Kracauer; and filmmakers Rossellini, Montaldo, Keaton, and Jarman. Reflecting on the aesthetic and cultural impact of cinema is all the more important given the current omnipresence of images and prosthetic technologies that, with their incessant solicitations, threaten the processes of apprehension, learning, and conveying of knowledge. Thinking and perceiving differently thus becomes an essential function of cinema, one keenly performed in Safaa Fathy’s Derrida’s Elsewhere, analyzed in the last two sections.Instituto de Filosofia da NOVA (IFILNOVA)RUNBaldi, VaniaConceição, Nélio2022-11-28T22:16:10Z2022-10-312022-10-31T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article16application/pdfhttp://hdl.handle.net/10362/145865eng2544-302XPURE: 47961788https://doi.org/10.14394/eidos.jpc.2022.0017info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-11T05:26:34Zoai:run.unl.pt:10362/145865Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:52:18.597793Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Filming Concepts, Thinking Images
On Wonder, Montage and Disruption in an Image-Saturated World
title Filming Concepts, Thinking Images
spellingShingle Filming Concepts, Thinking Images
Baldi, Vania
Disruption
Film
Montage
Philosophy
Speculative short circuit
Wonder
Cultural Studies
Social Sciences (miscellaneous)
Philosophy
title_short Filming Concepts, Thinking Images
title_full Filming Concepts, Thinking Images
title_fullStr Filming Concepts, Thinking Images
title_full_unstemmed Filming Concepts, Thinking Images
title_sort Filming Concepts, Thinking Images
author Baldi, Vania
author_facet Baldi, Vania
Conceição, Nélio
author_role author
author2 Conceição, Nélio
author2_role author
dc.contributor.none.fl_str_mv Instituto de Filosofia da NOVA (IFILNOVA)
RUN
dc.contributor.author.fl_str_mv Baldi, Vania
Conceição, Nélio
dc.subject.por.fl_str_mv Disruption
Film
Montage
Philosophy
Speculative short circuit
Wonder
Cultural Studies
Social Sciences (miscellaneous)
Philosophy
topic Disruption
Film
Montage
Philosophy
Speculative short circuit
Wonder
Cultural Studies
Social Sciences (miscellaneous)
Philosophy
description DL 57/2016/CP1453/CT0040 UIDB/00183/2020 UIDP/00183/2020
publishDate 2022
dc.date.none.fl_str_mv 2022-11-28T22:16:10Z
2022-10-31
2022-10-31T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/145865
url http://hdl.handle.net/10362/145865
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2544-302X
PURE: 47961788
https://doi.org/10.14394/eidos.jpc.2022.0017
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