Graffiti, migrant women, intersectionality: artistic experiences in Portugal
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , , , |
Tipo de documento: | Livro |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/148536 |
Resumo: | The latest world events have impacted the socioeconomic and artistic life of migrants (pandemic, wars and climate change). The feminization of migration has caused a change in the profile of migrant women. These migrant women have been suffering countless experiences that denounce iniquities, some expressed through graffiti art. Objective: To analyze the artistic experiences, resistance to differences and oppression of gender, social class, race and nationality, experienced by a female graffiti artist migrant in the context of COVID-19 in Portugal. Method: Study carried out through action research, netnography and oral history, in dialogue with some concepts: Coloniality, Decoloniality, Intersectionality, Migration, Art. Results: The artist's individual work is present on the walls of Lisbon, portraying peoples in diasporas in different contexts, through aesthetics that reveal Angolan matrices, gender oppression, social class, race and nationality; The artist's collective work has interfaces with social, political and cultural dimensions; During the pandemic, the artist reinvented herself to survive. Conclusion: The artist's work is inserted in the globalized world, where nationality has no borders, bringing to light the colonial discourse that hierarchies society in race, gender and nationality, reverberating power relations, oppression, intersectionality in an aesthetic and political way. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Graffiti, migrant women, intersectionality: artistic experiences in PortugalThe latest world events have impacted the socioeconomic and artistic life of migrants (pandemic, wars and climate change). The feminization of migration has caused a change in the profile of migrant women. These migrant women have been suffering countless experiences that denounce iniquities, some expressed through graffiti art. Objective: To analyze the artistic experiences, resistance to differences and oppression of gender, social class, race and nationality, experienced by a female graffiti artist migrant in the context of COVID-19 in Portugal. Method: Study carried out through action research, netnography and oral history, in dialogue with some concepts: Coloniality, Decoloniality, Intersectionality, Migration, Art. Results: The artist's individual work is present on the walls of Lisbon, portraying peoples in diasporas in different contexts, through aesthetics that reveal Angolan matrices, gender oppression, social class, race and nationality; The artist's collective work has interfaces with social, political and cultural dimensions; During the pandemic, the artist reinvented herself to survive. Conclusion: The artist's work is inserted in the globalized world, where nationality has no borders, bringing to light the colonial discourse that hierarchies society in race, gender and nationality, reverberating power relations, oppression, intersectionality in an aesthetic and political way.20232023-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://hdl.handle.net/10216/148536por10.54808/IMCIC2023.01.201Hoefel, Maria da Graça LuderitzVieira, Maria Edna MouraHopf, Simone AlvesFreire Filha, Lindomar GuedesGuerra, Paulainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:04:46Zoai:repositorio-aberto.up.pt:10216/148536Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:54:11.115474Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Graffiti, migrant women, intersectionality: artistic experiences in Portugal |
title |
Graffiti, migrant women, intersectionality: artistic experiences in Portugal |
spellingShingle |
Graffiti, migrant women, intersectionality: artistic experiences in Portugal Hoefel, Maria da Graça Luderitz |
title_short |
Graffiti, migrant women, intersectionality: artistic experiences in Portugal |
title_full |
Graffiti, migrant women, intersectionality: artistic experiences in Portugal |
title_fullStr |
Graffiti, migrant women, intersectionality: artistic experiences in Portugal |
title_full_unstemmed |
Graffiti, migrant women, intersectionality: artistic experiences in Portugal |
title_sort |
Graffiti, migrant women, intersectionality: artistic experiences in Portugal |
author |
Hoefel, Maria da Graça Luderitz |
author_facet |
Hoefel, Maria da Graça Luderitz Vieira, Maria Edna Moura Hopf, Simone Alves Freire Filha, Lindomar Guedes Guerra, Paula |
author_role |
author |
author2 |
Vieira, Maria Edna Moura Hopf, Simone Alves Freire Filha, Lindomar Guedes Guerra, Paula |
author2_role |
author author author author |
dc.contributor.author.fl_str_mv |
Hoefel, Maria da Graça Luderitz Vieira, Maria Edna Moura Hopf, Simone Alves Freire Filha, Lindomar Guedes Guerra, Paula |
description |
The latest world events have impacted the socioeconomic and artistic life of migrants (pandemic, wars and climate change). The feminization of migration has caused a change in the profile of migrant women. These migrant women have been suffering countless experiences that denounce iniquities, some expressed through graffiti art. Objective: To analyze the artistic experiences, resistance to differences and oppression of gender, social class, race and nationality, experienced by a female graffiti artist migrant in the context of COVID-19 in Portugal. Method: Study carried out through action research, netnography and oral history, in dialogue with some concepts: Coloniality, Decoloniality, Intersectionality, Migration, Art. Results: The artist's individual work is present on the walls of Lisbon, portraying peoples in diasporas in different contexts, through aesthetics that reveal Angolan matrices, gender oppression, social class, race and nationality; The artist's collective work has interfaces with social, political and cultural dimensions; During the pandemic, the artist reinvented herself to survive. Conclusion: The artist's work is inserted in the globalized world, where nationality has no borders, bringing to light the colonial discourse that hierarchies society in race, gender and nationality, reverberating power relations, oppression, intersectionality in an aesthetic and political way. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023 2023-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/book |
format |
book |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/148536 |
url |
https://hdl.handle.net/10216/148536 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
10.54808/IMCIC2023.01.201 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799135862133358592 |