Ways of seeing architecture and landscape in the voids of presence: The case of a health resort on the Adriatic coast of Croatia
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.24840/2183-8976_2023-0008_0001_6 |
Resumo: | The article examines the multi-layered roles of photography and film in “cultural translation,” representing architecture and landscape as a mediated place of conflicting visions, meanings and experiences. Taking the concept of the “production of space” as a starting point, it aims to contextualise the mediatory practices of photography and film by means of analysing the case study of a multifunctional building – the Krvavica Children’s Health Resort – designed in the 1960s by Rikard Marasović on the Adriatic coast of Croatia (formerly Yugoslavia). Focusing on an analysis of three paradigmatic examples of visual practices, the photographic series by Wolfgang Thaler (2011), the episode Mysterious Object in the Pine Forest filmed as part of the documentary series Slumbering Concrete (2016), and the experimental film A Record of Landscape without Prehistory by the artistic duo Doplgenger (2020), the article explores how photography and film communicate quality, in particular how mediated representations (re)create current interpretation and understanding of the intertwined heritage of modern architecture and landscape. Examining aspects of recording the site from different perspectives, a series of questions arise when addressing the issue of space, focused on its role in reshaping meanings, memories, emotions and experiences, narrating not only what architecture and landscape are but also what they could become and how they might be constituted in the context of different cultural identities. |
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Ways of seeing architecture and landscape in the voids of presence: The case of a health resort on the Adriatic coast of Croatiamediatisationarchitecturephotographyfilmsocialist modernismThe article examines the multi-layered roles of photography and film in “cultural translation,” representing architecture and landscape as a mediated place of conflicting visions, meanings and experiences. Taking the concept of the “production of space” as a starting point, it aims to contextualise the mediatory practices of photography and film by means of analysing the case study of a multifunctional building – the Krvavica Children’s Health Resort – designed in the 1960s by Rikard Marasović on the Adriatic coast of Croatia (formerly Yugoslavia). Focusing on an analysis of three paradigmatic examples of visual practices, the photographic series by Wolfgang Thaler (2011), the episode Mysterious Object in the Pine Forest filmed as part of the documentary series Slumbering Concrete (2016), and the experimental film A Record of Landscape without Prehistory by the artistic duo Doplgenger (2020), the article explores how photography and film communicate quality, in particular how mediated representations (re)create current interpretation and understanding of the intertwined heritage of modern architecture and landscape. Examining aspects of recording the site from different perspectives, a series of questions arise when addressing the issue of space, focused on its role in reshaping meanings, memories, emotions and experiences, narrating not only what architecture and landscape are but also what they could become and how they might be constituted in the context of different cultural identities.CITYSCOPIO, CULTURAL ASSOCIATION2023-12-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.24840/2183-8976_2023-0008_0001_6https://doi.org/10.24840/2183-8976_2023-0008_0001_6Sophia Journal ; Vol. 8 No. 1 (2023): Landscapes of care: photography, film, modern architecture and landscape heritage; 41-59Sophia Journal ; Vol. 8 N.º 1 (2023): Landscapes of care: photography, film, modern architecture and landscape heritage; 41-592183-94682183-897610.24840/2183-8976_2023-0008_0001reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://www.up.pt/revistas/index.php/sophia/article/view/860https://www.up.pt/revistas/index.php/sophia/article/view/860/468Copyright (c) 2023 Jasna Galjerinfo:eu-repo/semantics/openAccessGaljer, Jasna2024-01-27T05:13:47Zoai:www.up.pt/revistas:article/860Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:58:04.393825Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Ways of seeing architecture and landscape in the voids of presence: The case of a health resort on the Adriatic coast of Croatia |
title |
Ways of seeing architecture and landscape in the voids of presence: The case of a health resort on the Adriatic coast of Croatia |
spellingShingle |
Ways of seeing architecture and landscape in the voids of presence: The case of a health resort on the Adriatic coast of Croatia Galjer, Jasna mediatisation architecture photography film socialist modernism |
title_short |
Ways of seeing architecture and landscape in the voids of presence: The case of a health resort on the Adriatic coast of Croatia |
title_full |
Ways of seeing architecture and landscape in the voids of presence: The case of a health resort on the Adriatic coast of Croatia |
title_fullStr |
Ways of seeing architecture and landscape in the voids of presence: The case of a health resort on the Adriatic coast of Croatia |
title_full_unstemmed |
Ways of seeing architecture and landscape in the voids of presence: The case of a health resort on the Adriatic coast of Croatia |
title_sort |
Ways of seeing architecture and landscape in the voids of presence: The case of a health resort on the Adriatic coast of Croatia |
author |
Galjer, Jasna |
author_facet |
Galjer, Jasna |
author_role |
author |
dc.contributor.author.fl_str_mv |
Galjer, Jasna |
dc.subject.por.fl_str_mv |
mediatisation architecture photography film socialist modernism |
topic |
mediatisation architecture photography film socialist modernism |
description |
The article examines the multi-layered roles of photography and film in “cultural translation,” representing architecture and landscape as a mediated place of conflicting visions, meanings and experiences. Taking the concept of the “production of space” as a starting point, it aims to contextualise the mediatory practices of photography and film by means of analysing the case study of a multifunctional building – the Krvavica Children’s Health Resort – designed in the 1960s by Rikard Marasović on the Adriatic coast of Croatia (formerly Yugoslavia). Focusing on an analysis of three paradigmatic examples of visual practices, the photographic series by Wolfgang Thaler (2011), the episode Mysterious Object in the Pine Forest filmed as part of the documentary series Slumbering Concrete (2016), and the experimental film A Record of Landscape without Prehistory by the artistic duo Doplgenger (2020), the article explores how photography and film communicate quality, in particular how mediated representations (re)create current interpretation and understanding of the intertwined heritage of modern architecture and landscape. Examining aspects of recording the site from different perspectives, a series of questions arise when addressing the issue of space, focused on its role in reshaping meanings, memories, emotions and experiences, narrating not only what architecture and landscape are but also what they could become and how they might be constituted in the context of different cultural identities. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-31 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.24840/2183-8976_2023-0008_0001_6 https://doi.org/10.24840/2183-8976_2023-0008_0001_6 |
url |
https://doi.org/10.24840/2183-8976_2023-0008_0001_6 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://www.up.pt/revistas/index.php/sophia/article/view/860 https://www.up.pt/revistas/index.php/sophia/article/view/860/468 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Jasna Galjer info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Jasna Galjer |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
CITYSCOPIO, CULTURAL ASSOCIATION |
publisher.none.fl_str_mv |
CITYSCOPIO, CULTURAL ASSOCIATION |
dc.source.none.fl_str_mv |
Sophia Journal ; Vol. 8 No. 1 (2023): Landscapes of care: photography, film, modern architecture and landscape heritage; 41-59 Sophia Journal ; Vol. 8 N.º 1 (2023): Landscapes of care: photography, film, modern architecture and landscape heritage; 41-59 2183-9468 2183-8976 10.24840/2183-8976_2023-0008_0001 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799137066164944896 |