“A formosa maquina do Ceo e da terra”: the 1719 Corpus Domini procession and the role of the architects Filippo Juvarra and João Frederico Ludovice
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.48751/CAM-2014-1305 |
Resumo: | In 8th June, 1719, Lisbon city was transformed in a holy space, where all Portuguese society, by hierarchic order, venerated the holy Eucharist during the Corpus Domini procession. Traditionally this historical fact was interpreted as evidence of king John V’s devotion, but it was much more. The new aesthetic organization of Corpus Domini’s procession represented, through the arts, the power of portuguese monarchy towards the Holy See and the other european royal crowns and it reflected the dynamic historical context of second and third decades of Eighteen century. The ephemeral architectures built for occasion have been traditionally attributed to the German architect João Frederico Ludovice. The essay problematizes this attribution, focusing on the Filippo Juvarra’s role, the italian architect who has been invited by the portuguese king to project the new royal palace, patriarchal basilica and palace and he was active in Lisbon between January and July 1719. |
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“A formosa maquina do Ceo e da terra”: the 1719 Corpus Domini procession and the role of the architects Filippo Juvarra and João Frederico Ludovice“A formosa maquina do Ceo e da terra”: a procissão do Corpus Domini de 1719 e o papel dos arquitetos Filippo Juvarra e João Frederico LudoviceCorpus DominiJuvarraLudoviceD. João VCorpus DominiJuvarraLudoviceKing John VIn 8th June, 1719, Lisbon city was transformed in a holy space, where all Portuguese society, by hierarchic order, venerated the holy Eucharist during the Corpus Domini procession. Traditionally this historical fact was interpreted as evidence of king John V’s devotion, but it was much more. The new aesthetic organization of Corpus Domini’s procession represented, through the arts, the power of portuguese monarchy towards the Holy See and the other european royal crowns and it reflected the dynamic historical context of second and third decades of Eighteen century. The ephemeral architectures built for occasion have been traditionally attributed to the German architect João Frederico Ludovice. The essay problematizes this attribution, focusing on the Filippo Juvarra’s role, the italian architect who has been invited by the portuguese king to project the new royal palace, patriarchal basilica and palace and he was active in Lisbon between January and July 1719. No dia 8 de junho de 1719, a cidade de Lisboa foi transformada num espaço sagrado onde a totalidade da sociedade portuguesa, ordenada hierarquicamente, obsequiou o Santíssimo Sacramento. Este evento, tradicionalmente interpretado como testemunha da devoção de D. João V, insere-se num contexto político mais complexo capaz de visualizar, através das artes, o poder de D. João V e da monarquia lusitana face à Santa Sé e às outras Coroas europeias. As arquiteturas efémeras construídas nesta ocasião são tradicionalmente atribuídas ao arquiteto de origem alemã João Frederico Ludovice. Este ensaio problematiza a questão, focando-se sobre o papel de Filippo Juvarra, arquiteto italiano convidado pelo rei D. João V, responsável pelo projeto do novo palácio real, igreja e palácio patriarcais e ativo em Lisboa entre janeiro e julho de 1719.Câmara Municipal de Lisboa2014-06-27info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48751/CAM-2014-1305https://doi.org/10.48751/CAM-2014-1305Cadernos do Arquivo Municipal; No. 1 (2014): Joanine Lisbon (1700-1755); 107-129Cadernos do Arquivo Municipal; Núm. 1 (2014): Lisboa Joanine (1700-1755); 107-129Cadernos do Arquivo Municipal; No 1 (2014): Lisbonne Joanine (1700-1755); 107-129Cadernos do Arquivo Municipal; N.º 1 (2014): Lisboa joanina (1700-1755); 107-1292183-3176reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/305https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/305/260Direitos de Autor (c) 2014 Giuseppina Raggiinfo:eu-repo/semantics/openAccessRaggi, Giuseppina2023-05-27T08:30:31Zoai:ojscadernosarquivo.cm-lisboa.pt:article/305Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T17:56:27.226577Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
“A formosa maquina do Ceo e da terra”: the 1719 Corpus Domini procession and the role of the architects Filippo Juvarra and João Frederico Ludovice “A formosa maquina do Ceo e da terra”: a procissão do Corpus Domini de 1719 e o papel dos arquitetos Filippo Juvarra e João Frederico Ludovice |
title |
“A formosa maquina do Ceo e da terra”: the 1719 Corpus Domini procession and the role of the architects Filippo Juvarra and João Frederico Ludovice |
spellingShingle |
“A formosa maquina do Ceo e da terra”: the 1719 Corpus Domini procession and the role of the architects Filippo Juvarra and João Frederico Ludovice Raggi, Giuseppina Corpus Domini Juvarra Ludovice D. João V Corpus Domini Juvarra Ludovice King John V |
title_short |
“A formosa maquina do Ceo e da terra”: the 1719 Corpus Domini procession and the role of the architects Filippo Juvarra and João Frederico Ludovice |
title_full |
“A formosa maquina do Ceo e da terra”: the 1719 Corpus Domini procession and the role of the architects Filippo Juvarra and João Frederico Ludovice |
title_fullStr |
“A formosa maquina do Ceo e da terra”: the 1719 Corpus Domini procession and the role of the architects Filippo Juvarra and João Frederico Ludovice |
title_full_unstemmed |
“A formosa maquina do Ceo e da terra”: the 1719 Corpus Domini procession and the role of the architects Filippo Juvarra and João Frederico Ludovice |
title_sort |
“A formosa maquina do Ceo e da terra”: the 1719 Corpus Domini procession and the role of the architects Filippo Juvarra and João Frederico Ludovice |
author |
Raggi, Giuseppina |
author_facet |
Raggi, Giuseppina |
author_role |
author |
dc.contributor.author.fl_str_mv |
Raggi, Giuseppina |
dc.subject.por.fl_str_mv |
Corpus Domini Juvarra Ludovice D. João V Corpus Domini Juvarra Ludovice King John V |
topic |
Corpus Domini Juvarra Ludovice D. João V Corpus Domini Juvarra Ludovice King John V |
description |
In 8th June, 1719, Lisbon city was transformed in a holy space, where all Portuguese society, by hierarchic order, venerated the holy Eucharist during the Corpus Domini procession. Traditionally this historical fact was interpreted as evidence of king John V’s devotion, but it was much more. The new aesthetic organization of Corpus Domini’s procession represented, through the arts, the power of portuguese monarchy towards the Holy See and the other european royal crowns and it reflected the dynamic historical context of second and third decades of Eighteen century. The ephemeral architectures built for occasion have been traditionally attributed to the German architect João Frederico Ludovice. The essay problematizes this attribution, focusing on the Filippo Juvarra’s role, the italian architect who has been invited by the portuguese king to project the new royal palace, patriarchal basilica and palace and he was active in Lisbon between January and July 1719. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-06-27 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.48751/CAM-2014-1305 https://doi.org/10.48751/CAM-2014-1305 |
url |
https://doi.org/10.48751/CAM-2014-1305 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/305 https://cadernosarquivo.cm-lisboa.pt/index.php/am/article/view/305/260 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2014 Giuseppina Raggi info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2014 Giuseppina Raggi |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Câmara Municipal de Lisboa |
publisher.none.fl_str_mv |
Câmara Municipal de Lisboa |
dc.source.none.fl_str_mv |
Cadernos do Arquivo Municipal; No. 1 (2014): Joanine Lisbon (1700-1755); 107-129 Cadernos do Arquivo Municipal; Núm. 1 (2014): Lisboa Joanine (1700-1755); 107-129 Cadernos do Arquivo Municipal; No 1 (2014): Lisbonne Joanine (1700-1755); 107-129 Cadernos do Arquivo Municipal; N.º 1 (2014): Lisboa joanina (1700-1755); 107-129 2183-3176 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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