A POETICS OF HUMAN TENSIONS: The case of the Acting Methodology of director Ciro Zorzoli in the context of the Buenos Aires Postdramatic Theatre

Detalhes bibliográficos
Autor(a) principal: Ondarts, Guido
Data de Publicação: 2022
Outros Autores: Mauro, Karina
Tipo de documento: Artigo
Idioma: spa
eng
por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.37334/eras.v14i3.270
Resumo: The following investigation article analyses the acting methodology used by the marplatense director Ciro Zorzoli so much for his acting classes like in the direction of his plays, in the cultural context known as Argentinian Postdramatic Theatre (period spanning from 1990 to the present). To achieve this goal, we analyze in the first section the relevance of the application of the category Postdramatic Theatre to the porteño theatrical field –coined by the German theorist Hans-Thies Lehmann in the year 1999-, taking into account the scope and the limitations of it. In a second section we will review the trajectory on the porteño theatrical field of the theatre director Ciro Zorzoli, and the main features of its conception of what stage performance is. In the third section we will analyze the paradigmatic case of the play Estado de Ira, to observe how it is reflected his acting methodology in a concrete example. The last section it will be the conclusion of the investigation, which will try to reveal us the assertiveness or not of the initial hypothesis.
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spelling A POETICS OF HUMAN TENSIONS: The case of the Acting Methodology of director Ciro Zorzoli in the context of the Buenos Aires Postdramatic TheatreUNA POÉTICA DE LAS TENSIONES HUMANAS: el caso de la metodología de actuación del director Ciro Zorzoli en el contexto del Teatro Posdramático PorteñoTeatro PosdramáticoEspacialidadTensionesCiro ZorzoliBuenos AiresTeatro Pós-dramáticoEspacialidadeTensõesCiro ZorzoliBuenos AiresPostdramatic TheatreSpatialityTensionsCiro ZorzoliBuenos AiresThe following investigation article analyses the acting methodology used by the marplatense director Ciro Zorzoli so much for his acting classes like in the direction of his plays, in the cultural context known as Argentinian Postdramatic Theatre (period spanning from 1990 to the present). To achieve this goal, we analyze in the first section the relevance of the application of the category Postdramatic Theatre to the porteño theatrical field –coined by the German theorist Hans-Thies Lehmann in the year 1999-, taking into account the scope and the limitations of it. In a second section we will review the trajectory on the porteño theatrical field of the theatre director Ciro Zorzoli, and the main features of its conception of what stage performance is. In the third section we will analyze the paradigmatic case of the play Estado de Ira, to observe how it is reflected his acting methodology in a concrete example. The last section it will be the conclusion of the investigation, which will try to reveal us the assertiveness or not of the initial hypothesis.El siguiente artículo investigación analiza la metodología de actuación utilizada por el director marplatense Ciro Zorzoli tanto para el dictado de sus talleres de actuación como en la dirección de sus obras, en el contexto cultural de lo que se conoce como teatro posdramático argentino (período que abarca desde el año 1990 hasta la actualidad). Para lograr este objetivo, analizaremos en la primera sección la pertinencia de la aplicación de la categoría de Teatro Posdramático acuñada por el teórico alemán Hans-Thies Lehmann en el año 1999-, al campo teatral porteño, teniendo en cuenta los alcances y limitaciones de la misma. En una segunda sección repasaremos la trayectoria en el campo teatral porteño del director de teatro Ciro Zorzoli, y las principales características de su concepción de lo que es la actuación escénica. En la tercera sección analizaremos el caso paradigmático de la obra Estado de Ira, para observar cómo se ve reflejada su metodología de actuación en un ejemplo concreto. La última sección será la conclusión de la investigación, la cual intentará revelarnos la asertividad o no de la hipótesis inicial.O artigo de investigação seguinte analisa a metodologia de representação utilizada pelo realizador de Mar del Plata Ciro Zorzoli, tanto nas suas oficinas de representação como na direcção das suas peças, no contexto cultural do que é conhecido como teatro pós-dramático argentino (período de 1990 até ao presente). Para atingir este objectivo, analisaremos na primeira secção a relevância da aplicação da categoria de Teatro Pós-dramático - cunhado pelo teórico alemão Hans-Thies Lehmann em 1999 - ao campo teatral de Buenos Aires, tendo em conta o seu alcance e limitações. Na segunda secção, iremos rever a trajectória do realizador de teatro Ciro Zorzoli no campo do teatro de Buenos Aires, e as principais características da sua concepção de encenação. Na terceira secção vamos analisar o caso paradigmático da peça Estado de Ira, a fim de observar como a sua metodologia de actuação se reflecte num exemplo concreto. A última secção será a conclusão da investigação, que tentará revelar a assertividade ou não da hipótese inicial.MUNDIS2022-09-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/pdfapplication/pdfhttps://doi.org/10.37334/eras.v14i3.270https://doi.org/10.37334/eras.v14i3.270ERAS | European Review of Artistic Studies; Vol. 13 N.º 3 (2022): 50.ª Edição | ERAS; 56-78ERAS | European Review of Artistic Studies; Vol. 13 No. 3 (2022): 50.ª Edição | ERAS; 56-781647-35582184-2116reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPspaengporhttps://eras.mundis.pt/index.php/eras/article/view/270https://eras.mundis.pt/index.php/eras/article/view/270/228https://eras.mundis.pt/index.php/eras/article/view/270/240https://eras.mundis.pt/index.php/eras/article/view/270/241Direitos de Autor (c) 2023 ERAS | European Review of Artistic Studiesinfo:eu-repo/semantics/openAccessOndarts, GuidoMauro, Karina2023-08-25T12:45:21Zoai:ojs2.eras.mundis.pt:article/270Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:48:08.208246Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv A POETICS OF HUMAN TENSIONS: The case of the Acting Methodology of director Ciro Zorzoli in the context of the Buenos Aires Postdramatic Theatre
UNA POÉTICA DE LAS TENSIONES HUMANAS: el caso de la metodología de actuación del director Ciro Zorzoli en el contexto del Teatro Posdramático Porteño
title A POETICS OF HUMAN TENSIONS: The case of the Acting Methodology of director Ciro Zorzoli in the context of the Buenos Aires Postdramatic Theatre
spellingShingle A POETICS OF HUMAN TENSIONS: The case of the Acting Methodology of director Ciro Zorzoli in the context of the Buenos Aires Postdramatic Theatre
Ondarts, Guido
Teatro Posdramático
Espacialidad
Tensiones
Ciro Zorzoli
Buenos Aires
Teatro Pós-dramático
Espacialidade
Tensões
Ciro Zorzoli
Buenos Aires
Postdramatic Theatre
Spatiality
Tensions
Ciro Zorzoli
Buenos Aires
title_short A POETICS OF HUMAN TENSIONS: The case of the Acting Methodology of director Ciro Zorzoli in the context of the Buenos Aires Postdramatic Theatre
title_full A POETICS OF HUMAN TENSIONS: The case of the Acting Methodology of director Ciro Zorzoli in the context of the Buenos Aires Postdramatic Theatre
title_fullStr A POETICS OF HUMAN TENSIONS: The case of the Acting Methodology of director Ciro Zorzoli in the context of the Buenos Aires Postdramatic Theatre
title_full_unstemmed A POETICS OF HUMAN TENSIONS: The case of the Acting Methodology of director Ciro Zorzoli in the context of the Buenos Aires Postdramatic Theatre
title_sort A POETICS OF HUMAN TENSIONS: The case of the Acting Methodology of director Ciro Zorzoli in the context of the Buenos Aires Postdramatic Theatre
author Ondarts, Guido
author_facet Ondarts, Guido
Mauro, Karina
author_role author
author2 Mauro, Karina
author2_role author
dc.contributor.author.fl_str_mv Ondarts, Guido
Mauro, Karina
dc.subject.por.fl_str_mv Teatro Posdramático
Espacialidad
Tensiones
Ciro Zorzoli
Buenos Aires
Teatro Pós-dramático
Espacialidade
Tensões
Ciro Zorzoli
Buenos Aires
Postdramatic Theatre
Spatiality
Tensions
Ciro Zorzoli
Buenos Aires
topic Teatro Posdramático
Espacialidad
Tensiones
Ciro Zorzoli
Buenos Aires
Teatro Pós-dramático
Espacialidade
Tensões
Ciro Zorzoli
Buenos Aires
Postdramatic Theatre
Spatiality
Tensions
Ciro Zorzoli
Buenos Aires
description The following investigation article analyses the acting methodology used by the marplatense director Ciro Zorzoli so much for his acting classes like in the direction of his plays, in the cultural context known as Argentinian Postdramatic Theatre (period spanning from 1990 to the present). To achieve this goal, we analyze in the first section the relevance of the application of the category Postdramatic Theatre to the porteño theatrical field –coined by the German theorist Hans-Thies Lehmann in the year 1999-, taking into account the scope and the limitations of it. In a second section we will review the trajectory on the porteño theatrical field of the theatre director Ciro Zorzoli, and the main features of its conception of what stage performance is. In the third section we will analyze the paradigmatic case of the play Estado de Ira, to observe how it is reflected his acting methodology in a concrete example. The last section it will be the conclusion of the investigation, which will try to reveal us the assertiveness or not of the initial hypothesis.
publishDate 2022
dc.date.none.fl_str_mv 2022-09-30
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.37334/eras.v14i3.270
https://doi.org/10.37334/eras.v14i3.270
url https://doi.org/10.37334/eras.v14i3.270
dc.language.iso.fl_str_mv spa
eng
por
language spa
eng
por
dc.relation.none.fl_str_mv https://eras.mundis.pt/index.php/eras/article/view/270
https://eras.mundis.pt/index.php/eras/article/view/270/228
https://eras.mundis.pt/index.php/eras/article/view/270/240
https://eras.mundis.pt/index.php/eras/article/view/270/241
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2023 ERAS | European Review of Artistic Studies
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2023 ERAS | European Review of Artistic Studies
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
application/pdf
dc.publisher.none.fl_str_mv MUNDIS
publisher.none.fl_str_mv MUNDIS
dc.source.none.fl_str_mv ERAS | European Review of Artistic Studies; Vol. 13 N.º 3 (2022): 50.ª Edição | ERAS; 56-78
ERAS | European Review of Artistic Studies; Vol. 13 No. 3 (2022): 50.ª Edição | ERAS; 56-78
1647-3558
2184-2116
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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