Daphne the Cat: Reimagining human–animal boundaries on Facebook
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10451/43489 |
Resumo: | How are companion animals, and cats in particular, built as Otherness, on social media? And how are human–animal boundaries reconfigured along the flow of online digital interactions? This article tries to answer these questions drawing on the story of female cat Daphne, as reported on the official Facebook page of a Portuguese animal shelter. Based on both narrative analysis and categorical content analysis of the posts and comments around the story, the article discusses the social construction of nonhuman animals, bringing together concepts from human–animal studies, science and technology studies, and media studies. It argues that, through digital practices on social media, animals are done and undone. Two emergent and conflicting versions of the same animal, Daphne, are constructed throughout the unstable and contingent flow of digital exchanges: the-animal-victim and the-animal-maladjusted. As such, digital practices become also animal practices, contributing to normative definitions of what an animal ‘is’. As a result, human–animal boundaries are reinstalled and reinforced, and the animals themselves become, once more and paradoxically, invisible. |
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7160 |
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Daphne the Cat: Reimagining human–animal boundaries on FacebookAnimal practicesCatsCompanion animalsDigital practicesFacebookPetsHow are companion animals, and cats in particular, built as Otherness, on social media? And how are human–animal boundaries reconfigured along the flow of online digital interactions? This article tries to answer these questions drawing on the story of female cat Daphne, as reported on the official Facebook page of a Portuguese animal shelter. Based on both narrative analysis and categorical content analysis of the posts and comments around the story, the article discusses the social construction of nonhuman animals, bringing together concepts from human–animal studies, science and technology studies, and media studies. It argues that, through digital practices on social media, animals are done and undone. Two emergent and conflicting versions of the same animal, Daphne, are constructed throughout the unstable and contingent flow of digital exchanges: the-animal-victim and the-animal-maladjusted. As such, digital practices become also animal practices, contributing to normative definitions of what an animal ‘is’. As a result, human–animal boundaries are reinstalled and reinforced, and the animals themselves become, once more and paradoxically, invisible.SAGE PublicationsRepositório da Universidade de LisboaPolicarpo, Verónica2020-05-05T13:30:22Z20202020-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10451/43489engAccepted version of: Policarpo, V. (2020). Daphne the Cat: Reimagining human–animal boundaries on Facebook. The Sociological Review, 68(6), 1290-1306. https://doi.org/10.1177/00380261209181670038-026110.1177/0038026120918167info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:44:00Zoai:repositorio.ul.pt:10451/43489Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:56:17.079938Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Daphne the Cat: Reimagining human–animal boundaries on Facebook |
title |
Daphne the Cat: Reimagining human–animal boundaries on Facebook |
spellingShingle |
Daphne the Cat: Reimagining human–animal boundaries on Facebook Policarpo, Verónica Animal practices Cats Companion animals Digital practices Pets |
title_short |
Daphne the Cat: Reimagining human–animal boundaries on Facebook |
title_full |
Daphne the Cat: Reimagining human–animal boundaries on Facebook |
title_fullStr |
Daphne the Cat: Reimagining human–animal boundaries on Facebook |
title_full_unstemmed |
Daphne the Cat: Reimagining human–animal boundaries on Facebook |
title_sort |
Daphne the Cat: Reimagining human–animal boundaries on Facebook |
author |
Policarpo, Verónica |
author_facet |
Policarpo, Verónica |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório da Universidade de Lisboa |
dc.contributor.author.fl_str_mv |
Policarpo, Verónica |
dc.subject.por.fl_str_mv |
Animal practices Cats Companion animals Digital practices Pets |
topic |
Animal practices Cats Companion animals Digital practices Pets |
description |
How are companion animals, and cats in particular, built as Otherness, on social media? And how are human–animal boundaries reconfigured along the flow of online digital interactions? This article tries to answer these questions drawing on the story of female cat Daphne, as reported on the official Facebook page of a Portuguese animal shelter. Based on both narrative analysis and categorical content analysis of the posts and comments around the story, the article discusses the social construction of nonhuman animals, bringing together concepts from human–animal studies, science and technology studies, and media studies. It argues that, through digital practices on social media, animals are done and undone. Two emergent and conflicting versions of the same animal, Daphne, are constructed throughout the unstable and contingent flow of digital exchanges: the-animal-victim and the-animal-maladjusted. As such, digital practices become also animal practices, contributing to normative definitions of what an animal ‘is’. As a result, human–animal boundaries are reinstalled and reinforced, and the animals themselves become, once more and paradoxically, invisible. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-05-05T13:30:22Z 2020 2020-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10451/43489 |
url |
http://hdl.handle.net/10451/43489 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
Accepted version of: Policarpo, V. (2020). Daphne the Cat: Reimagining human–animal boundaries on Facebook. The Sociological Review, 68(6), 1290-1306. https://doi.org/10.1177/0038026120918167 0038-0261 10.1177/0038026120918167 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
SAGE Publications |
publisher.none.fl_str_mv |
SAGE Publications |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799134504891187200 |