Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festival
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | , , , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.17645/up.v5i2.2940 |
Resumo: | This article proposes an original approach to urban events mapping. At the theoretical level, the article is based on rhythmanalysis and recent research on urban rhythms. It contrasts with previous research by departing from everyday rhythms to tackle the specific rhythms of urban events. Drawing on this theoretical framework, the article proposes to analyse the rhythms of the Montreux Jazz Festival. The article proposes two main types of rhythmic scales, linked with the historical development of the Festival and its annual performance. The methodology is based on a mixed method of data collection and an original analysis framework. The analysis of the historical rhythm is carried out based on the analysis of the festival archives and interviews with experts. The analysis uses the Time Machine visualisation device that reveals three processes of urban resonance: the spread, which shows how the festival is integrated into the existing urban fabric; the openness, which shows accessibility; and the grip, which seeks to evaluate the urban sphere of influence of the event. These different visualisations are enriched by the addition of other data, including ticket scanning and commercial transactions that show the alternance between high and low-intensity periods. These allowed us to not only confirm the impact of programming on flows, but also the effects of the wider organisation of the leisure system. The results of the analysis show that the intertwining of the two rhythmic scales produces a hyper-place that resonates both internationally and locally. |
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Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festivaleventful city; GIS; hyper-place; mobility; Montreux Jazz Festival; rhythmanalysis; rhythmic scales; Time Machine; visualisationThis article proposes an original approach to urban events mapping. At the theoretical level, the article is based on rhythmanalysis and recent research on urban rhythms. It contrasts with previous research by departing from everyday rhythms to tackle the specific rhythms of urban events. Drawing on this theoretical framework, the article proposes to analyse the rhythms of the Montreux Jazz Festival. The article proposes two main types of rhythmic scales, linked with the historical development of the Festival and its annual performance. The methodology is based on a mixed method of data collection and an original analysis framework. The analysis of the historical rhythm is carried out based on the analysis of the festival archives and interviews with experts. The analysis uses the Time Machine visualisation device that reveals three processes of urban resonance: the spread, which shows how the festival is integrated into the existing urban fabric; the openness, which shows accessibility; and the grip, which seeks to evaluate the urban sphere of influence of the event. These different visualisations are enriched by the addition of other data, including ticket scanning and commercial transactions that show the alternance between high and low-intensity periods. These allowed us to not only confirm the impact of programming on flows, but also the effects of the wider organisation of the leisure system. The results of the analysis show that the intertwining of the two rhythmic scales produces a hyper-place that resonates both internationally and locally.Cogitatio2020-06-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.17645/up.v5i2.2940oai:ojs.cogitatiopress.com:article/2940Urban Planning; Vol 5, No 2 (2020): Territories in Time: Mapping Palimpsest Horizons; 280-2952183-7635reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://www.cogitatiopress.com/urbanplanning/article/view/2940https://doi.org/10.17645/up.v5i2.2940https://www.cogitatiopress.com/urbanplanning/article/view/2940/2940Copyright (c) 2020 Guillaume Drevon, Luca Pattaroni, Lucien Delley, Fabien Jacot-Descombes, Nils Hamelhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDrevon, GuillaumePattaroni, LucaDelley, LucienJacot-Descombes, FabienHamel, Nils2022-12-20T11:00:16Zoai:ojs.cogitatiopress.com:article/2940Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:22:08.500364Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festival |
title |
Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festival |
spellingShingle |
Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festival Drevon, Guillaume eventful city; GIS; hyper-place; mobility; Montreux Jazz Festival; rhythmanalysis; rhythmic scales; Time Machine; visualisation |
title_short |
Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festival |
title_full |
Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festival |
title_fullStr |
Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festival |
title_full_unstemmed |
Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festival |
title_sort |
Rhythmanalysis of Urban Events: Empirical Elements from the Montreux Jazz Festival |
author |
Drevon, Guillaume |
author_facet |
Drevon, Guillaume Pattaroni, Luca Delley, Lucien Jacot-Descombes, Fabien Hamel, Nils |
author_role |
author |
author2 |
Pattaroni, Luca Delley, Lucien Jacot-Descombes, Fabien Hamel, Nils |
author2_role |
author author author author |
dc.contributor.author.fl_str_mv |
Drevon, Guillaume Pattaroni, Luca Delley, Lucien Jacot-Descombes, Fabien Hamel, Nils |
dc.subject.por.fl_str_mv |
eventful city; GIS; hyper-place; mobility; Montreux Jazz Festival; rhythmanalysis; rhythmic scales; Time Machine; visualisation |
topic |
eventful city; GIS; hyper-place; mobility; Montreux Jazz Festival; rhythmanalysis; rhythmic scales; Time Machine; visualisation |
description |
This article proposes an original approach to urban events mapping. At the theoretical level, the article is based on rhythmanalysis and recent research on urban rhythms. It contrasts with previous research by departing from everyday rhythms to tackle the specific rhythms of urban events. Drawing on this theoretical framework, the article proposes to analyse the rhythms of the Montreux Jazz Festival. The article proposes two main types of rhythmic scales, linked with the historical development of the Festival and its annual performance. The methodology is based on a mixed method of data collection and an original analysis framework. The analysis of the historical rhythm is carried out based on the analysis of the festival archives and interviews with experts. The analysis uses the Time Machine visualisation device that reveals three processes of urban resonance: the spread, which shows how the festival is integrated into the existing urban fabric; the openness, which shows accessibility; and the grip, which seeks to evaluate the urban sphere of influence of the event. These different visualisations are enriched by the addition of other data, including ticket scanning and commercial transactions that show the alternance between high and low-intensity periods. These allowed us to not only confirm the impact of programming on flows, but also the effects of the wider organisation of the leisure system. The results of the analysis show that the intertwining of the two rhythmic scales produces a hyper-place that resonates both internationally and locally. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.17645/up.v5i2.2940 oai:ojs.cogitatiopress.com:article/2940 |
url |
https://doi.org/10.17645/up.v5i2.2940 |
identifier_str_mv |
oai:ojs.cogitatiopress.com:article/2940 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://www.cogitatiopress.com/urbanplanning/article/view/2940 https://doi.org/10.17645/up.v5i2.2940 https://www.cogitatiopress.com/urbanplanning/article/view/2940/2940 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Cogitatio |
publisher.none.fl_str_mv |
Cogitatio |
dc.source.none.fl_str_mv |
Urban Planning; Vol 5, No 2 (2020): Territories in Time: Mapping Palimpsest Horizons; 280-295 2183-7635 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799130667359928320 |