Manuel Gusmão : brevíssimo retrato em forma de alfabeto
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/84848 |
Resumo: | Great poetry works always propose a constellation of words that is directly associated with the uniqueness of a singular poiesis. Poems use these words as heuristic tools, in very particular correlations, and in this sense words such as promise, flame, savagery or screen belong to Manuel Gusmão's vocabulary. Although they also belong to the reader's discourse, these terms acquire a particular sense in the context of Gusmão's work because they draw the poet's map of concepts, his "world-version". What they mean is never paraphrasable because such words are like fingerprints, operators for thought. Analyzing this kind of words we will try to observe how singularity and alterity are articulated in Manuel Gusmao's writing. |
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Manuel Gusmão : brevíssimo retrato em forma de alfabetoHumanidadesHumanitiesGreat poetry works always propose a constellation of words that is directly associated with the uniqueness of a singular poiesis. Poems use these words as heuristic tools, in very particular correlations, and in this sense words such as promise, flame, savagery or screen belong to Manuel Gusmão's vocabulary. Although they also belong to the reader's discourse, these terms acquire a particular sense in the context of Gusmão's work because they draw the poet's map of concepts, his "world-version". What they mean is never paraphrasable because such words are like fingerprints, operators for thought. Analyzing this kind of words we will try to observe how singularity and alterity are articulated in Manuel Gusmao's writing.20152015-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/84848por1676-515X10.17851/2359-0076.35.53.11-24Martelo, Rosa Mariainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T15:20:59Zoai:repositorio-aberto.up.pt:10216/84848Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:21:21.172352Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Manuel Gusmão : brevíssimo retrato em forma de alfabeto |
title |
Manuel Gusmão : brevíssimo retrato em forma de alfabeto |
spellingShingle |
Manuel Gusmão : brevíssimo retrato em forma de alfabeto Martelo, Rosa Maria Humanidades Humanities |
title_short |
Manuel Gusmão : brevíssimo retrato em forma de alfabeto |
title_full |
Manuel Gusmão : brevíssimo retrato em forma de alfabeto |
title_fullStr |
Manuel Gusmão : brevíssimo retrato em forma de alfabeto |
title_full_unstemmed |
Manuel Gusmão : brevíssimo retrato em forma de alfabeto |
title_sort |
Manuel Gusmão : brevíssimo retrato em forma de alfabeto |
author |
Martelo, Rosa Maria |
author_facet |
Martelo, Rosa Maria |
author_role |
author |
dc.contributor.author.fl_str_mv |
Martelo, Rosa Maria |
dc.subject.por.fl_str_mv |
Humanidades Humanities |
topic |
Humanidades Humanities |
description |
Great poetry works always propose a constellation of words that is directly associated with the uniqueness of a singular poiesis. Poems use these words as heuristic tools, in very particular correlations, and in this sense words such as promise, flame, savagery or screen belong to Manuel Gusmão's vocabulary. Although they also belong to the reader's discourse, these terms acquire a particular sense in the context of Gusmão's work because they draw the poet's map of concepts, his "world-version". What they mean is never paraphrasable because such words are like fingerprints, operators for thought. Analyzing this kind of words we will try to observe how singularity and alterity are articulated in Manuel Gusmao's writing. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015 2015-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/84848 |
url |
https://hdl.handle.net/10216/84848 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
1676-515X 10.17851/2359-0076.35.53.11-24 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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